Uma mulher passa a noite lutando por sua existência enquanto desliza por uma toca de coelho contida em um presente de um visitante noturno.Uma mulher passa a noite lutando por sua existência enquanto desliza por uma toca de coelho contida em um presente de um visitante noturno.Uma mulher passa a noite lutando por sua existência enquanto desliza por uma toca de coelho contida em um presente de um visitante noturno.
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Avaliações em destaque
Meh
I wanted to love this. I had high hopes especially with Dakota in it. However, if you want to see Dakota Fanning cry for an hour and nothing really significant happen, then this is the movie for you. No jump scares and really just a bunch of "gross" moments that lead to more boringness. I won't recommend to my friends.
Review - Vicious
There's something fascinating about horror films that don't rely on cheap jump scares, but instead on a slow-building tension-a breath held just before the scream. *Vicious*, though not a masterpiece of the genre, belongs firmly to that tradition. It's a film that understands the power of silence, of shadow, of solitude-and that's precisely where its strength lies.
The director (with a restrained, almost clinical gaze) offers a kind of horror that doesn't need flamboyant monsters or noisy special effects. Its weapon is discomfort. Each dimly lit corridor, each distant sound, feels like an invitation for the viewer to step into a psychological space where fear comes not from what's outside, but from within.
Visually, the film succeeds. The cold cinematography and meticulous sound design create a subtle claustrophobia reminiscent of works like *The Babadook* or *The Others*. There are truly unsettling moments-particularly when the narrative strips itself of explanations and dives into pure instinctive fear. These are scenes that linger, not because of their violence, but because of what they suggest-a rare merit in contemporary horror.
However, *Vicious* stumbles on what separates the good from the unforgettable: narrative cohesion. The screenplay, while functional, lacks boldness. The characters' motivations are sometimes shallow, and the structure leans on predictable choices, preventing the film from achieving the psychological depth it initially promises.
Even so, it would be unfair to dismiss it. Because *Vicious* doesn't just aim to scare-it aims to draw you in. Alone, in the stillness of night, the viewer feels that tension grow like a premonition. The film doesn't reinvent the genre, but it accomplishes something essential: it restores to horror that atmosphere of vulnerability, where true fear lies not in what's seen, but in what's heard when you thought you were alone.
A psychological thriller with moments of genuine horror, more effective in atmosphere than in storytelling. A must-watch for those who value fear crafted with elegance and restraint.
The director (with a restrained, almost clinical gaze) offers a kind of horror that doesn't need flamboyant monsters or noisy special effects. Its weapon is discomfort. Each dimly lit corridor, each distant sound, feels like an invitation for the viewer to step into a psychological space where fear comes not from what's outside, but from within.
Visually, the film succeeds. The cold cinematography and meticulous sound design create a subtle claustrophobia reminiscent of works like *The Babadook* or *The Others*. There are truly unsettling moments-particularly when the narrative strips itself of explanations and dives into pure instinctive fear. These are scenes that linger, not because of their violence, but because of what they suggest-a rare merit in contemporary horror.
However, *Vicious* stumbles on what separates the good from the unforgettable: narrative cohesion. The screenplay, while functional, lacks boldness. The characters' motivations are sometimes shallow, and the structure leans on predictable choices, preventing the film from achieving the psychological depth it initially promises.
Even so, it would be unfair to dismiss it. Because *Vicious* doesn't just aim to scare-it aims to draw you in. Alone, in the stillness of night, the viewer feels that tension grow like a premonition. The film doesn't reinvent the genre, but it accomplishes something essential: it restores to horror that atmosphere of vulnerability, where true fear lies not in what's seen, but in what's heard when you thought you were alone.
A psychological thriller with moments of genuine horror, more effective in atmosphere than in storytelling. A must-watch for those who value fear crafted with elegance and restraint.
Not Good
If you enjoy listening to someone gasp-cry for an hour and a half this will be the perfect movie for you. Can't say there's really any spoilers here since the plot was 90% listening to the relentless gasping of the lead character. Might have been 100% of said gasping but with 20 minutes to go everyone in the room agreed that we couldn't take it anymore and we turned it off.
What was the point?
Where do you start with this film? The wee old lady with a strange box, who knocks on the door? The voices from beyond and on the phone? The wee old lady who shows up later?
Who was she? Where did the box come from? Who really cares?
That's the best I can say about it.
Except to say, I wouldn't bother wasting your time.
Who was she? Where did the box come from? Who really cares?
That's the best I can say about it.
Except to say, I wouldn't bother wasting your time.
Awful
Dakota Fanning gives it her all here. But this lame horror movie just doesn't cut it.
I'm not sure there was even a plot. An old woman shows up with a mysterious box that refuses to go away unless Fanning does some bloody horrendous stuff to stop it. But is some or all of the movie just in her head? Who knows?
Gore hounds might like the movie but anyone wanting something deeper or more psychological will be disappointed. As it at least ticks every box when it comes to horror cliches.
There's maybe one creepy moment early on. But soon it's just rehashes of things we've seen before in better movies. The films constant mind games and twisting of reality quickly get tiresome, as it makes less and less sense as it goes on. It more than outstay it's welcome too. Feeling way longer than it actually is.
I'm not sure there was even a plot. An old woman shows up with a mysterious box that refuses to go away unless Fanning does some bloody horrendous stuff to stop it. But is some or all of the movie just in her head? Who knows?
Gore hounds might like the movie but anyone wanting something deeper or more psychological will be disappointed. As it at least ticks every box when it comes to horror cliches.
There's maybe one creepy moment early on. But soon it's just rehashes of things we've seen before in better movies. The films constant mind games and twisting of reality quickly get tiresome, as it makes less and less sense as it goes on. It more than outstay it's welcome too. Feeling way longer than it actually is.
Horror Heroines on Paramount+
Horror Heroines on Paramount+
From "Yellowjackets" to Vicious, scream queens take center stage in these movies and series streaming on Paramount+.
Você sabia?
- CuriosidadesDakota Fanning gifted each of the crew members an engraved hourglass.
- Erros de gravaçãoWhen the main character finishes a phone conversation on her cell phone, a rapid beeping sound is heard. This sound is only heard on landlines when a phone is off the hook for an extended period of time and would not apply to a cell phone.
- Trilhas sonorasDedicated to the One I Love
Written by Ralph Bass & Lowman Pauling
Performed by The Mamas and the Papas
Courtesy of Geffen Records under license from Universal Music Enterprises
Principais escolhas
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Detalhes
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Proporção
- 2.39:1
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