Um casal cujo prédio de apartamentos é subitamente cercado por uma misteriosa parede de tijolos e que precisa trabalhar com os vizinhos para encontrar uma saída.Um casal cujo prédio de apartamentos é subitamente cercado por uma misteriosa parede de tijolos e que precisa trabalhar com os vizinhos para encontrar uma saída.Um casal cujo prédio de apartamentos é subitamente cercado por uma misteriosa parede de tijolos e que precisa trabalhar com os vizinhos para encontrar uma saída.
- Direção
- Roteiristas
- Artistas
Ashley Adler
- Olivia
- (English version)
- (narração)
Alex Chacon
- Friedman
- (English version)
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I'm a bit surprised at the number of one-star reviews for this film. "Bad acting," "Dumb script," etc. I actually thought this was the time of storyline that Rod Serling would have written for a Twilight Zone episode and certainly intriguing enough to hold my attention throughout. The story centers on the husband and wife whose relationship is now in ruins. The other characters suffer from lack of development. I'm wondering if some viewers watched this film in the dubbed version -- where the English speaking dubbers are indeed bad and the translations awkward. I watched the subtitled version and I so no problems at all with the acting. Certainly the basic plot arc is not original -- it is similar to films like Saw, Escape Room, Cube and even Poseidon Adventure: characters must work together in order to escape and survive. But I found the film atmospheric and engaging. Granted the whole creation of the impenetrable wall and what has caused it is far fetched, but so what. There is also in interesting visual correlative throw in -- the fly. I wish there had been more visual moments like this, but just sit back and enjoy a "Twilight Zone" style story.
Honestly, it felt like a bit of a strange experience. The story had a good idea behind it, but the execution didn't impress me much. The pacing was slow in some parts, which made the events drag on unnecessarily.
What I did enjoy was the overall atmosphere and the way they shot the scenes, especially the lighting and the style that kept a sense of mystery throughout. The acting was okay, but it didn't have the impact I was expecting.
Overall, the film has a few interesting moments, but it didn't fully grab my attention the whole time. It could have been better if they had cut down on the slow parts and focused more on the characters.
An average experience-I don't think I'd want to watch it again.
What I did enjoy was the overall atmosphere and the way they shot the scenes, especially the lighting and the style that kept a sense of mystery throughout. The acting was okay, but it didn't have the impact I was expecting.
Overall, the film has a few interesting moments, but it didn't fully grab my attention the whole time. It could have been better if they had cut down on the slow parts and focused more on the characters.
An average experience-I don't think I'd want to watch it again.
Brick is a classic example of a film with a fascinating concept but frustrating execution. Visually and thematically, it promises a lot; a surreal urban prison, mysterious walls, and hints of deeper societal metaphors. The creativity is undeniable, and the premise alone earns some respect. Unfortunately, that's where the praise ends. The flow is muddled, the plot is meandering, and any emotional resonance falls completely flat. It is as if the movie wanted to be some sort of sci-fi thriller, but shifted into almost a drama. It is confusing, and not focused on the plot itself.
It leaves you more detached than intrigued. Once the credits roll, there's little desire to revisit; simply because it is unsatisfying. A wasted opportunity wrapped in a high-concept shell.
It leaves you more detached than intrigued. Once the credits roll, there's little desire to revisit; simply because it is unsatisfying. A wasted opportunity wrapped in a high-concept shell.
I like science fiction movies, so when I saw Netflix was releasing Brick, a film where people get mysteriously trapped in their apartments, I was immediately intrigued. Add Matthias Schweighöfer to the mix and I was in. (Fun fact: I didn't know he was German, but the last name should've tipped me off.)
The premise is cool: Tim (Schweighöfer) and his girlfriend Olivia (played by Ruby O. Fee) suddenly find themselves sealed inside their home by strange walls. They can't get out, but they can break through floors and walls into neighboring apartments. That's how they meet others in the same situation and form a group determined to escape.
The concept is strong, and I'll admit: I wanted to know what would happen next. There's suspense, tension, and a mysterious "end-of-the-world" atmosphere that kept me engaged. But... it's far from perfect.
Each character is given a brief backstory, but then when they die, it often feels pointless. Their background doesn't really feed into the story, and I was left wondering why the film spent time introducing it in the first place.
And while some moments are truly tense, others are unintentionally funny or just poorly written. A woman stuck halfway inside a wall? It's supposed to be horrific, but comes off as bizarre slapstick. A supposed villain taped to a chair escapes like it's a magic trick, which breaks the tension instead of building it.
There are also logic issues. One guy, who lost his hands, somehow figured out how to open part of the wall using advanced tech he shouldn't have access to. It's never explained. Plot holes like these hurt the believability, and that's especially annoying in a film that wants to be taken seriously.
Working in building maintenance myself, I also couldn't help but notice: the way the apartments are structured (with everyone able to break through floors so conveniently) is completely unrealistic. It took me out of the experience more than once.
That said, the ending was strong. Dark, grim, and oddly satisfying. It fit the tone of the story and didn't try to sugarcoat anything. I respect that.
So why a 6/10? Because despite the flaws, Brick does keep you watching. It's an original idea with a solid atmosphere and decent performances. But with lazy writing in key moments and too many logical gaps, it falls short of being the smart, grounded sci-fi it wants to be.
The premise is cool: Tim (Schweighöfer) and his girlfriend Olivia (played by Ruby O. Fee) suddenly find themselves sealed inside their home by strange walls. They can't get out, but they can break through floors and walls into neighboring apartments. That's how they meet others in the same situation and form a group determined to escape.
The concept is strong, and I'll admit: I wanted to know what would happen next. There's suspense, tension, and a mysterious "end-of-the-world" atmosphere that kept me engaged. But... it's far from perfect.
Each character is given a brief backstory, but then when they die, it often feels pointless. Their background doesn't really feed into the story, and I was left wondering why the film spent time introducing it in the first place.
And while some moments are truly tense, others are unintentionally funny or just poorly written. A woman stuck halfway inside a wall? It's supposed to be horrific, but comes off as bizarre slapstick. A supposed villain taped to a chair escapes like it's a magic trick, which breaks the tension instead of building it.
There are also logic issues. One guy, who lost his hands, somehow figured out how to open part of the wall using advanced tech he shouldn't have access to. It's never explained. Plot holes like these hurt the believability, and that's especially annoying in a film that wants to be taken seriously.
Working in building maintenance myself, I also couldn't help but notice: the way the apartments are structured (with everyone able to break through floors so conveniently) is completely unrealistic. It took me out of the experience more than once.
That said, the ending was strong. Dark, grim, and oddly satisfying. It fit the tone of the story and didn't try to sugarcoat anything. I respect that.
So why a 6/10? Because despite the flaws, Brick does keep you watching. It's an original idea with a solid atmosphere and decent performances. But with lazy writing in key moments and too many logical gaps, it falls short of being the smart, grounded sci-fi it wants to be.
Brick is the ultimate grandmother of all bad movies ever made. So bad you can hardly believe it. Incredibly lame with a stupid story that leads nowhere. Who writes this stuff? Who at Netflix thinks, "hey this sound really cool. How much money do you need? I mean, we are Netflix, we swim in money." The entire 2nd act, (if one can call it that) is so painfully boring. Every character is undeveloped, has no goal and is totally unappealing. What a waist of time. The director (also the author) behind this drama has no idea how to build suspense. Do you see any fear, sweat, tears or anger in the characters? No. The whole thing was probably shot on some soundstage in Eastern Europe (because it was cheap). Just an embarrassing movie.
Você sabia?
- CuriosidadesFor the English dubbing, only Tim (Matthias Schweighöfer) was performed by the original actor.
- Erros de gravaçãoIf the bricks are magnetic, the sledge hammer would be attracted to the bricks.
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El muro negro
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 39 min(99 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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