Thudarum

THUDARUM IS THE ULTIMATE BAAAP OF EMPURAAN - and I mean that with full respect! Seriously! I know comparing this flick to Empuraan is like comparing pizza to pazham pori - totally different leagues, but that pure OG Lalettan kick you get walking out? Had. To. Say. It! This movie? It's a whole vibe, so much to unpack, so many moments that made me wanna whistle and hoot in the theatre. Gotta hand it to MOHANLAL a.k.a. Benzz! He's just there, straight-up owning the director's vision like a total thug (gunda). And when George gets a taste of that? Pure satisfaction for us all!

That ending though - "MOHANLAL THUDARUM" just blazed across the screen, and it leaves you stepping out thinking, damn, Benzz could've gone full beast mode on that fool George! I know "Empuraan" sometimes felt like Lalettan's sheer aura swallowed the story a bit, but here? Total opposite! It ain't about some chest-thumping end, but you'll connect with Mohanlal's journey, feel that satisfaction deep down. And even that message about honor killings? They slipped it in there smooth, you know. Massy impact.

"Thudarum" is the perfect fanboy feast - balancing that classy touch with some hardcore mass moments, throwing in hilarious Lalettan references without being cheesy, just hitting that sweet spot. For example, we can say Pulimurugan, Bhramaram, and Drishyam, and this film's got the best of all three: a great family drama with some cool massy thriller moments. Can you believe it? This is Lalettan's 3rd release in just 4 months! After the visual spectacle of Barroz 3D and the epic slow-burn Empuraan, he drops Thudarum - and HOLY MOLY, THIS IS BOSS LEVEL! Director Tharun Moorthy gave Lalettan the ULTIMATE terrain - mass swag, acting chops, everything.

The story is simple, just like we saw in the trailer. Shanmugham (Lalettan, who else would it be?), a middle-class taxi anna who loves his ride. He lives with his wife Lalitha (Shobana, still ruling!), whom he met during his action hero days in Madras. Life's cruising along - UNTIL THE LAW ENFORCEMENT SNATCHES HIS RIDE! Now, Shanmugham's on a MISSION: GET HIS BABY BACK, and the chaos that follows? Sounds simple, right? But trust me, it's gonna be fire.

The first half is pure nostalgia with Lalettan references and light-hearted fun that's all warm and fuzzy right up to the intermission. But that one sequence? Seriously next level. The temple festival, the forest visuals playing against everything else - pure cinematic class with a mass connect. The hunt for his car in the second half turns into a full-on police showdown, power games with a sweet payback - all backed by an incredible BGM by THE Jakes Bejoy, who is on fire. Plus, there are these two awesome action scenes, just Mohanlal being totally badass - pure, unadulterated Mohanlal-esque dynamism. Nothing beats the sheer panache of our protagonist in a well-draped mundu. Honestly, those 'Empuraan' suits? I'll take Lalettan in a mundu any day.

FINAL VERDICT? Even if the initial pacing feels leisurely or some emotional beats don't quite land for you, stay with it. I promise you the second half, the moment Lalettan shifts gears and that incredible score driving the action, any minor flaws become insignificant. THUDARUM IS A RIDE YOU ABSOLUTELY CANNOT MISS!

So Lalettan is a retired stunt master/fighter. A million scenes dedicated to reiterate this particular point...this is the first half. Then tragedy strikes and answers to the pre interval build ups...beating the baddies to pulp. This is being touted as vintage Mohan Lal and blah blah blah. Every scene written to squeeze out the past Lalettan looks forced and fake just like the photoshopped images on the walls. Shobhana is added to mishmash,again to evoke the late 80s vibe, nothing special. Jakes Bejoy here decided to run a riot on the viewers eardrums...songs are pleasing but bgm is loud and jarring. The new villain makes his presence felt. Overrated.

Rating - 4.25/5

A feel good family drama on its course changing its dynamics onto a nail biting emotional thriller.

The plot of the story is about a taxi driver,leading a peaceful family life in the hillside town of Pathanamthitta was drawn into a series of events surrounding his car which later turns out to be a chaos and tyranny questioning the wellbeing of his family.

The anticipation for watching this movie was higher with the sense of satisfaction and solace received through the rooted storytelling style,core humanitarian values and ideologies that Tharun portrayed through his previous outings, and this time he has absolutely nailed it. K R Sunil's story brought to life through Tharun's narrative template and the six year long wait by Rejaputhra Renjith for handing over the story to the right hands bore fruit today as an absolute peak cinema. Tharun has effortlessly carried the narration from a family drama elevating to a painful emotional thriller thereby proving his mettle to handle distinct genres. He is the modern school of realistic filmmaking and he knows how to move the cards. Stay the same and roar peak wild cinema.

Mohanlal was in his best form and is presented on screen in his complete aura as a middle class family man as cherished by Lalettan fans. This film can be termed as the best example on how actor Mohanlal can be sculpted to perfection when given in perfect hands. Shobana also gave an impeccable performance as a bold and brave lady managing her family and their combo is still a delight to watch even after 30 years. The Kingmaker of Indian ads,the Zoo zoo man,Prakash Varma is the absolute show stealer from start to end. Mind blowing performance with his debut film and the way he carries his character through the subtlety given to the nuanced layers was evident on screen as the film progresses. Binu Pappu has given one of his best performances in this film. Maniyanpillai Raju,Farhaan Faasil & Irshad Ali also made notable performances.

Veteran DOP Shaji Kumar has captured stunning visuals across various terrains perfectly weaved together by Shafique Mohammed Ali with the eternal grace of Nishadh Yusuf. Jakes BGM's that harmonised with the motion pixels elevated the movie giving a persisting painful experience to the viewers bolstered with Vishnu Govind's thoughtful and crystal cut sound design. Lalettan's action sequences is a treat to watch and hats off to Stunt Silva for bringing back Lalettan in the way we wanted.

A must watch film with family in theatres promising a paisa vasool deal and an absolute cinematic gem.

After Drushyam, I don't recall Mohanlal acting in another family thriller. He's mostly been focusing on pan-Indian or big action dramas like L2: Empuraan. While he's done a few suspense thrillers here and there, they didn't really fall into the family thriller category. Now, after several years, he's back in that space with Thudarum. I wouldn't compare it to Drushyam-even though many are drawing parallels-because this one has a unique story and a completely different screenplay. Still, it comfortably fits under the "family thriller" label.

What's impressive is that Thudarum, made on a modest budget of around 30 crore, has already grossed over 200 crore. That kind of success clearly comes down to its strong story, direction, and screenplay.

Thanks to OTT platforms, I've recently been watching more Malayalam films, and honestly, the Malayalam industry feels like the Korean film industry of India. There's a clear focus on storytelling and screenplay rather than just star power. Thudarum is another solid example of that quality. Of course, having a star like Mohanlal helps-it definitely contributed to the film's reach and collections.

The film follows Benz, a taxi driver leading a simple life. He was once a stunt double in films, but after an accident involving a close friend, he had to leave that line of work. Now, a misunderstanding leads to his beloved taxi being seized by the police. Despite his repeated pleas, a stubborn officer, SI Benny, refuses to return the car. But Benz is determined to get it back, no matter what. That determination kicks off a series of unexpected events that shape the rest of the story-something you'll want to experience firsthand.

True to the spirit of Malayalam cinema, Thudarum offers depth-both in characters and in the multi-layered screenplay. Each character feels real and well-developed, and the layered storytelling keeps you hooked throughout.

Mohanlal is fantastic. He completely disappears into the role of Benz. Whether it's helplessness, frustration, quiet rage, or subtle emotion, he nails every shade. There are some commercial touches too-action scenes and fights-but they feel believable because Benz is established as a former stuntman. Shobana, who plays his wife, is excellent as always. But the real surprise is Prakash Varma as CI George Mathan. I can't say too much without spoiling things, but his performance is one of the highlights.

Tharun Moorthy's direction is top-notch, and the music adds to the film's atmosphere. Editing by Nishadh and Shafeeque is sharp and crucial for a film like this-it keeps the pace tight without losing emotional depth.

Overall, Thudarum is another gem from the Malayalam industry. And with Mohanlal leading the way, the film strikes a balance between class and mass appeal. Both kinds of audiences will find something to enjoy here.

Thudarum, a recent Malayalam crime thriller, arrived with considerable hype, promising a gripping narrative powered by stalwarts like Mohanlal and Shobhana. While the film delivers in patches-showcasing stellar performances and technical finesse-it struggles to rise above a formulaic storyline and inconsistent direction, ultimately feeling like a missed opportunity to transcend genre conventions.

The writing lacks freshness, making key twists feel telegraphed and diluting suspense. However, the cast elevates the material. Mohanlal brings his trademark gravitas to the role, though it's far from his most challenging. The real scene-stealer is the anti-hero, portrayed with chilling charisma, whose layered performance adds much-needed intrigue. Shobhana, in a limited role, impresses with her poise and emotional depth, leaving viewers wishing her character had more screen time.

Technically, Thudarum shines. The cinematography is atmospheric, using shadows and tight frames to amplify tension, while the background score (BGM) complements the gritty tone with pulsating rhythms. That said, the direction falters in pacing, with sluggish stretches disrupting momentum. The film's inability to balance style with substance becomes evident as it progresses, relying too heavily on star power rather than narrative innovation.

Thudarum is a watchable yet uneven experience. While Mohanlal's presence, the anti-hero's magnetic performance, and Shobhana's brilliance anchor the film, the derivative script and lackluster direction hold it back. The technical prowess and gripping BGM make it visually and aurally engaging, but the overhyped project never fully transcends its mediocrity. For die-hard fans of the cast, it's a decent one-time watch; for others, it's a reminder that even a stellar ensemble can't salvage a story that plays it too safe.