Tudo que Imaginamos como Luz

Three women of different generations living in Mumbai struggle with life, love, the future, each with her own perspective, experiences, choices and fears. Love is hard in India.

It aims to be a moody, atmospheric movie for the most part and it succeeds I think, but I wish it had been better shot. There is so much opportunity here to do amazing cinematography and it just wasn't that. Thing WKW. This could have been that level of beauty. It had all the right sights and vibes.

I don't know if I am fully satisfied by what I saw because I kept imagining how much better it could have looked at times. Maybe that is unfair to the writer/director. Maybe associating it with other iconic mood pieces is not fair either. For the topics and the dialogues and the actresses it deserves its place in modern Indian cinema I think. I haven't seen many Indian movies, some of them where better in the looks department, others much worse in the story and character development department. So I think it's fair to place it with the better ones.

A little too long and unfocused at times. That's why I'm saying top notch cinematography would've gotten us to forgive its flaws.

She made peace with the young love and embraced it -something she missed on herself- only after she gave herself a closure, a form of confrontation through projection, her own emotional catharsis.

I loved the relationship all three women had with each other, real, quite and safe, yet not too dramatic and unrealistic as you can still sense the distance and emotional complexities between them -as in any human relationship-.

The slow pace of the movie, while I definitely understand that it's not for everyone's liking, made the emotions seen throughout the movie, more felt, amplified..

Note: The track at the final scene was also beautiful and deserves a thank you -from me-.

Quiet and fragile, 'All We Imagine as Light' delicately unfolds life in Mumbai, capturing the solitude of its protagonists in a city full of movement. The film beautifully juxtaposes the stillness of personal struggles against the relentless pace of urban life, creating an intimate yet universal portrait of longing and resilience. However, while the storytelling is subtle and poetic, it lacks a true climax, leaving certain narrative threads unresolved. Despite this, the film's delicate atmosphere, compelling performances, and evocative cinematography make it a poignant, meditative experience that lingers beyond the screen.

I have a profound appreciation for directors who possess this inherent ability to extract moments of intrigue from the monotonous aspects of life.

These filmmakers can illuminate even the most repetitive daily activities in a fresh manner, all while weaving narratives that delve deeper into complexities of human psychology and interpersonal relationships.

Payal Kapadia is one amongst them.

Her exploration of a wife's tiring loneliness, a young woman's sexual desires, and an elderly woman's struggle to leave her beloved home presents three women in circumstances that test their morals, challenge their upbringing, and, most importantly, confront their flawed perspectives.

While I admire Kapadia's narrative prowess, it is evident that the themes she addresses lack sufficient depth for development. The notable absence of conflict restricts the potential for these stories to evolve into something more substantive.

Not suggesting they didn't bear any fruits, but looking at the subjects being discussed, I had hoped for better.

A powerfully melancholic & profoundly intimate slice of social realism that's further bolstered by outstanding performances from its trio of ladies, All We Imagine As Light is as perceptive as it is patient, as vociferous in its silence as it is contemplative in its portrait and is as expertly crafted as it is sensibly told, thus announcing the arrival of a bold & fresh creative voice from the Indian filmmaking scene.

Written & directed by Payal Kapadia in her feature film debut, the film is an earnest reflection of everyday life in the bustling cosmopolitan that is Mumbai and makes for a sobering observation of the confines & constraints within which women of Indian society exist. Kapadia takes her time to acquaint us with her characters, gives them ample space to breathe and shows their plight & desires with tenderness.

What stands out about Kapadia's direction is the compassion in the sketching of her characters and gentleness with which each scene is shot. The cinematography is breathtaking, illuminating the rain-drenched, dimly-lit streets & spaces of the city in gorgeous colour palette, with camera angles that add to its mesmerising quality while additional enrichment comes from the excellent performances, evocative score & layered depths.

Overall, All We Imagine As Light inclines more towards an arthouse endeavour than mainstream offering and isn't going to satisfy every palate. The first half of the film is thoroughly riveting but once the setting changes from Mumbai to the beach town, the story slows down considerably & its runtime is deeply felt too despite the closure it brings. Ruminating on womanhood, loneliness, female desire & insecurities, Kapadia's film is a poetic meditation on migrant life in modern India.