McVeigh

"McVeigh" (2024) attempts to chronicle the descent of Timothy McVeigh into domestic terrorism, but ultimately fails to provide a compelling or insightful portrayal of its subject. Directed by Mike Ott, the film had the potential to explore the psychological and ideological motivations behind one of the most infamous crimes in American history. Instead, it delivers a hollow, underdeveloped narrative that neither informs nor engages.

One of the film's biggest flaws is its lack of character development. McVeigh's disillusionment with the U. S. government-particularly his anger towards the federal response at Waco-is a crucial aspect of his radicalization, yet the movie barely touches on it. Without a deeper look into his beliefs and frustrations, McVeigh comes across as a one-dimensional figure, reducing the film's impact. The supporting characters are similarly neglected, existing only to move the plot forward rather than adding any real depth or nuance.

As a thriller, McVeigh is disappointingly flat. There's little tension, and the pacing drags, making it a struggle to stay engaged. The lack of emotional weight or psychological insight leaves the film feeling empty, as though it merely goes through the motions without saying anything meaningful. Even Alfie Allen's performance as McVeigh feels restrained, likely due to the script's failure to provide any real substance for him to work with.

Overall, McVeigh squanders its potential. Instead of offering a gripping or thought-provoking look at its subject, it settles for a superficial retelling that neither informs nor captivates. A film tackling such a disturbing and complex event should leave an impact-this one doesn't.

If a movie could actually be beyond boring, this would be it. Timothy McVeigh had to be more interesting than he is portrayed here because in this movie he barely exists. Alfie Allen was an extremely poor choice to play McVeigh because while he is given nothing at all to do on screen, he is too old to play McVeigh and looks nothing like him. The film is just a montage of trailers, dated wood paneling , seedy bars and diners. We learn nothing about McVeigh or anyone else. The entire movie is the lead up to the bombing but virtually nothing happens. For some reason a romance is thrown in that I don't think happened and Allen as McVeigh just seems to wander from place to place looking miserable, disturbed and suspicious. The movie is so poorly made I had no idea who the characters were suppose to be in real life. There is very little dialogue, and it seems as if they decided recreating a time period was enough. An awful film with zero redeeming qualities.

Such a poorly made film. The writing and directing in particular are truly bad. Turns out the writer and director are the same clueless man. A Mr Ott. I hope Mr Ott has a day job. Perhaps it is true that morons like McVeigh have no friends, no personality and no prospects. Mindless cowards who find purpose in hate. Yet a movie about a dull witted, friendless, stupid man does not have to be the same. This film is really boring. We gain not one ounce of insight into McVeigh. He is on the phone to somebody. A lot. We never know who. The photography is as bad as the writing. Dull shots framed in dullness. It is hard to say about the actors. They were doing what they were paid to do, which is mostly nothing. It could have been a contender, to try and give the viewers some insight into this mindless and soulless act of murder and destruction, but that did not happen. If you are looking for even the tiniest shred of insight, it is not here. I watched this turkey so you don't have to. Give it a hard pass. You will have missed absolutely nothing. I only gave it a 3 because it is, in a small and sad way, at least an effort at understanding stupid, aimless and lost men like McVeigh. But F for effort.

Standing around and being quiet for an hour and a half doesn't make a good movie. These people had no idea what genre of movie they were making. They needed to explain these peoples thought process why they did what they did and give details of how they did it not drawn out, silences, trying to make suspense out of a true life story that people already know it's not a horror movie.

I can only wonder what this script must've look like drawn out silence... Drawn out silence... What should we do here? Let's have some people just stare at each other to try to build suspense... Most people were worried they would get details wrong. They didn't get details wrong. They got the plot to the movie wrong.

Was really hoping this was cut from the same script-pages as Tony Stone's exceptional "Ted K" (2021), but make no mistake, this is the Lifetime Channel Presents or Edward James Olmos (á la AMERICAN ME) version of the Oklahoma City Bombing and its principal architect. Totally controversy-free, favoring theatrics and creator's liberties (w source material) with the goal of producing conventional, feature-length bio-pic. DNF.

Found out the guy who directed this is seemingly a DailyWire MAGA type which checks out because it's hard to see what actually drew this guy to this story given how little he has to say about it. Weirdly Brett Gelman probably the most compelling presence here which is crazy because he's an unbearable POS (unanimously).