Um irmão e uma irmã descobrem um ritual aterrorizante na casa isolada de sua nova mãe adotiva.Um irmão e uma irmã descobrem um ritual aterrorizante na casa isolada de sua nova mãe adotiva.Um irmão e uma irmã descobrem um ritual aterrorizante na casa isolada de sua nova mãe adotiva.
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Avaliações em destaque
BRING HER BACK was everything I hoped it would be. It will absolutely nauseate thousands of people. While many will recognize it's greatness, an equal amount will call it "a terrible movie" because it will so effectively fill them with intensely negative feelings throughout it's entire runtime, as it intends to do, and as most of the greatest horror movies of all time do. It is utterly brutal, and wholly unnerving, with the power to sicken and traumatize. There are plenty of movies that feature relentless amounts of brutal violence, but BRING HER BACK manages to disturb on a deeper level, likely by way of the great majority of it's brutality occurring amongst children (and, kids who are being manipulated by an adult, on top of everything else). It is painful to watch things unfold, and that's what makes it a truly effective horror film.
I took a chance on the directors' first film TALK TO ME when it hit theaters a couple of years ago, and was blown away. Not only was it fiercely original with it's concepts and it's vibe, but it was more fun than the majority of horror films, and got WAY more cruel and intense than I was expecting in its second half. When I saw the trailer for this, I knew it was highly likely they would be taking the cruelty even further, and that is precisely what they have done.
Casting lead Sally Hawkins in this role is the most brilliant casting utilization I have seen this year thus far. She is most commonly known as playing heartwarming characters (like Paddington's adoptive mother), but here, as the villain she is utterly terrifying - I think that knack for playing warm characters adds to the horror of her character immensely, and with these elements combined it leads to by far the best performance I've ever seen by her - fully gut-wrenching. All of the kids that fill out of the rest of the cast were phenomenal as well. I can't even imagine being Jonah Wren Phillips and playing the poster boy character Oliver - the role is so colossally intense, it makes me wonder if it's going to effect him in reality for the rest of his life - I feel like it will have to in some form.
Beyond all else, it's clear that the Philippou brothers are intelligent people. They know how to dig into the audiences psyche with such precision, and one of the key ways they do that is by keeping their films rich with a level of psychological depth that a great majority of horror films are missing nowadays. The movie is brimming with dramatic themes that are the type of things that deeply traumatize children in reality - taking this and rounding it out with some truly hellish supernatural ideas and visual horror, and you have the recipe for an absolutely devastating horror film. I was also impressed with the level of emotive resonance that this brutal film managed to conjure during its finale - I was on the verge of tearing up, and that is very rare for horror. The only reason I don't give it a 10 out of 10 is because I know it will simply be too dark and brutal for a huge chunk of the population, it doesn't exactly cater to repeat viewings.
I took a chance on the directors' first film TALK TO ME when it hit theaters a couple of years ago, and was blown away. Not only was it fiercely original with it's concepts and it's vibe, but it was more fun than the majority of horror films, and got WAY more cruel and intense than I was expecting in its second half. When I saw the trailer for this, I knew it was highly likely they would be taking the cruelty even further, and that is precisely what they have done.
Casting lead Sally Hawkins in this role is the most brilliant casting utilization I have seen this year thus far. She is most commonly known as playing heartwarming characters (like Paddington's adoptive mother), but here, as the villain she is utterly terrifying - I think that knack for playing warm characters adds to the horror of her character immensely, and with these elements combined it leads to by far the best performance I've ever seen by her - fully gut-wrenching. All of the kids that fill out of the rest of the cast were phenomenal as well. I can't even imagine being Jonah Wren Phillips and playing the poster boy character Oliver - the role is so colossally intense, it makes me wonder if it's going to effect him in reality for the rest of his life - I feel like it will have to in some form.
Beyond all else, it's clear that the Philippou brothers are intelligent people. They know how to dig into the audiences psyche with such precision, and one of the key ways they do that is by keeping their films rich with a level of psychological depth that a great majority of horror films are missing nowadays. The movie is brimming with dramatic themes that are the type of things that deeply traumatize children in reality - taking this and rounding it out with some truly hellish supernatural ideas and visual horror, and you have the recipe for an absolutely devastating horror film. I was also impressed with the level of emotive resonance that this brutal film managed to conjure during its finale - I was on the verge of tearing up, and that is very rare for horror. The only reason I don't give it a 10 out of 10 is because I know it will simply be too dark and brutal for a huge chunk of the population, it doesn't exactly cater to repeat viewings.
Bring Her Back is a visual horror masterpiece that left me feeling a bit hollow.
I did have an emotional connection with the characters and each actor was on point. However the ending left me wanting way more. I understand visual story telling, and some things are better left unsaid but with this film I needed more exposition.
This movie could have really built some cool lore with the cult elements and the ancient demonic entity, but instead it was pretty much brushed over. I did enjoy the videotapes when we got to see them but I wanted to see how Laura acquired them. That would have been really cool.
The character of Oliver was by far my favorite and every scene he was in he stole the show.
Brother and sister Andy and Piper were great leads and you could really tell they loved each through all of this grief they experienced.
Laura was a wicked person who had her own motives and she definitely had me sympathetic for her at times.
Overall I'd recommend, it's not for the faint of heart. It's dark, bleak and depressing with a beautiful visual paint brush over the lens. The Philippou brothers are technically brilliant and I'm looking forward to any piece of art they decide to put out in the future.
I did have an emotional connection with the characters and each actor was on point. However the ending left me wanting way more. I understand visual story telling, and some things are better left unsaid but with this film I needed more exposition.
This movie could have really built some cool lore with the cult elements and the ancient demonic entity, but instead it was pretty much brushed over. I did enjoy the videotapes when we got to see them but I wanted to see how Laura acquired them. That would have been really cool.
The character of Oliver was by far my favorite and every scene he was in he stole the show.
Brother and sister Andy and Piper were great leads and you could really tell they loved each through all of this grief they experienced.
Laura was a wicked person who had her own motives and she definitely had me sympathetic for her at times.
Overall I'd recommend, it's not for the faint of heart. It's dark, bleak and depressing with a beautiful visual paint brush over the lens. The Philippou brothers are technically brilliant and I'm looking forward to any piece of art they decide to put out in the future.
I've just stepped out of 'Bring Her Back' preview, and I'm still trying to steady my heart rate. For me, it felt like watching early Ari Aster or the original 'Speak No Evil' - that same creeping dread, that slow-burn descent into absolute horror. So tense, so relentless, I genuinely forgot to breathe at points.
The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.
The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.
And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.
The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.
Definitely not disappointed.
The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.
The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.
And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.
The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.
Definitely not disappointed.
This is a horror movie that doesn't have to rely on jumpscares; it doesn't have to rely on possession or creepy rituals, even though it's got both. And gore; I had to look away in one scene in particular. The actual horror is the all-too believable manipulations of a foster mother with a hidden agenda, and our feeling of powerlessness to stop her. This was the kind of film that it would be excruciating to have to leave before seeing the end, because it makes you care about its characters so much. You'll probably even finding yourself root for the villain. This is the best horror movie I've seen in a while and it stuck with me for days.
I loved the acting , specially of Sally. Between moments you'd feel like you'd wanna punch her ,that's how good her acting is. Jonah tries his best for some sprinkle of horror, everytime he's on screen, he'd make sure you feel uncomfortable. Loved this movie for particularly the characters. The brother sister love is all over the movie.
It's not particularly horror, it's dark and depressing along with some gore elements sprinkled on top. Wait for the first half an hour for the character development and it takes off and never feels like a drag. No jump scare, wonderfully shot and the background score beautifully compliments the gore nature.
I'd recommend this movie wholeheartedly to everyone and would rate it a solid 8/10.
It's not particularly horror, it's dark and depressing along with some gore elements sprinkled on top. Wait for the first half an hour for the character development and it takes off and never feels like a drag. No jump scare, wonderfully shot and the background score beautifully compliments the gore nature.
I'd recommend this movie wholeheartedly to everyone and would rate it a solid 8/10.
Danny and Michael Philippou's 'Bring Her Back' Watchlist
Danny and Michael Philippou's 'Bring Her Back' Watchlist
Directors Danny and Michael Philippou share their Watchlist picks inspired by their new horror film Bring Her Back.
Você sabia?
- CuriosidadesSora Wong had "zero experience" acting professionally before she was cast in the film. Her mother came across a casting call on Facebook looking for a visually impaired girl. Wong was born with coloboma and microphthalmia, which left her blind in her left eye, with very weak vision in the right.
- Erros de gravaçãoAt the end of the film, when Piper is riding in the SUV and "hears" the airplane flying overhead, the airplane's wing tip lights are on the wrong sides. Red should be on the left and green on the right for the direction the plane is moving.
- ConexõesReferenced in The Nite-Cap: Potter Kids Cast! Superman | Fantastic 4 & More! (2025)
- Trilhas sonorasSummer with You
Written by Billy Barratt, Cody Molko, Myla Tailor, Bruno Bentovim and Carolyn Stenwall
Performed by The Hunger
Published by Control (PRS)
Licensed courtesy of Empire Artist Management/+44 MGMT
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Haz Que Regrese
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 19.323.752
- Fim de semana de estreia nos EUA e Canadá
- US$ 7.194.666
- 1 de jun. de 2025
- Faturamento bruto mundial
- US$ 27.523.752
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
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