Corrente do Mal

Greetings again from the darkness. Known for an endless stream of copycats and re-treads, the horror genre periodically surprises us with a dose of originality. Heck, we don't even ask horror filmmakers for anything too revolutionary … just give us something we haven't seen a few dozen times before. Writer/director David Robert Mitchell "gets it" and delivers a game of psycho-sexual-tag-you're-it featuring the most sinister STD ever.

A definite departure from the all-too-common teen slasher films, the slow-drip terror of this one has more in common with dread and eventuality than scream-inducing terror and "made you jump" scares. When we first meet Jay (Maika Monroe), she is a typical pushing-twenty student who enjoys leisurely swims in her suburban backyard pool, hanging out with friends, and a healthy dating scene. Well, healthy until one evening of back seat passion with Hugh (Jake Weary) sets off the above-mentioned sinistry. See Jake has purposefully "passed on" some kind of affliction that attracts a death-seeking entity who slowly, but purposefully pursues its target. Supposedly the only options are to be killed or pass it on through more passion … the worst kind of "pay it forward".

Jay is supported in her ongoing attempts to avoid the entity by her sister Kelly (Lili Sepe), her neighbor and classmate Greg (Daniel Zovatto), and Paul (Keir Gilchrist) her not-so-secret admirer who would do anything to protect her. The big catch is that only Jay can see the entity … making heroism quite elusive for her support group.

Lest there be any doubt of the dire situation, director Mitchell begins the movie with a very vivid example of the likely result in being "caught" by the entity, and adds the score from composer Disasterpeace … an ominous throwback techno-sound that would be distracting if not so fitting. This has all the makings of a breakout role for Maika Monroe, with similarities to Jamie Lee Curtis in the original Halloween movie (1978).

The low budget caused some obvious production limitations – in particular an awkward bounce from day to night and back again, and some iffy effects. However, the suburban Detroit setting provides a nice backdrop, and of special note are the Redford Theatre (est 1928) replete with its beautiful pipe organ, and the indoor swimming pool put to spectacular use in the film's climax. As long as the audience is not expecting the typical teen slasher, this creative horror film should gain an audience while putting director David Robert Mitchell on the fast track to bigger budget films.

Finally a real horror in a long time! No more bloody, slasher crap. This is how the really scary movies were made. Suspense and fear are created by great cinematography and music.

The pace of the movie is slow and almost no to few special effects are present. I surely hope that this movie hails the return of the great horror genre: we are scared of the unknown and not violence for the sake of it.

All the young actors are promising, they really pulled it off. Kudos to the director who also wrote the script, I am looking forward to his next movie.

Go see it, you won't regret it!

It Follows is one of the most unique and unsettling horror films of the last decade. The premise is simple yet chilling-after a sexual encounter, the protagonist Jay is cursed with a mysterious entity that relentlessly follows her. This creature, which can take the form of anyone, walks slowly but constantly toward its target. There's no way to outrun it forever, and if it catches up to you, it kills you. What makes the movie so terrifying is the ever-present threat that never rests. It's a brilliant concept because it taps into a deep, primal fear of being pursued.

What stands out about It Follows is how it builds tension. There are no cheap jump scares; instead, it relies on creating an atmosphere of dread. You'll often find yourself scanning the background, looking for figures slowly creeping toward the camera, which keeps you on edge the entire time. The 80s-inspired synth soundtrack amplifies the eerie vibe, making the whole experience feel dreamlike and nightmarish at the same time. By the end of the movie, you'll be left with a lingering sense of paranoia, questioning if someone-or something-is slowly walking toward you.

The metaphor was fine. In general, I liked the movie.

There are metaphors and subtexts in good horror movies that have been made recently. This is a good thing I think.

The plot I found amusing at first, as I had no idea what to think of a curse passed by intercourse. After giving it a try, It was a good concept. However, there were quite a few parts that I didn't care for, which I find common in horror/suspense movies. Characters make decisions that are just unlikely, in my opinion. Unfortunately, it seems this genre often requires people to make silly choices, or some nonsensical things to happen, to build suspense? or just because? Nonetheless, I call it poor execution.

I did love the cinematography, the fact that it does have an 80s horror feel (especially the music/soundtrack)and the acting was pretty good.

I like the fact that this movie is thought provoking, and doesn't spell everything out. So, you have to pay attention to catch or understand some of the story line. Yet, there are some things that are just unexplained, and maybe I just need to watch it again....but it wasn't that good that I would probably do that anytime soon.

I have seen a lot of reviews that speak very highly of this movie, but I kinda feel its overrated. Much like the Babadook. It is deserving of a descent score but definitely does not come close to a nearly 7/10 stars. Perhaps, its somewhat obscure plot, and/or story line? Nonetheless, its definitely worth a watch whether it leaves you frustrated, or intrigued, I think that's kinda the charm of this flick.