Hannah Einbinder: Liquidação Total
Título original: Hannah Einbinder: Everything Must Go
- Especial de TV
- 2024
- 55 min
AVALIAÇÃO DA IMDb
6,4/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaHannah Einbinder, acclaimed for her Emmy-nominated role in "Hacks," brings her stand-up prowess to the forefront with "Everything Must Go," her debut comedy special that showcases her comedi... Ler tudoHannah Einbinder, acclaimed for her Emmy-nominated role in "Hacks," brings her stand-up prowess to the forefront with "Everything Must Go," her debut comedy special that showcases her comedic talents.Hannah Einbinder, acclaimed for her Emmy-nominated role in "Hacks," brings her stand-up prowess to the forefront with "Everything Must Go," her debut comedy special that showcases her comedic talents.
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- Roteirista
- Artista
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Avaliações em destaque
The negative reviews here are from people who have no concept of comedy and subjectivity.
They think that if they didn't find it funny, then it isn't funny and its the performers fault for writing something terrible.
If you don't understand that comedy is ABSOLUTELY subjective then you shouldn't be posting reviews for them. You're not qualified because you don't even understand the thing your reviewing.
You need to understand a topic before you start sharing your thoughts on that topic.
Otherwise you're basically posting the same reviews of those people who leave reviews for movies they haven't watched or books they haven't read.
They think that if they didn't find it funny, then it isn't funny and its the performers fault for writing something terrible.
If you don't understand that comedy is ABSOLUTELY subjective then you shouldn't be posting reviews for them. You're not qualified because you don't even understand the thing your reviewing.
You need to understand a topic before you start sharing your thoughts on that topic.
Otherwise you're basically posting the same reviews of those people who leave reviews for movies they haven't watched or books they haven't read.
This isn't comedy.. it's performance art..
The roars from the crowd seemed REALLY odd to me. As if they were some cult following just there to cheer her on completely regardless of what she did or said. As if the audience was filled intentionally with her "tribe" who came to see and support "Hannah" and did not merely buy tickets anticipating a comedy show. There's no real laughter here.
I did not find anything she did, much less said, funny. It's performative art.. which okay.. I can accept, but it wasn't even GOOD performative art.
She's great in Hacks.. where there's a writing staff and a director to tell her what to do... but CLEARLY stand-up isn't her thing. Based upon the crowd reactions in this, she may be in a bubble.. surrounded by those wishing her well and supporting her, but lacking the ability to tell her when things need more work. This "special" REALLY needed much more work if it was supposed to be funny.
This is really just HBO saying "Hey Hannah, Hacks has been a success. Do you want to do a 1 hour comedy special? We think you've gained some notoriety and many would tune in." And she said yes, that was a mistake. Clearly when left to her own devices, absent a writing staff, she has no clue what comedy actually is.
The poor experience is foreshadowed pretty well by the pretentious opening French music... I mean a French song for your US comedy debut? Really?
Blech.
The roars from the crowd seemed REALLY odd to me. As if they were some cult following just there to cheer her on completely regardless of what she did or said. As if the audience was filled intentionally with her "tribe" who came to see and support "Hannah" and did not merely buy tickets anticipating a comedy show. There's no real laughter here.
I did not find anything she did, much less said, funny. It's performative art.. which okay.. I can accept, but it wasn't even GOOD performative art.
She's great in Hacks.. where there's a writing staff and a director to tell her what to do... but CLEARLY stand-up isn't her thing. Based upon the crowd reactions in this, she may be in a bubble.. surrounded by those wishing her well and supporting her, but lacking the ability to tell her when things need more work. This "special" REALLY needed much more work if it was supposed to be funny.
This is really just HBO saying "Hey Hannah, Hacks has been a success. Do you want to do a 1 hour comedy special? We think you've gained some notoriety and many would tune in." And she said yes, that was a mistake. Clearly when left to her own devices, absent a writing staff, she has no clue what comedy actually is.
The poor experience is foreshadowed pretty well by the pretentious opening French music... I mean a French song for your US comedy debut? Really?
Blech.
Hannah Einbinder has comedy in her DNA, being the daughter of original SNL cast member Larraine Newman. And she has built a solid body of work in "Hacks" with Jean Smart. But as a stand-up, she needs to do more work.
This special - her first - is not so much a stand-up comedy as it is a carefully rehearsed scripted monologue, complete with audio and lighting cues. It comes off as "too rehearsed" if that makes sense. There is no spontaneity, no apparent improv, and occasionally zero audience response. Einbinder is a good writer, but she doesn't yet know how to perform in front of a live audience. Hopefully, that will come with time. There was too much mugging to the camera, as if to say "yeah, I know I'm cool". No, Hannah, you're not (at least not yet). And if you were cool, this isn't the way to telegraph it.
A day after watching the special, I was hard-pressed to remember a signature bit or line from her performance. I think that was due in part to her scripted delivery, which left little room for connection with the audience.
Einbinder's career is still young, so there's room to grow. She's done well as a writer and actor on "Hacks" and that should continue at least through the show's fifth season (not unusual for a streamer to end a show after 5 years). For her to take the next step, her delivery and material needs to also grow and mature.
This special - her first - is not so much a stand-up comedy as it is a carefully rehearsed scripted monologue, complete with audio and lighting cues. It comes off as "too rehearsed" if that makes sense. There is no spontaneity, no apparent improv, and occasionally zero audience response. Einbinder is a good writer, but she doesn't yet know how to perform in front of a live audience. Hopefully, that will come with time. There was too much mugging to the camera, as if to say "yeah, I know I'm cool". No, Hannah, you're not (at least not yet). And if you were cool, this isn't the way to telegraph it.
A day after watching the special, I was hard-pressed to remember a signature bit or line from her performance. I think that was due in part to her scripted delivery, which left little room for connection with the audience.
Einbinder's career is still young, so there's room to grow. She's done well as a writer and actor on "Hacks" and that should continue at least through the show's fifth season (not unusual for a streamer to end a show after 5 years). For her to take the next step, her delivery and material needs to also grow and mature.
She and Jean are so good in Hacks, but this is a bizarre and welcome introduction in to a very brilliant and anarchical mind.
I mean, who knew a few slices of the high school sports-oriented history (no spoilers) of this ballsy, artsy, nerdy woman could be so surprising and funny.
I am not a big fan of TV stand-up (though I loved "I'm Dying Up Here") but she wooed me in like a pro.
Yes, I DO want to see comedy about climate change and bees and trees and men and women if it's done the way Hannah does it.
It also gave me insight into why 'Hack's is so great. Very different styles of comedy challenge viewers (or at least me) to see the humor and the macabre in our lives. Grateful for some resounding belly laughs at a dark, accurate, and refreshing lens on a crazy world.
Loved it!
I mean, who knew a few slices of the high school sports-oriented history (no spoilers) of this ballsy, artsy, nerdy woman could be so surprising and funny.
I am not a big fan of TV stand-up (though I loved "I'm Dying Up Here") but she wooed me in like a pro.
Yes, I DO want to see comedy about climate change and bees and trees and men and women if it's done the way Hannah does it.
It also gave me insight into why 'Hack's is so great. Very different styles of comedy challenge viewers (or at least me) to see the humor and the macabre in our lives. Grateful for some resounding belly laughs at a dark, accurate, and refreshing lens on a crazy world.
Loved it!
I initially approached it like some belly laugh standup and when that wasn't happening in the first 15 minutes, I almost stopped. So glad that I kept going.
Hannah is a brilliant mind and has some hilarious observations but they are subtle and you need to pay attention. It doesn't feel like a highly crafted standup where every line is delivered to perfect timing.
It's more like hanging out all night with the funniest, most thoughtful person at the party. Her observations are so clever, and ring true. I highly recommend going into it with those expectations and by the end you will feel that it was a good use of your time.
Hannah is a brilliant mind and has some hilarious observations but they are subtle and you need to pay attention. It doesn't feel like a highly crafted standup where every line is delivered to perfect timing.
It's more like hanging out all night with the funniest, most thoughtful person at the party. Her observations are so clever, and ring true. I highly recommend going into it with those expectations and by the end you will feel that it was a good use of your time.
Você sabia?
- CuriosidadesFilmed at the El Ray Theatre in Los Angeles, California on April 20, 2024.
- ConexõesReferences A Noviça Rebelde (1965)
- Trilhas sonorasJ'ai dû l'oublier
Written by Bernard Kesslair (as Bernard Kessler) and Manou Roblin
Performed by Manou Roblin
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Também conhecido como
- Hannah Einbinder: A tomar viento
- Locações de filme
- Los Angeles, Califórnia, EUA(the El Rey Theatre)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração55 minutos
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