Hitler e o Nazismo: Começo, Meio e Fim
Título original: Hitler and the Nazis: Evil on Trial
AVALIAÇÃO DA IMDb
7,7/10
3,7 mil
SUA AVALIAÇÃO
Narra a ascensão de Hitler ao poder, o uso de propaganda, censura e políticas antissemitas por seu regime, bem como a eventual queda da liderança nazista.Narra a ascensão de Hitler ao poder, o uso de propaganda, censura e políticas antissemitas por seu regime, bem como a eventual queda da liderança nazista.Narra a ascensão de Hitler ao poder, o uso de propaganda, censura e políticas antissemitas por seu regime, bem como a eventual queda da liderança nazista.
- Prêmios
- 2 vitórias e 1 indicação no total
Explorar episódios
Avaliações em destaque
Shirer's book written in the early 60's was far better and more inclusive. This skips over many relevant actions. I've read too many books about WW1 and WW2 and have always been more fascinated by the first war and how it started. The release of this documentary seems to be a not so subtle suggestion that Trump is the new Hitler. Going so far as to mention Hitler's mountain lair being the equivalent of Trump's Mar-A-Lago. Not sure how long this was in the works, but I would guess this was timed to come out before the election. It's still good but read the book instead if you want a better account of the times.
Did not need to watch the trial scenes while watching the footage from the original one. And the actors who do not resemble the original characters who appear constantly. This caused some confusion.
But overall a good series and historical scenes are indeed rare and well colored.
Also, the guests are from different specialties, which adds perspectives.
The acting scenes away from the trial are very good.
Theater as a decoration for dialogues. I did not understand its purpose.
Special thanks to the director of photography and the decorators and costume designers. I went back in time............
But overall a good series and historical scenes are indeed rare and well colored.
Also, the guests are from different specialties, which adds perspectives.
The acting scenes away from the trial are very good.
Theater as a decoration for dialogues. I did not understand its purpose.
Special thanks to the director of photography and the decorators and costume designers. I went back in time............
Overall, a pretty good account of the rise of Hitler and the reign of terror perpetrated by the Third Reich. I've watched a number of similar documentaries about Hitler and this one showed me a few things I had never known.
The documentary is certainly taken down a peg by the atrocious casting of Károly Kozma as Hitler. When it comes to physical likeness, on a scale of 10 Kozma is about a 6. The casting department could have chosen from hundreds of capable actors with much more similar physical characteristics. Kozma's poor likeness to Hitler is one thing, but his abysmal performance amounts to little more than scenes of hysteria - usually unwarranted - giving Hitler very little depth. Kosta's scenes are all pantomimed (there are no speaking parts) and most of them are poorly executed. To say the least, this was a critical role and they made an awful choice by going with Kosta. You also have to blame director Joe Berlinger for encouraging Kosta's ridiculous style of performance.
There are other things that are seemingly glossed over, including Hitler's terrible health and booming drug dependency. Hitler was prescribed over 90 medications through his life, suffered from numerous serious ailments, and regularly consumed amphetamines, barbiturates, opiates, and cocaine. Between his very poor health and easy access to drugs, little wonder that Hitler devolved into the madman that he surely was.
There's also short shrift given to Hitler's pact with Japan, the courage of the British military, and various other facets of World War II. But, after all, I still did award the documentary a 7 out of 10, indicating I did find it very watchable and illuminating. It shouldn't be the ONLY documentary you watch about Hitler, but it certainly belongs in the upper echelon.
The documentary is certainly taken down a peg by the atrocious casting of Károly Kozma as Hitler. When it comes to physical likeness, on a scale of 10 Kozma is about a 6. The casting department could have chosen from hundreds of capable actors with much more similar physical characteristics. Kozma's poor likeness to Hitler is one thing, but his abysmal performance amounts to little more than scenes of hysteria - usually unwarranted - giving Hitler very little depth. Kosta's scenes are all pantomimed (there are no speaking parts) and most of them are poorly executed. To say the least, this was a critical role and they made an awful choice by going with Kosta. You also have to blame director Joe Berlinger for encouraging Kosta's ridiculous style of performance.
There are other things that are seemingly glossed over, including Hitler's terrible health and booming drug dependency. Hitler was prescribed over 90 medications through his life, suffered from numerous serious ailments, and regularly consumed amphetamines, barbiturates, opiates, and cocaine. Between his very poor health and easy access to drugs, little wonder that Hitler devolved into the madman that he surely was.
There's also short shrift given to Hitler's pact with Japan, the courage of the British military, and various other facets of World War II. But, after all, I still did award the documentary a 7 out of 10, indicating I did find it very watchable and illuminating. It shouldn't be the ONLY documentary you watch about Hitler, but it certainly belongs in the upper echelon.
Good documentary series but not worth the build up for several weeks on Netflix. It would really be strong if important historical documentaries stuck with a solid single narrator (Peter Coyote/ Martin Sheen) & not a constant trope of random academics who provide their two sense as if they were first-hand witnesses.
Most of all, documentaties like this need to get rid of the constant 10 second frames of random individual men/ women in a semi-darkened room speaking when they can just continue with the interesting footage or re-enactments that they already have. This doc series has plenty of unique footage & decent reenactments but is ruined by the consistent random guy/ gal sitting legs crossed with a red curtain behind them.
The tones of the voices from the speakers are a bit whiny/ annoying & there does seem to be many personal opinions given without the speakers stating that what they were saying was actually an opinion. If I watch again I would write them down but I likely will not watch again. If I do I will worth the watch with closed captioning on & volume muted.
Lastly, I understand WW2 & Hitler covers tons and tons of information, but it is hard to understand how large events kinda just get muttered but then they fixate on smaller events & really blow them up. Not a word mentioned about the "Danzig Corridor". Lots of jumping around takes place but this is truly a cliff notes version of many things at best.
Most of all, documentaties like this need to get rid of the constant 10 second frames of random individual men/ women in a semi-darkened room speaking when they can just continue with the interesting footage or re-enactments that they already have. This doc series has plenty of unique footage & decent reenactments but is ruined by the consistent random guy/ gal sitting legs crossed with a red curtain behind them.
The tones of the voices from the speakers are a bit whiny/ annoying & there does seem to be many personal opinions given without the speakers stating that what they were saying was actually an opinion. If I watch again I would write them down but I likely will not watch again. If I do I will worth the watch with closed captioning on & volume muted.
Lastly, I understand WW2 & Hitler covers tons and tons of information, but it is hard to understand how large events kinda just get muttered but then they fixate on smaller events & really blow them up. Not a word mentioned about the "Danzig Corridor". Lots of jumping around takes place but this is truly a cliff notes version of many things at best.
It is a very well done documentary that shows the rise of Hitler and the Nazi party. A very good job of covering the aftermath of the devastation that they caused across Europe and gives some insight into what could have happened if they went unchecked.
To me, the most glaring omissions in all of these documentaries is not the why of the Nazi rise to power, but where they got all the funding and support. I guess, because no one wants to talk about the American money that funded them. Henry Ford, the Dulles brothers etc. There was a great deal of support amongst American money to bring them to power. This is well documented but not discussed in these things because it puts America into a bad light. It also is quite telling as to why America was not interested in really getting into the war, until it absolutely had to. Not that it was pivotal, that was the Russians.
To me, the most glaring omissions in all of these documentaries is not the why of the Nazi rise to power, but where they got all the funding and support. I guess, because no one wants to talk about the American money that funded them. Henry Ford, the Dulles brothers etc. There was a great deal of support amongst American money to bring them to power. This is well documented but not discussed in these things because it puts America into a bad light. It also is quite telling as to why America was not interested in really getting into the war, until it absolutely had to. Not that it was pivotal, that was the Russians.
Você sabia?
- ConexõesFeatured in The Andrew Klavan Show: Hooray for Heteronormativity (2024)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Hitler and the Nazis: Evil on Trial
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h(60 min)
- Cor
- Mixagem de som
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente