Xiang yang: Hua

We Girls effectively portrays marginalized groups in society with authenticity and realism, emphasizing the theme of "female power." In the film, Gao Yuexiang and Mao Amei redeem one another, sharing a sisterhood that flourishes even in the face of adversity. This friendship is pure and powerful, illustrating that women united during difficult times possess extraordinary strength. What moved me most in the movie were the scenes in which the characters supported each other while confronting life's challenges. In prison, they stood by one another, enduring tough days together. Whenever one faced obstacles, the others were always ready to lend a helping hand without hesitation. This sisterhood served as a ray of light in the darkness, illuminating their path forward. After their release from prison, they did not abandon each other but continued to move forward hand in hand, striving to survive in challenging circumstances.

Unlike most movies that serve merely as entertainment, We Girls strongly emphasizes visual and emotional impact, exploring human nature and cultural connotations.

This film accurately shows the lives of marginalized people, exploring self-salvation while reflecting on social issues. It is a worthwhile film, and Feng Xiaogang delivers on expectations. Although the characters Gao Yuexiang and Hei Mei face many challenges, the overall tone is mostly humorous. The story does not dwell on their suffering; instead, it highlights that life often includes both laughter and tears.

What stood out to me in this film was the strong bond and compassion among the women. They are willing to risk their lives for each other, showing that their relationships go beyond friendship to family, with each providing strong support. In the film, Zhao Liying plays White Fox, who comes back to society after being in prison. She faces life's challenges and starts a journey of self-salvation. Her performance shows her growth as an actor and highlights serious issues in today's society.

I am pleased to express my appreciation for the film *We Girls*, which provides valuable insight into the experiences of individuals at the lower strata of society through the lens of incarceration. While the characters portrayed are indeed criminals who have deviated from socially acceptable behavior, it is essential to acknowledge the complexities of their situations. They embody women who find themselves ensnared by the pressures of life.

For instance, the character Gao Yuexiang, portrayed by Zhao Liying, aspires to lead a dignified life while striving to secure a better future for her daughter. She confronts numerous adversities and societal challenges, often portraying herself as a strong woman. Despite their challenging circumstances, she and others in similar situations merit the chance for renewal and the pursuit of a hopeful outlook on life.

The performances delivered by the cast are commendable, effectively engaging the audience in the narrative of the film.

The plot begins with a bit of narration and gradually builds to a climax. The kind of movie becomes more interesting the more you watch it. It experiences suffering but doesn't respond with anger. It can be wronged, but won't be insulted. It fights back immediately when trampled upon, showcasing incredible perseverance and resilience. If society causes the pain, they will respond in kind. With this level of expression, We Girls points to a deeper meaning. Why did these characters suffer such a fate? Was it because they were imprisoned? Or is there more to it? This question reflects the contemplation left by the Director. I enjoy the movies that make you think. The ending is uplifting, leaving me with a sense of relief. It's been a long time since I saw such a warm film in the theater-it's heartwarming, joyful, heart-wrenching, and tense.

We girls not only look confidently toward the future but also embody the ideals of solidarity and mutual support. This film powerfully expands on the themes of female realism, vividly depicting the survival challenges faced by women who have been released from prison. Gao Yuexiang, as a mother, refuses to rely on men or seek pity; she stands firm in her own abilities and self-reliance. As the saying goes, "Just treat yourself as a piece of iron." Gao Yuexiang represents iron, with life acting as the hammer. After enduring countless challenges, she forges herself into a sharp sword, ready to confront evil and tackle the injustices of life head-on.

Zhao Liying delivers an outstanding performance in this film, which, together with its compelling narrative, leaves a profound and lasting impact on the audience.