Anul Nou care n-a fost

The movie follows a few storylines happening in December 1989, just before the revolution started in Bucharest. Apparently, the storylines have nothing in common, except the fear and hate against the communist regime and the movie might seems dull, but once the storylines starts to connect the movie transforms in a masterpiece. The atmosphere of the movie teleports you back in those days, and for the ones who lived the days it creates mixed feelings of nostalgia, sadness and a strange feeling of happiness (maybe because we've remembered the family, the friends and the bright side of our childhood). The way is being produced, reminds a little bit of Crash (2004). Kudos to all the actors for a great performance and thank you, Bogdan Muresan, for a great movie!

My father tried two times to cross the border (with his friend) during communism, the first time being caught at the border with Yugoslavia and 2nd time being caught in Greece, sent back to Romania, and beaten and interrogated exactly like in the movie. Yesterday was a very special night since I assisted at a very special screening together with my father.

In the past years, I was disgusted with any subject related to communism since I hated so much the consequences supported by so many generations of Romanians. We still suffer because of this past dictator, even the ones born after the revolution.

Now I see the importance of going back 'there' to remind us not to repeat the same mistakes.

Very emotional film for the entire sold-out cinema hall... One of the best movies ever made after the Romanian Revolution (1989).

I hope it will be seen by many which dont understand the life under an opressive regime. Very strong acting and well built story presenting , sometimes with excellent humour, the real challenges of the life under Ceausescu's dictatorship.. The movie tells several stories which describe very well the context of the period, how difficult was to keep your own values and how easy was to become paranoid. Low budget film which help the acting performance and story to be the in the center of the project.

Adrian Vancica has an Oscar performance around the Christmas letter of his little son ! I hope it will be Romania's proposal for the Foreign film at Oscars.

I very rarely give 10 stars to a movie. But this is the best film about the Romanian Revolution that I have seen. It is exceptional in its achievement, in its settings and for the performance of the actors. Numerous films have been made about the Romanian Revolution, films that featured gunfire, blood, screaming, mayhem, and flags cut through the middle of them. But this film shows something else about the Romanian Revolution: the reasons, the inner springs that triggered it. The film shows the oppressive state of mind, the feeling that "it's not possible anymore" and the absurdity of the communist society. It is definitely a film that should not be missed!!!

The scenes in which the border guard beats the student should explain to Mr. Tudor Giurgiu why the population and the army hated the Security and the Militia so much...

The 2024 Venice Film Festival crowned New Year That Never Came as its Best Film, and for good reason. Directed by a visionary new talent , this movie is a masterful meditation on loss, memory, and the surreal passage of time. With its striking visuals and emotionally charged performances, it captivated audiences, offering a haunting and unforgettable cinematic experience.

At its core, *New Year That Never Came* weaves together a narrative that explores the human tendency to cling to hopes for the future, even when the present feels stagnant. The plot revolves around a community preparing for a much-anticipated New Year's celebration that, mysteriously, never arrives. Days stretch endlessly, and time appears frozen, forcing the characters to confront their deepest desires, regrets, and fears. The film's pacing, often slow and deliberate, mirrors the liminal space the characters inhabit-a space between the hope for renewal and the reality of an endless today.

Visually, the film is a feast. The cinematography, drenched in cold blues and muted hues, paints a world on the brink of despair but still clinging to the warmth of hope. The town, blanketed in unseasonal snow and captured with a stillness that echoes the characters' emotional paralysis, becomes a symbol for dreams deferred. Director , through innovative shot composition and symbolic use of recurring imagery-clocks, fireworks that never explode-creates a disorienting yet mesmerizing atmosphere.

The performances are equally powerful. The cast, delivers nuanced portrayals of people grappling with internal and external inertia. It gives a particularly heartbreaking performance as , whose journey of self-discovery amid the uncertainty resonates deeply. Every character, however minor, feels fully realized, adding to the movie's rich emotional texture.

At its heart, reflects on the nature of time, anticipation, and the emotional weight of deferred moments. The New Year, traditionally a time of renewal, becomes a metaphor for a future that is always just out of reach. It's a profound exploration of how people cope with unfulfilled expectations-whether through denial, anger, or acceptance-and how, sometimes, the future we pin our hopes on may never come.

One of the film's greatest strengths is its refusal to provide easy answers. The audience is left questioning whether the lack of a New Year is a supernatural occurrence, a metaphor for societal stagnation, or the manifestation of the characters' collective psychological states. This ambiguity, rather than.