Black

Good execution. Last 50 mins is the strongest segment of the movie.

Too many sequences spent to establish the theory behind the strange events, also in its completion by reverse tracking.

A Clean screenwriting just serves for a foolproof establishment and development of events, no serious effort is actually needed to know what's happening.

The setting of the story is very realistic and true to certain basic factors like the actual time period and follow up of events within.

This is a completely script driven movie and is fully engrossed into it's world, and does not depend on any additional effort by its actors and only demands a lot from the technicians, especially the editor of the movie.

In Overall, this movie is for a casual outing in theaters or ott.

Black (2024) isn't just a movie; it's a thrilling journey through time, love, and fate. This film takes us on a rollercoaster as a couple finds themselves trapped in a relentless loop, desperately seeking a way out while wrestling with the question of destiny and choices. Each loop reveals new layers of their past and future, pulling us deeper into their love, fears, and unresolved mysteries.

The direction is exceptional, blending intense emotions with stunning visuals that keep you guessing till the last second. The storytelling grips you, leaving you in awe as it explores the complexities of relationships within the boundless dimensions of time. Every moment is an edge-of-your-seat thrill, balancing suspense with profound emotional moments.

A must-watch for fans of psychological thrillers and time-travel mysteries. Black (2024) is a cinematic experience that lingers long after the credits roll, reminding us that sometimes, love defies even time itself.

Similar experience is unfolded in Stock Market with BankNifty Index forming similar loops & mostly unfolding an Elliott wave triangle.

This movie is about an interesting concept, like the multiverse or black hole theory. First of all, congratulations to the director and the whole team for their effort. The movie stars Jeeva and Priya Bhavani Shankar, and both did a great job in their roles. Music director Sam CS also did a good job with the music.

The best part of the movie is the writing. It's not easy to come up with and execute such a complex idea, but they did it well. Even though it's not a big-budget movie, the story is well thought out and written. The first hour focuses on setting up the story, giving hints about what's to come, and adding details. The movie moves slowly and is fully driven by the story. Before the climax, the film explains why everything is happening, and it's easy to understand and connect the theories to some scenes.

The downside of the movie is the ending. Until the climax, the writing was strong, but the climax felt rushed, and the ending was confusing. Other than that, the director and team did justice to the idea.

I personally liked the movie. If you enjoy films with unique concepts like this, you will like it, at least until the ending. It's a good movie to watch with your family.

I walked into Black with a bit of hesitation, mostly due to the mixed feedback from friends. Usually, I go into movies with little to no knowledge, relying on one simple metric: "Is it good or bad?" This time, however, I was given a small spoiler that the movie revolves around quantum computing. Strangely, instead of dampening my interest, it piqued my curiosity-even though I know very little about quantum computing myself.

To my surprise, I actually enjoyed it! Black felt like a bold, experimental attempt, with a storytelling style that reminded me of English-language sci-fi movies. Jeeva's natural acting stood out, and the heroine's stoic expressions added a unique layer of intrigue to the plot. There was no over-the-top melodrama-just a realistic portrayal of confusion and curiosity as the characters navigated through the story's twists. The narrative felt like a blend of inspiration from several iconic films (Harry Potter, Interstellar, Back to the Future, Edge of Tomorrow, Premonition, and more), yet it managed to retain its originality.

As the plot's complexity reached its peak, I found myself wondering how the movie would wrap everything up. To my relief, it concluded with a logical and satisfying ending that tied the story together neatly.

This film falls under the Horror and Science Fiction genres, though it serves as a great entry point for those who might be hesitant about traditional horror movies. The elements of suspense and intrigue are enough to scratch the surface of the horror genre without diving too deeply into gore or fear.

Interestingly, this experience reminded me of GOAT, Vijay's movie. I had heard overwhelmingly negative reviews about it, but going in with low expectations actually made me appreciate it more. On the other hand, Ganguva, which I approached with similarly low expectations, left me with a headache and regret by the end.

Overall, Black is worth a watch, especially for those who enjoy movies that challenge conventional storytelling while exploring unique sci-fi concepts. It's a bold attempt that deserves credit for its originality and execution.

It's 1964, Manohar is helping his friends elope and marry despite being in love with the girl. He takes them to his holiday home and soon, finds them both dead, shocking the bejesus out of him. Years later, Vasanth and Aranya are a couple who are happily married but small strain is showing in their relationship. To make up for it, they plan a vacation and land up in the holiday home. It's the night of red moon and both start feeling strong deja vu. They are further shocked to see similar houses which are occupied despite being not sold. What do they uncover on that night while being stuck in a loop? How does Aranya go missing, turning Vasanth into a suspect? Will Vasanth be able to prove his innocence and find his wife? The film tries to answer them all.

I have not seen the film that acts as inspiration to this one. It is commendable to see a film outside the usual Tamil cinema and 2024 has been the year where this has been tried a few times especially in Kannada films. The story deals with parallel universes theory and the director takes his sweet time to get to the point i.e. Good 40 odd minutes which would be my major complaint. Once the couple settle in the house, it gets interesting and the director is able to keep the mystery alive for the next one hour. The explanation does get oversimplified in the third act and I wish the director had explored the 1964 plot a bit more. The final twist is decent and again, it could have been executed a lot better if the climax had maintained the tense moment. I would still recommend Black to all, just for the attempt.