Viena and the Fantomes

In downbeat rock drama "Viena And The Fantomes" Dakota Fanning joins a rag-tag crew of roadies / assistants (inc Frank Dillane (Deppesque) & Evan Rachel Wood) supporting a mid-rate new-age punk band (inc Jeremy Allen White, Caleb Landry Jones & Zoë Kravitz) while on the road on tour. Amid tawdry sex, drugs & rock 'n' roll Fanning's torn between Dillane & Allen White as the darker, seedier, mysoginistic, even violent side of the band emerges (esp through Landry Jones & dubious manager Jon Bernthal). It's well performed by the fine cast, and written & directed in original punchy style by Gerrado Naranjo, yet still feels rather inconsequential in the end.

I rented this movie being a fan of Evan Rachel Wood. I made it through the first half hour before I was done. Boring with little discernible plot. Evan didn't have a major role and there is a major lack of character introduction. We are just dropped into a road tour with some random musicians. Save your money.

A movie about a roadie travelling with a punk band. Starring Ellie Fanning as a roadie who joins a punk band, who is the best thing in this rather boring but well shot movie. I appreciate the movie is shot from Viena's perspective (Ellie Fanning), but it was dull, Even having some more music would have been good. For a good Punk Roadie movie, although very different, I suggest "Ladies and Gentlemen, The Fabulous Stains" starring a young Diane Lane.

The plot is story slow, and almost nothing happens. It shows a collage of scenes of people living in caravans, but there's hardly any plot. There's no music in it either, despite being a film about a rock band.

This movie is more of a cautionary tale than anything else. I was drawn to it by the incredible cast and after watching it, I found my s/o and I talking about the scenes for the next few days, analyzing, questioning, critiquing. Yes, the film dropped the ball on backstory..but maybe that was the point. We were supposed to follow this girl in this moment in time and that's it. Dakota Fanning (not Ellie, as another reviewer mistakingly called her) was phenomenal as Viena and her love triangle outlined the harrows of an abusive relationship juxtaposed next to a functional and passionate one. I was left wanting to see more of the band and yes, I craved that back story, but I was happy with the result of this movie. Frank Dillane and Caleb Landry Jones were exceedingly fun to watch, as usual. For those who say it meanders, I think that's the point. It escapes from you and with you. And who doesn't love a happy ending?