AVALIAÇÃO DA IMDb
6,8/10
24 mil
SUA AVALIAÇÃO
Um grupo de trabalhadores humanitários trabalha para resolver uma crise em uma área de conflito.Um grupo de trabalhadores humanitários trabalha para resolver uma crise em uma área de conflito.Um grupo de trabalhadores humanitários trabalha para resolver uma crise em uma área de conflito.
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- Prêmios
- 4 vitórias e 24 indicações no total
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Avaliações em destaque
Beautiful film. I would say even a masterpiece! An excellent acting game,good scenario and cinematography.
Somewhere in the 90s. At the Balkans. The war in Bosnia. A group of aid workers from different countries are trying to help in the middle of a huge after war mess. Trying to do what could be done - in the present case to find a rope, which they could use for taking out corpse from the а well - the only source of fresh water for the local people. During the rope seeking they ran into a bunch of funny or dramatic (mostly both in the same time) situations, but it couldn't be otherwise at the Balkans. ;)
To me "A Perfect Day" is a movie for little things and little actions, which lead to a big change for people.
I highly recommend this movie to all fans to European cinema and to everyone who wants to see something different from all meaningless crap, which flooded us from Hollywood lately.
Somewhere in the 90s. At the Balkans. The war in Bosnia. A group of aid workers from different countries are trying to help in the middle of a huge after war mess. Trying to do what could be done - in the present case to find a rope, which they could use for taking out corpse from the а well - the only source of fresh water for the local people. During the rope seeking they ran into a bunch of funny or dramatic (mostly both in the same time) situations, but it couldn't be otherwise at the Balkans. ;)
To me "A Perfect Day" is a movie for little things and little actions, which lead to a big change for people.
I highly recommend this movie to all fans to European cinema and to everyone who wants to see something different from all meaningless crap, which flooded us from Hollywood lately.
This film tells the daily lives of several aid workers in an armed conflict zone in the Balkans. They have to extract a corpse from a well, but are faced with multiple logistical and bureaucratic challenges.
"A Perfect Day" may look ridiculous and infuriating from the outside, as it tells a story of ridiculous bureaucracy. So if the common goal is to help the people in a war zone, why are there so many restrictions and hurdles to helping others? Well, my workplace is exactly like that, do I can relate to every single minute of it.
The subplot about the local boy Nikola is touching, as it provides a glimpse of hope for humanity - sometimes real help is from unofficial sources!
"A Perfect Day" may look ridiculous and infuriating from the outside, as it tells a story of ridiculous bureaucracy. So if the common goal is to help the people in a war zone, why are there so many restrictions and hurdles to helping others? Well, my workplace is exactly like that, do I can relate to every single minute of it.
The subplot about the local boy Nikola is touching, as it provides a glimpse of hope for humanity - sometimes real help is from unofficial sources!
A Perfect Day tells the story of a group of aid workers during the Balkan War. The daily problems they encounter to do their job as good as possible. Don't expect much action or so because the story is just them trying to find a piece of rope so they can extract a dead body out of a well. Seems easy but in a hostile environment where all the concerned parties are not willing to help it becomes a challenge. Even though there is not much action the story is enjoyable to watch. Add on that first class actors and you get a good movie that is worth a watch. Benicio Del Toro and Tim Robbins are always a delight to watch and in A Perfect Day they do what we are used of them. The script is good, the actors are good, the filming is good, and there is even a bit of humor. Entertaining movie.
I just saw a Spanish film that probably enjoyed a limited release in the U.S., although the dialogue is mostly in English – A Perfect Day. In the film, a team of aid workers faces a problem, a corpse is contaminating a well that provides the only potable water in the region, since two other wells are surrounded by mines and cannot be used. The film follows the group as they try to obtain a rope to lift the body out of the well, and examines the difficulties of executing such a small task in a war zone, in this case, the waning days of the Bosnian conflict.
The film resonated with me on several levels. First, of course, I live in the Balkans now, so the language and setting was familiar. (Now I know "konopac" means rope and "bunar" means well!) The landscape in some of the scenes was amazing, and makes me curious to see more of Bosnia now. Second, the cast itself is multinational, reflecting the multinational character of international assistance efforts. This is familiar to me too, since I work in a multinational OSCE Mission. The civilian-military interaction was all too familiar, as were the many scenes with Stryker armored personnel carriers, a common sight during my time in Iraq.
I thought the film provided a very good feel for the frustrations of development work in a war setting. In addition, the dialogue and acting were great. The impressive cast features American Tim Robbins, Spaniard Benicio del Toro, Ukrainian Olga Kurylenko (who was a Bond girl in A Quantum of Solace), Frenchwoman Melanie Thierry, and Bosnian Fedja Stukan. At one point, one of the characters, seeing Olga Kurylenko for the first time, mutters under his breath, "And so where is she from – Models without Borders?" The sub-plot involving the young Bosnian boy, Nikola, who attaches himself to the team, is also great.
This is a powerful film that is authentic in its treatment. I recommend it.
The film resonated with me on several levels. First, of course, I live in the Balkans now, so the language and setting was familiar. (Now I know "konopac" means rope and "bunar" means well!) The landscape in some of the scenes was amazing, and makes me curious to see more of Bosnia now. Second, the cast itself is multinational, reflecting the multinational character of international assistance efforts. This is familiar to me too, since I work in a multinational OSCE Mission. The civilian-military interaction was all too familiar, as were the many scenes with Stryker armored personnel carriers, a common sight during my time in Iraq.
I thought the film provided a very good feel for the frustrations of development work in a war setting. In addition, the dialogue and acting were great. The impressive cast features American Tim Robbins, Spaniard Benicio del Toro, Ukrainian Olga Kurylenko (who was a Bond girl in A Quantum of Solace), Frenchwoman Melanie Thierry, and Bosnian Fedja Stukan. At one point, one of the characters, seeing Olga Kurylenko for the first time, mutters under his breath, "And so where is she from – Models without Borders?" The sub-plot involving the young Bosnian boy, Nikola, who attaches himself to the team, is also great.
This is a powerful film that is authentic in its treatment. I recommend it.
It is ironic that war is the biggest industry on the planet. Its wider industrial domain includes warrior politicians, arms manufacturers and military forces. Less acknowledged, it also includes those who perpetually seek amelioration of its consequences like the United Nations and various humanitarian aid agencies. All of those groups regularly star in movies but aid workers get little cinematic glory. It is in this wider context that the Spanish-directed film A Perfect Day (2015) is an unusual and original addition to black comedy war dramas, least of all because the way it avoids typical war movie scenarios and narratives. It covers 'one perfect day' during the military wind-down in the Balkans crisis of mid 1990s and is a refreshing, entertaining and informative insight into the role of aid workers when the big guns go quiet.
The story begins and ends with the image of a big fat corpse in a well, dumped deliberately to pollute village water. In between we see the frantic efforts by a small group of aid workers to find scarce rope that can haul him out, and rope becomes a metaphor to join several unconnected incidents that make up the narrative. There Is no sound of bombs or signs of fighting; we only see a beautiful country full of silent monuments to the devastation of war. Bombed-out ghosts of villages, homeless children, poverty and toxic hygiene are some of an aid worker's challenges and black humour is the universal panacea for coping. On this day, the group must deal with the risk of hidden road mines in cattle carcasses, villager distrust and military animosity towards interfering aid workers, and a United Nations bureaucracy that shows little sensitivity towards dispossessed victims of war. Oh, and find a soccer ball for a young boy.
As with all character-driven films, this one is less about what happens and more about what it is like to be there. The characters built with re-purposed M.A.S.H. traits that are likable, funny and plausible, and the acting is top-class. There are no glory hounds in the group and each has their own coping strengths and emotional foibles. The director orchestrates the characters and sub- stories with perfect tempo to produce a story that is totally engaging if not gripping. You might wonder how a group of loosely disciplined and unaccountable workers can roam freely across a war-ravaged country, or whether the final scene is actually a political statement about their true value. If so, the film has made its mark.
The story begins and ends with the image of a big fat corpse in a well, dumped deliberately to pollute village water. In between we see the frantic efforts by a small group of aid workers to find scarce rope that can haul him out, and rope becomes a metaphor to join several unconnected incidents that make up the narrative. There Is no sound of bombs or signs of fighting; we only see a beautiful country full of silent monuments to the devastation of war. Bombed-out ghosts of villages, homeless children, poverty and toxic hygiene are some of an aid worker's challenges and black humour is the universal panacea for coping. On this day, the group must deal with the risk of hidden road mines in cattle carcasses, villager distrust and military animosity towards interfering aid workers, and a United Nations bureaucracy that shows little sensitivity towards dispossessed victims of war. Oh, and find a soccer ball for a young boy.
As with all character-driven films, this one is less about what happens and more about what it is like to be there. The characters built with re-purposed M.A.S.H. traits that are likable, funny and plausible, and the acting is top-class. There are no glory hounds in the group and each has their own coping strengths and emotional foibles. The director orchestrates the characters and sub- stories with perfect tempo to produce a story that is totally engaging if not gripping. You might wonder how a group of loosely disciplined and unaccountable workers can roam freely across a war-ravaged country, or whether the final scene is actually a political statement about their true value. If so, the film has made its mark.
Você sabia?
- CuriosidadesAfter the public screening of the film during the Quinzaine des Réalisateurs 2015 (director's fortnight) at Cannes Festival, on the 16th of May 2015, the director and actors present (Benicio Del Toro, Mélanie Thierry) received a five-minute standing ovation.
- Erros de gravaçãoNear the start when B and Sophie are driving along the cliff, the aerial shot shows the cliff to be on the left of the road. Then a shot from inside the car shows trees in the background where the cliff was. The when they stop in front of the dead cow, the cliff is on the right side.
- Cenas durante ou pós-créditosDuring the opening, credits are introduced as if created out of the live motion of a drop of water. This water theme continues through the acting credits.
- Trilhas sonorasSweet Dreams (Are Made of This)
Written by Annie Lennox and David A. Stewart (as David Stewart)
Performed by Marilyn Manson
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- How long is A Perfect Day?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
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- Também conhecido como
- A Perfect Day
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 14.044
- Faturamento bruto mundial
- US$ 4.069.691
- Tempo de duração
- 1 h 46 min(106 min)
- Cor
- Proporção
- 2.35 : 1
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