Apocalipse Yakuza: A Grande Guerra do Submundo

Considering the low budget that most Japanese films are made with, this was a textbook over the top Miike film. He's not going to be remaking classics like Koroshiya Ichi or Rainy Dog. I hope he gets back into that mode. But that's how it is when a director becomes a cult hero.

This is really just a movie about the sociology of living in a small coastal Japanese town. There's all the main components for small time organized crime to exist and flourish. Things turnabout, people get killed, things get sorted out.

I'm a real fan of Ninkyo eiga, the chivalrous yakuza films. I believe the heart of this film is Ninkyo. The outside is all otaku jack-off material, and the wrapper is whatever the heck Tarantino did to make Miike quit making awesome films like Ichi the Killer, Rainy Dog, and Deadly Outlaw Rekka, which is everything that this movie just couldn't provide for people who aren't a huge fan of Miike to begin with.

If you don't like this movie, then watch Deadly Outlaw Rekka, Yakuza Demon, and Rainy Dog. These are the movies that are not childish in any way.

For those not experienced any of Takeshi Miike's previous work, you are going to be in for a bit of a door slamming in the face experience with this one. There's no denying that he can direct a movie (and he has made some excellent movies) but some of his most popular films have been more offbeat & comical like this.

There's no point explaining the storyline as it's non-linear, intentionally a farce and practically irrelevant. Don't bother trying to intellectualise any of it either like one guy I overheard did as I left the cinema. It's just a farce, and makes no pretences to be otherwise.

You'll either fall for its ludicrous charms in much the same way many do with Month Pythons' work, but it will leave many cold. The humour is quirky but often violent and cruel so won't suit all. Might even offend some sensibilities. It often bored me but others in the cinema were in hysterics. Lots of teenage boy level humour too.

For those who lose patience with this, the only respite is that despite the silliness, you'll find at least something somewhere to laugh at.

It's not by any means the director's best work. Not by a long shot. Still for fan boys they'll lap it up, for all else it will likely miss the mark even if doesn't do so on the screen.

This movie is from Takashi Miike so its on the weird side. That said, if you like slow paced Japan style logic and if you like action; this movie delivers in the most pure form. Combining the crazy and absurd.

• " Like Sukiyaki Western, but not a western and way better! "

Story 9/10 Action:8/10 Romance: 7/10 (there is) Acting:10/10 Cinematography:10/10

The story line is insane but also good if you think about it. If you think there are gaps, you need to let go and just take it and move on. There are mysteries in life too and these gaps were put there purposefully. Thats the difference.

Fights are well fought, and the final fight is the essence of fighting: brutal. Its a stupid fight but isn't all fighting meant to be stupid. You can argue, but fights don't decide whose right, just whose left.

Visual aspect is whats most surprising. I watched Full HD. Selected scenes are portrayed in such a cheap way, its almost nostalgic. Reminded me of watching stuff like Power Rangers or Teletubbies. And still it was good.

Miike melds genres in this yakuza/vampire flick. This is certainly crazy, but I don't think it's one of Miike's better films. Hayato Ichihara stars as a yakuza henchman who sees his boss decapitated in front of him. The boss has a secret: he's a vampire. And before his head dies, he bites Ichihara on the neck and imparts his powers to him. With those powers (and the power to create more vampires), he looks for vengeance for his boss. Simple enough set-up, but there's a ton of other stuff packed into the film. A lot of that stuff is fun - particularly the late-film appearance of a giant green frog monster who kicks all kinds of butt - but none of it is very coherent. It feels like just weird stuff for the sake of weirdness. Still, there's enough here worth seeing that I'd recommend seeing it, particularly if you're a fan of Miike or just cult cinema. Yayan Ruhian, who starred in The Raid and its sequel, also stars (he also briefly appears in The Force Awakens, but at least here he gets to fight).

"Yakuza Apocalypse" is one of last year's most flamboyant movies. It shouldn't come as a surprise that it's the most recent movie of famous Japanese director Takashi Miike, a diversified workaholic who shoots numerous movies each year and who has gained critical acclaim with psychological horror movies such as "Audition" (1999), gangster movies like "Family" (2001), experimental flicks like "Gozu" (2003), historically inspired action movies like "Thirteen Assassins" (2010), courtroom dramas like "Ace Attorney" (2012) and brutal revenge flicks like "Shield of Straw" (2013). Obviously, there is a lot of hit and miss in this director's extensive filmography but I have adored most of his movies. No matter what genre Takshi Miike touches, his movies are often direct, intense and surprising and he has a very distinctive style that some people love and others despise. There are only few people who would describe Takashi Miike as an average director and his movies mostly get very positive ratings or extremely negative critics which is the reason why most of his movies still have balanced averages. ''Yakuza Apocalypse'' is definitely a controversial movie. Some people might get lost while watching this film while others will adore this movie's eclectic style.

It's not easy to describe this unpredictable movie. It's basically a mixture of a gangster movie with a supernatural horror film and an absurd fantasy parody. "Yakuza Apocalypse" works a lot with contrasts. It features a rape scene and a brutal assassination on one side but humorously exaggerated special effects and slapstick fight choreographies on the other. There are profound dialogues but there is also a lot of situation comedy. The mood of the film can switch from brutal to light-hearted, from emotional to superficial and from serious to ridiculous in a few minutes. It's remarkable that the director still doesn't lose the film's guide line and manages not only to tell an intriguing story but also to include some smartly hidden social criticism here and there by ridiculing conservative gangster codes.

"Yakuza Apocalypse" tells the story of a disrespected young Yakuza who wants to avenge the death of his mentor who was assassinated by the mob of an international gangster syndicate. What makes this movie outstanding are the eclectic characters in this potpourri of genres. You will encounter a weird woman whose head is filled with a noisy liquid, a smart Asian gangster who looks and talks like William Shakespeare, an Indonesian martial arts expert, a hyperactive kappa goblin and a giant frog that wants to destroy the world. Expect the unexpected and you will get some very original entertainment.

In the end, even by Takashi Miike' standards, if he has any, this is one of his weirdest movies along with "Gozu" which is one of my favourite films of all times. This movie here is a little bit less atmospheric and the acting is only of an average quality. Still, this film offers multiple fireworks of creativity and has the potential to become a true cult movie in the future in the key of odd, recent North American films like "The Interview" and "Tusk". This flick has so many incredible genre changes, hilarious details and weird characters that it can be watched a dozen times without getting boring because there will always be something new to rediscover. "Yakuza Apocalypse" offers many flamboyant scenes that should lead to controversial debates with your friends but you can also switch your brain off and enjoy this incredible fun ride on your own. If you're expecting a serious mainstream movie though, you will be disappointed and get the exact opposite. Those who aren't familiar with Takashi Miike's works should maybe try out "Gozu" and other movies before approaching this pleasant oddball.