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The source material (manga) is masterfully adapted into a 2 hour film. Excellent cast, direction, cinematography, everything in it (Kamakura is such a beautiful place)! I fell in love with all the characters (I specially liked Midoriko Kimura's role of the Cafe owner)..

Everything in this movie feels so real, and lively. But also filled with emotions. And the theme and general feeling (what you take with you once done) is quite heavy, even if it is something simple we can all understand. I love the kind of stories that put a smile on my face, even if I felt my heart being tugged a bit. You can see the love that was put in it by everyone involved.

Would easily recommend to anyone.. specially to those that sometimes just stop to realize they are alive.

Greetings again from the darkness. Movies don't frequently begin after the most disruptive drama has already occurred. However, such is the case with director Hirokazu Koreeda's adaptation of Akima Yoshida's graphic novel "Umimachi Diary", the source material for this tale of sisterly love formed by tradition and some unfavorable circumstances that are "nobody's fault" (a recurring theme).

Three adult sisters live together in their large family home, and have done so for many years – since their father left for another woman, and their mother, unable to cope, abandoned them. Sachi (Hanuka Ayase) is the oldest and self-burdens by carrying the most responsibility. Yoshino (Masami Nagasawa) and Chiko (Kaho) are quite a bit more care-free than their older sister, but this non-traditional family unit functions with traditional meals served within the walls of their traditional house.

The sisters attend their father's funeral where they meet their half-sister Suzu (Suzu Hirose), who they invite to come live with them. The small town community of Kamakura provides a quaint and beautiful backdrop for the film … which has plenty of personal drama (what would you expect from 4 sisters?) but lacks the high drama that cinema usually heaps on screen.

We easily get to know each of the characters, and how they deal with being a product of their past, while hoping not to repeat the mistakes of their parents. Although "death" is seemingly everywhere, this is mostly a story about appreciating life and beauty – and the strength that comes with a family bond.

The acting is superb throughout, and director Koreeda's camera work is understated and complimentary … except for the moments when it's breathtaking – the Cherry Blossom tunnel, for instance. The look and feel of the film is quite tranquil, but emotions are constantly stirring – whether at a local diner or harvesting the family plum tree for this year's plum wine. It's little wonder that the film was so well received at Cannes Film Festival, and for those who enjoy a less-thunderous approach to cinema, it should be quite a pleasant two hours.

"Our Little Sister" centers around four sisters, their lives and their relationships. It may look like a small, complacent, too slow and contemplative movie, but Koreeda, with the help of amazing acting all around, elevates the proceedings and delivers a really good movie.

Sachi, Yoshino and Chika are three sisters that have lived together for some years. Their father left, marrying again, and their mother run away, leaving them behind. The death of the father brings all of them to his funeral, where they meet their half-sister Suzu. Sachi, the oldest, offers Suzu go living with them, and Suzu accepts, the four starting to live together.

From that moment on the movie develops slowly, but securely, with great character development, a couple of very touching moments, and a focus on human relationships and the reasons behind our behavior. That Koreeda has restrained Haruka Ayase, charming Masami Nagasawa, happy-go-lucky Kaho and innocent but smart looking Suzu Hirose as the four sisters helps, as they embody their characters and bring them to life. The plot helps, with little vignettes that help develop the story and entice the viewer's attention.

The movie is a little bit slow, but you won't care, because what you will care about is these four sisters, their world, their problems and the relationship they have between themselves and with all that surrounds them. Great.

All the Hollywood directors producing one comic-book sequel after the other (and all other directors as well) should see this film, they should turn away in shame, and quit directing. Movie is largely seen as a medium to entertain, yet it could be so much more.

Watching this movie, in every scene, it is incomprehensible for a western viewer how it is filmed: There are only daily life scenes, nothing dramatic, yet it is such a heart-warming experience, a simple joy of watching people living their lives.

The story follows 3 very different grown-up sisters who live independently in a big house. The father has left them when they were little, and now they learn that they yet have another little sister. Soon their little dormitory has an additional guest. The main characters are the youngest sister who tries to adapt to her new life, and the oldest sister who is determined to live her life lead by strength and kindness.

Critics have compared Kore-eda with Ozu, because of his calm observation of life. Still, Ozu's films contain great sadness, while Kore-eda's movies ('Like Father,Like Son', 'Kiseki') are full of hope and joy for living. They show simple people trying to find happiness in life. It has a Zen-like quality: one doesn't need big dramatic events to show love and kindness, if you are looking close enough you will find it in the most ordinary things in daily life.

This is one of the best movies I've ever seen.

This movie is 128 minutes long and at the end i was hoping it could go on for two more hours. For me it is the essence of what cinema should be. Great story real characters and real life ! Just a few days before i was watching SW7 and thought it was an OK movie but while watching "our little sister" i was realizing how much better cinema can be and how bad most Hollywood blockbusters really are. I know its like comparing a Michelin star cook to Mc Donald's but when you tasted both you realize one is art and one is fast food. One you eat because you're hungry (bored) and one because it tastes great. This movie is art because it touches you in a special way ... not you ego but your humanity.

Compared to Hirokazu Koreeda previous movie "like father like son" the story is very loose sometime you even think there is none. You also get tricked by the expectations other movies force you to have by repeating the same motives over and over again. I'm not sure if this is intentional or the movie is just so different.

Like most Japanese or Asian movies there is some stuff that could be a little bit to slapstick and melodramatic for western viewers but that's a very small price to pay.

If you don't count anime "our little sister" makes it in my top 5 Asian movies of all time. I highly recommend it.