The Girl in the Photographs

"The Girl in the Photographs" centers on Colleen, a grocery store clerk in small town South Dakota who is the unwitting target of a mysterious local who has been leaving photographs of mutilated women for her to find. The series of bizarre photos go viral, garnering interest from an egotistical Los Angeles photographer (Kal Penn) who is also from the town. The arrival of him and his entourage and their meeting with Colleen sets the killer's plans into motion.

This middling contemporary slasher has received most of its buzz from the fact that it was the last project that the late Wes Craven was attached to (he served as executive producer), and had the maestro's name not been on the bill, it's unlikely the film would have seen as much as attention as it has from genre fans. I was excited about the film irrespective of this, as "executive producer' does not equal "writer" or "director," and also because films done in this tradition are rare these days. Opening on VOD and to a small circuit of indie theaters (I caught the film at Cinema Village in New York), the reviews overall have been lukewarm to terrible, so I went into the film with barred expectations–and was actually somewhat surprised by how much I enjoyed it.

While it is in so many ways a conventional slasher thriller, it's also well-shot and decently-acted by any standards. Is it revolutionary? The advent of contemporary horror? Absolutely not. But as a playful riff on serial killer thrillers, it never ceases to be supremely amusing. The production values are high here, and the film benefits greatly from Dean Cundey's cinematography (a frequent collaborator with Spielberg, and the man who shot John Carpenter's "Halloween"). It's flashy and glossy from beginning to end, and conjures the prototypical small-town-in-terror vibe very nicely.

As far as scariness or suspense goes, that is where the film does lack some bite; jump scares surprisingly are not the route taken here, but "masked men lurking in the shadows" is the film's modus operandi. It's ineffective, but what can you do? The muted suspense is possibly the result of the script not seeming to know where it's quite going, but the ambiguous conclusion reifies the apparent confusion in narrative direction, and is quite disturbing in its own right. The performances overall are solid; Kal Penn is appropriately ridiculous as the egomaniacal photographer (whose persona seems to be culled from the likes of Terry Richardson), and Claudia Lee is serviceable as the leading lady despite having an underwritten character. The rest of the supporting cast manages to pull in some comedic elements that offset the sadomasochistic center of the movie, and the dialogue is efficient and believable.

Overall, I thought this was a decent effort, and it is one of the best modern slasher movies I've seen in quite awhile. Fans expecting something revolutionary or on par with the likes of Craven will be disappointed, and I feel that Craven's name on the project may have something to do with the disheartened fans who expected something more than what this film has to offer. In spite of that, "The Girl in the Photographs" is a fun and indulgent throwback to the eighties slasher. It's conventional, but stylish and entertaining enough that I found it worth my time–and maybe that's enough. 6/10.

I will pretty much watch anything to give it a chance, especially horror movies because they're my favorite. But, I can't believe I'm still watching this movie right now it's awful lol. It's not the worst movie I've ever seen but it really is a 3 for so many reasons. The worst part about the movie is the acting. It's comical! It's baddddd lol. The main girl has no range of emotions but she reminds me of Ashley Benson (and I wish it would've been her maybe it would've been better then). Also the model who's the "gf" of the photographer was sooooo annoying!! The story just sucks. I only like the photographer because he's an idiot and has a few good lines in it😂 I would say you might enjoy it if you're bored though. Plus it's free on Netflix at least!

This film drowns in monotony as it ultimately leaves the viewer in a literal state of "can they please just kill these people so this film can end" for an extended amount of time, mostly the last twenty minutes of the film. Losing patience to such a degree means that all feeling for the cast has been lost or in this case never felt to begin with, this is obviously a big problem for a horror film when even the fate of the innocent young lead(Claudia Lee) loses importance. Nick Simon fails to create any atmosphere throughout as well as suspense and tension. There may have been a few small jolts of electricity, but they dissolve almost instantaneously.

Despite being well produced, shot and acted with lots of pretty faces and even some nice T&A, this film just doesn't succeed in being what could have been a more engaging horror flick had some serious editing and script adjustment been applied.

But in the end I'm still a horror junkie and I have to judge the overall package against it's fellow B horror competitors and there is enough here to possibly warrant some degree of entertainment for those with the same genre affliction, there were some OK kills and to be completely honest the picture the killers leave for the girl in the final seconds was brilliantly done, though a photo cannot undo the overall average plot and mundane feel to this film.

If you are bored to death and you have no slightest idea what to do with yourself, then you could maybe consider watching this movie. Actually... no. Better observe your walls, there must be some interesting bug stains or something. I mean... something this much useless and unprovoked is rare to find...

3/10

...and even that much only because there are some cute girls in it.

After having just seen the other Oz Perkins-written 2015 horror film February, and adoring it, I was hoping for a similarly well-crafted film here, with a nuanced screenplay which dares to contribute to the horror genre in new ways. Got the opposite - an extremely low-concept, poor execution slasher. I hope he follows the path of that other film in the future.

A grocery store checkout clerk keeps having mysterious photographs of murdered and mutilated women left for her to find around her workplace and other locations. Seven of them so far. The cops think it is "art" so they don't bother doing absolutely anything about it (what?) at any point, even after the girl is stalked (what?). Then some famous photographer and his posse of models comes to town because he's "inspired" by these photographs, and wants to recreate them. Then slasher.

I'll just get the biggest problem out of the way - this slasher has absolutely zero tension. I feel like it tries to heavily borrow from better films, but achieves only lifeless recreations which fail to understand how to create tension. Most obviously this was clearly inspired by the Strangers, down to the masks. So expect a LOT of scenes that make zero sense if examined from a "why would anyone do this other than for the camera" perspective. Like the villains just lurking randomly in the background and appearing and disappearing and so on and so forth. On top of that, the setups are SO common that the viewer is always five seconds ahead of the characters in peril - you will be able to, with 100% accuracy, predict every single time a villain will appear and disappear in the background. Every, single, time.

The characters were supposed to be funny (I think), but weren't my cup of tea. The secondary cast were decent actors, just not given much to work with. The main actress just looked annoyed throughout the entire film. Her range was "very angry" to "only moderately angry". The villains were just awful. Were they going for farcical? They seemed to do random creepy things for the sake of it. It was just an amalgamation of one dimensional "gross" ideas to try to convince us of how deranged the characters are, which just made them comical and a parody.

The nail in the coffin was the final scene."Horror 101", obvious from the beginning, standard "last chill". This movie did not take itself seriously at all and it did not bode well for the concept. It wouldn't be a bad concept if developed further, but should have tried for a serious and tense tone, because it could have been far more interesting.

Upsides? Decent gore, and two or three funny lines hanging on for dear life in an otherwise mostly-witless sea of dialogue.