dorsasalehan

The Handmaid's Tale is more than a TV series it's a chilling reflection of the world I live in. For many, it's a dystopian story. For me, it's reality.

As a woman from Iran, every frame feels personal. The oppression, the silence, the stolen rights they are not just part of Gilead; they are part of my life. Watching June fight back with courage and hope is both heartbreaking and empowering. It's a reminder that even in the darkest times, the human spirit can burn brighter than any tyranny.

I dream of the day my country is free, when we can walk in the streets without fear, speak our minds without consequence, and celebrate our own day of freedom. Until then, this series will remain a beacon a story that reminds me why we must never give up.

Only 4 episodes in, and Dexter: Resurrection is already blowing my mind. Each episode is a perfect piece of storytelling intense, dark, gripping, and absolutely addictive. It feels like they've truly recaptured the soul of Dexter in the best way possible.

I've been obsessed with Dexter for years. And whenever someone asks me about my favorite series even with masterpieces like Breaking Bad out there I always say Dexter. It's my number one, always has been, always will be.

And what's even more impressive? Every single spin-off from this universe is amazing. In a world full of disappointing spin-offs, Dexter's are on a whole different level each one more brilliant than the last.

When I found out Dexter: Resurrection was finally out, I was honestly happier than if I had won the lottery. I couldn't stop saying, "Is this much happiness even allowed?" That's how much this show means to me.

Just one thing... if Dexter or his son ends up getting caught by the end of this season, I swear I'm personally coming for the writers 😅

Please, keep making more. Keep this story alive. I want to watch Dexter until the end of time.

The House That Jack Built is not just a film it's a violent, visceral canvas. A disturbing, bold, grotesquely beautiful piece of pure cinema that dares to explore the darkest edges of art, morality, and the human psyche.

Lars von Trier constructs an unapologetic, cerebral journey a confession, a descent, and a philosophical monologue all at once. The visuals are deliberately composed, often intercut with famous classical artworks. These aren't just references they're integral to the film's language. As someone who studied art history, I was struck by how seamlessly Trier weaves the violence of Jack's story into a broader aesthetic framework. This film is a painting grim, provocative, and painfully alive.

Matt Dillon gives the performance of his career. Jack is not just a killer he is an obsessive creator desperate to impose structure and meaning onto the chaos of his crimes. His house is not made of stone, but of moments frozen in time, each more disturbing than the last. His logic is twisted, but eerily articulate. He sees murder as art and the terrifying part is, sometimes the film makes you see it that way too.

This isn't a film for casual viewers. It's for those willing to confront beauty in horror and intellect in madness. It left me speechless not with emotion, but with a strange sense of recognition.

"Wow." That was my only thought when it ended.

Dark. Smart. Art.