richardchatten
Entrou em mai. de 2016
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Classificação de richardchatten
Avaliações3,7 mil
Classificação de richardchatten
A heady brew of Jewish legend and black magic designed in the Germanic manner that established the template for most monster movies that subsequently hit the screen.
George Orwell once saw a farmhand beating a horse with a stick and was struck by the fact that the horse could easily have killed had it simply stood up him. Likewise, after the trouble taken to mould such a formidable creation as The Golem to use him simply to perform mundane chores was just asking for trouble.
George Orwell once saw a farmhand beating a horse with a stick and was struck by the fact that the horse could easily have killed had it simply stood up him. Likewise, after the trouble taken to mould such a formidable creation as The Golem to use him simply to perform mundane chores was just asking for trouble.
Revisionist historians have long posited the theory that the Prince of Denmark was actually a man. Having seen most of the screen versions of Shakespeare's play I can attest that a panda-eyed woman in her fortieth year not only is surprisingly effective, possesses by far the best legs of any screen Hamlet I've ever seen and is one of the very few bona fide Danes to have played the part.
Fonda actively disliked working with Lang on this sequel to Fox's great success of the previous year; which actually managed to be more characteristic of Lang than his subsequent western, 'Western Union'.
An enthusiastic promoter of Technicolor, Darryl Zanuck deserves credit for giving Lang the opportunity to work in colour at such an early date. The result is a film much darker in tone than either of the two westerns that followed. The scene in which Bob Ford reenacts on stage his killing of Jesse has an authenticity then rare to westerns; while the showdown in which (SLIGHT SPOILER COMING:) Frank corners Bob Ford in a darkened barn is classic Lang.
An enthusiastic promoter of Technicolor, Darryl Zanuck deserves credit for giving Lang the opportunity to work in colour at such an early date. The result is a film much darker in tone than either of the two westerns that followed. The scene in which Bob Ford reenacts on stage his killing of Jesse has an authenticity then rare to westerns; while the showdown in which (SLIGHT SPOILER COMING:) Frank corners Bob Ford in a darkened barn is classic Lang.
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