Sometimes I actually think I like it better than THE LAST PICTURE SHOW but that's only now, after having seen TEXASVILLE, oh, fifteen, twenty times.
It's too easy to blow this movie off as being strange and not making sense -- I see that as its strength; it's *real*. It's oddly real, it's real in a way that most movies aren't; nothing ties up, there's no plot arc, people don't do what they're supposed to. But if you watch it as evidence of McMurtry's genius characterization, you'll see that the people in this film are tremendously human, and weird and flawed.
Annie Potts as Duane's wife Karla is really the standout performance in this sequel, though the rest of the principal cast from PICTURE SHOW are, IMHO, just as spectacular here. Potts adds something to the mix that allows a unique perspective on this weird little town, and, like Duane, you see her for all her flaws and you love her just for putting up with you.
And, really, is there *anything* sadder than Jacy wooing Duane's dog away?
See this film more than once before you judge it; that's all I've got to say.
It's too easy to blow this movie off as being strange and not making sense -- I see that as its strength; it's *real*. It's oddly real, it's real in a way that most movies aren't; nothing ties up, there's no plot arc, people don't do what they're supposed to. But if you watch it as evidence of McMurtry's genius characterization, you'll see that the people in this film are tremendously human, and weird and flawed.
Annie Potts as Duane's wife Karla is really the standout performance in this sequel, though the rest of the principal cast from PICTURE SHOW are, IMHO, just as spectacular here. Potts adds something to the mix that allows a unique perspective on this weird little town, and, like Duane, you see her for all her flaws and you love her just for putting up with you.
And, really, is there *anything* sadder than Jacy wooing Duane's dog away?
See this film more than once before you judge it; that's all I've got to say.