10/10
Neil Jordan returns to his best material: gender bending and the IRA
31 May 2006
This spellbinding, tightly written, tightly wound, full speed ahead film is Neil Jordan's best work by far since his 1992 hit, "The Crying Game." And, interestingly, in this new film, Jordan returns to exactly the same intertwined themes that marked "Crying Game": the armed struggle of Northern Irish Catholics against the British Crown and gender bending.

Unlike the last minute revelations in "Crying Game," however, here the protagonist's transsexuality is placed front and center from the getgo. Cillian Murphy gives a bravura performance as Patrick "Kitten" Braden, in a story set in the 60s and 70s. Murphy oozes sensual vitality and is a world class flirt, but he's also genuinely kind and compassionate toward everybody.

The story is divided into 35 brief, fast paced "chapters" following Kitten's life over several years, first in a village near Belfast, later in London. The musical score, which is extraordinarily good, is an eclectic mix of everything from 40s pop tunes to Harry Nilsson and Van Morrison. Good supporting turns are provided by Liam Neeson, Ruth Negga, Stephen Rea, Gavin Friday and Brendan Gleeson. My top rated narrative drama of 2005: grade 10/10 A.
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