IMDb rating system is beyond baffling - how can an arithmetic mean of 8.6 and a median of 9 possibly equate to a weighted average of 4.2?!
This was a fantastic series. If any aspiring comedy writers take the trouble to watch this, they will see that Peter Tilbury's technique defies every single piece of received wisdom on sitcom writing. The plots are wafer thin, Philip Roath seldom finds himself up a tree that he has to get down from, there is precious little conflict to be resolved and it is all tell and no show: most of the laughs come from the characters we never see: Gerald, the analyst's boyfriend, the boss's Mohican son-in-law, and Napley's delinquent sprog.
Tilbury's central performance is workmanlike; the comparison with Hywel Bennet who took the part he had written for himself in Shelley, is interesting. ITAWM demonstrates the advantages of having the writer deliver his own lines; Tilbury knows exactly what he is trying to achieve. But Shelley shows how a great actor can lift a script with a performance that exceeds the writer's vision.
The supporting performances, particularly from Benjamin and the wonderful Le Prevost, are excellent.
This was a fantastic series. If any aspiring comedy writers take the trouble to watch this, they will see that Peter Tilbury's technique defies every single piece of received wisdom on sitcom writing. The plots are wafer thin, Philip Roath seldom finds himself up a tree that he has to get down from, there is precious little conflict to be resolved and it is all tell and no show: most of the laughs come from the characters we never see: Gerald, the analyst's boyfriend, the boss's Mohican son-in-law, and Napley's delinquent sprog.
Tilbury's central performance is workmanlike; the comparison with Hywel Bennet who took the part he had written for himself in Shelley, is interesting. ITAWM demonstrates the advantages of having the writer deliver his own lines; Tilbury knows exactly what he is trying to achieve. But Shelley shows how a great actor can lift a script with a performance that exceeds the writer's vision.
The supporting performances, particularly from Benjamin and the wonderful Le Prevost, are excellent.