O. K., so there are some very funny visuals in this film, but lots of sight gags do not make an excellent film. Sure, this was made for the kiddie trade, but ultimately, it is the adults who review it.
First of all, from a scientific level: this does not teach the young the powers of good writing, because the boys never make it to Mars. They think they are on Mars for about half an hour because that's where the space ship was making its destination as before dumb Lou hit the button that made them crash, right in the middle of the Louisiana bayou.
It just so happens that it's Mardi Gras, and everybody is weird costumes with large heads that either spin around or come detached from the rest of the body. Bud and Lou's space suits go in great with the Mardi Gras crowd, and the laughs come fast and furious. The arrival of two escaped bank robbers who disguise themselves in space suits then proceed to rob a bank results in Bud and Lou being chased and the spaceship with the two robbers aboard taking off and ending up on Venus.
There, they meet man-hating queen Mari Blanchard who had all men banished centuries before because they were not faithful. Of course, her all-women army is man crazy, and even the presence of plump Lou has their hot Venus blood pumping. Lou becomes king, but the jealous queen knows he'll stray. When Lou kisses one of the women goodbye, a curse from the queen turns her back into her real age, a funny visual to watch as she becomes an old hag in gold lame' with certain body parts changing location to reflect her true age.
Having been around for well over a decade in the 1950's, by this time, Abbott and Costello were still popular but adults who enjoyed their hijinks during World War II were staying away. At least with "Buck Privates" and "Hold That Ghost", they were hysterically funny if still juvenile, but they were surrounded by actors who brought an adult mentality to the proceedings. This is not only juvenile in the sense of the age group of where it strives to be mentally, but in the fact that it presents women as jealous creatures who if they can't fully get a man's attention and manipulate them to keep them from going astray, then they will have to banish them altogether.
Of course, it's only one woman making this rule as the women underneath her will do anything to get a man's attention. Certainly, the costumes for the Mardis Gras sequence are very funny (as is a sequence involving a plate of limburger cheese) and the crystallized sets for Venus are attractive as well. But what about the giant dog who chases Bud into a cave where he discovers the women's army? It is there, then gone. Even the Three Stooges rip-off, "Have Rocket, Will Travel", would introduce freaky creatures in their Venus sequence and do something with them.
This film pretty much is a pointless comedy for little boys of a by-gone era who might look back on this as a fond childhood memory but in retrospect, leaves one longing for something so much better.
First of all, from a scientific level: this does not teach the young the powers of good writing, because the boys never make it to Mars. They think they are on Mars for about half an hour because that's where the space ship was making its destination as before dumb Lou hit the button that made them crash, right in the middle of the Louisiana bayou.
It just so happens that it's Mardi Gras, and everybody is weird costumes with large heads that either spin around or come detached from the rest of the body. Bud and Lou's space suits go in great with the Mardi Gras crowd, and the laughs come fast and furious. The arrival of two escaped bank robbers who disguise themselves in space suits then proceed to rob a bank results in Bud and Lou being chased and the spaceship with the two robbers aboard taking off and ending up on Venus.
There, they meet man-hating queen Mari Blanchard who had all men banished centuries before because they were not faithful. Of course, her all-women army is man crazy, and even the presence of plump Lou has their hot Venus blood pumping. Lou becomes king, but the jealous queen knows he'll stray. When Lou kisses one of the women goodbye, a curse from the queen turns her back into her real age, a funny visual to watch as she becomes an old hag in gold lame' with certain body parts changing location to reflect her true age.
Having been around for well over a decade in the 1950's, by this time, Abbott and Costello were still popular but adults who enjoyed their hijinks during World War II were staying away. At least with "Buck Privates" and "Hold That Ghost", they were hysterically funny if still juvenile, but they were surrounded by actors who brought an adult mentality to the proceedings. This is not only juvenile in the sense of the age group of where it strives to be mentally, but in the fact that it presents women as jealous creatures who if they can't fully get a man's attention and manipulate them to keep them from going astray, then they will have to banish them altogether.
Of course, it's only one woman making this rule as the women underneath her will do anything to get a man's attention. Certainly, the costumes for the Mardis Gras sequence are very funny (as is a sequence involving a plate of limburger cheese) and the crystallized sets for Venus are attractive as well. But what about the giant dog who chases Bud into a cave where he discovers the women's army? It is there, then gone. Even the Three Stooges rip-off, "Have Rocket, Will Travel", would introduce freaky creatures in their Venus sequence and do something with them.
This film pretty much is a pointless comedy for little boys of a by-gone era who might look back on this as a fond childhood memory but in retrospect, leaves one longing for something so much better.