Jesus appears to be a surfer who's searching for but can't find the beach to go hang ten. Judas, dressed in black, is an emo who wants to get like totally rad against the Romans and hang ten all over their face. The rest of the cast are card board cut-outs; it's hard to figure out who is playing whom.
The movie appears to be well meaning, but it just goes all wrong. First of all, it takes all its source material from forgotten scripture, the Gospel of Gnarly. The writers come up with stuff that doesn't fit with known scripture, and to say the writer took poetic license is being nice. Jesus comes across as confused, wimpy, and suffering from severe sleep deprivation. Judas just yells and screams at him, so that they can launch a military campaign of two men to overthrow the Roman Empire.
Judas is always mad, and it makes no sense that Jesus would have called this guy as an apostle in the first place. From then on they bicker, with Jesus always sounding like a 1st grade teacher, and Judas sounding like a cross between Fred Flintstone and General George Patton. The fact that the acting is weak makes these awkward characterizations even more bizarre. Events from the passion are tossed and turned, out of context, and out of logical chronology.
This should only be viewed as a novelty, as a case study of just how far a story can stray from source material.
The movie appears to be well meaning, but it just goes all wrong. First of all, it takes all its source material from forgotten scripture, the Gospel of Gnarly. The writers come up with stuff that doesn't fit with known scripture, and to say the writer took poetic license is being nice. Jesus comes across as confused, wimpy, and suffering from severe sleep deprivation. Judas just yells and screams at him, so that they can launch a military campaign of two men to overthrow the Roman Empire.
Judas is always mad, and it makes no sense that Jesus would have called this guy as an apostle in the first place. From then on they bicker, with Jesus always sounding like a 1st grade teacher, and Judas sounding like a cross between Fred Flintstone and General George Patton. The fact that the acting is weak makes these awkward characterizations even more bizarre. Events from the passion are tossed and turned, out of context, and out of logical chronology.
This should only be viewed as a novelty, as a case study of just how far a story can stray from source material.