I'd seen some negative reviews of this film before I watched it but it's always hard to know whether they're written by people who just didn't get the film or whether they were written by people who are open to something very different who just didn't think the director succeeded in producing something of value.
Terrence Malick is indeed trying to take his audience in a different direction. He has turned away from the idea of telling a story to focus on the intangible emotional states of his characters, but I don't think many viewers will be able to relate very well to a character who is searching for meaning within an extremely privileged Hollywood social sphere, nor do I think we have much of an opportunity to connect to the film emotionally when it's edited like a music video. The film shifts wildly from one subject to another, the camera continuously in motion, as we tune in and out of incomplete conversations. Laid on top of the soundtrack throughout is slow, ponderous narration from multiple characters, often on subjects that have no immediate relationship to what is on screen at the time.
It is hard to sit through to the end. I did, though I caught myself daydreaming about other things on several occasions. It's hard to pay attention to something that seems to be making so little effort to hold it, but I was hoping it would go somewhere interesting. Surely the directer of a masterpiece like The Thin Red Line would pull something out of his sleeve to weave the chaos together, but then it ended.
Unfortunately, I can't tell you which group of reviewers I'm in. I might be the kind who just didn't get it or who aren't open to what Malick was trying to do, but I was thoroughly bored by it. I appreciate that he is trying something different, and this film is that, but I don't feel like I got anything out of it.
One group who might appreciate this film though is modern architects who put a lot of glass in their buildings. There is a lot of that.
Terrence Malick is indeed trying to take his audience in a different direction. He has turned away from the idea of telling a story to focus on the intangible emotional states of his characters, but I don't think many viewers will be able to relate very well to a character who is searching for meaning within an extremely privileged Hollywood social sphere, nor do I think we have much of an opportunity to connect to the film emotionally when it's edited like a music video. The film shifts wildly from one subject to another, the camera continuously in motion, as we tune in and out of incomplete conversations. Laid on top of the soundtrack throughout is slow, ponderous narration from multiple characters, often on subjects that have no immediate relationship to what is on screen at the time.
It is hard to sit through to the end. I did, though I caught myself daydreaming about other things on several occasions. It's hard to pay attention to something that seems to be making so little effort to hold it, but I was hoping it would go somewhere interesting. Surely the directer of a masterpiece like The Thin Red Line would pull something out of his sleeve to weave the chaos together, but then it ended.
Unfortunately, I can't tell you which group of reviewers I'm in. I might be the kind who just didn't get it or who aren't open to what Malick was trying to do, but I was thoroughly bored by it. I appreciate that he is trying something different, and this film is that, but I don't feel like I got anything out of it.
One group who might appreciate this film though is modern architects who put a lot of glass in their buildings. There is a lot of that.