Huntley Gordon and Lilyan Tashman are out traveling the world and wrangling, leaving Mary Brian to raise her five step-brothers and sister by herself. A chance meeting with Frederic March leads him to promise to get all the parents, step-parents, prospective step-parents and former step-parents together to hash things out; the basic issue being that none of the children wish to be separated from the other. Meanwhile, Miss Brian develops a passion for March, who has his own fiancee to consider.
There are lots of fine performers in this, including among the children Mitzi Green, Phillippe de Lacy, and Anita Louise, and among the adults Kay Francis and Seena Owen. I'm afraid that the varying relations among the adults reached the point of bafflement for me, arousing a sense of frustration that might be parallel to those felt by the children. One of the good points about pre-code movies is that they were not afraid to tackle the issues of divorce, not only the occasional need for it, but the problems raised by it when so-called adults marry, have children, get divorced, and repeat, again and again, as if they and they alone must deal with the consequences. The rules of dramatic construction call for a neat ending, and there is one. Reality, alas, is not so simple.
It's still early days for talkies, which means that holdovers from the silents, like Miss Brian, sound unnatural with their lines, while newcomers like March are just fine.
There are lots of fine performers in this, including among the children Mitzi Green, Phillippe de Lacy, and Anita Louise, and among the adults Kay Francis and Seena Owen. I'm afraid that the varying relations among the adults reached the point of bafflement for me, arousing a sense of frustration that might be parallel to those felt by the children. One of the good points about pre-code movies is that they were not afraid to tackle the issues of divorce, not only the occasional need for it, but the problems raised by it when so-called adults marry, have children, get divorced, and repeat, again and again, as if they and they alone must deal with the consequences. The rules of dramatic construction call for a neat ending, and there is one. Reality, alas, is not so simple.
It's still early days for talkies, which means that holdovers from the silents, like Miss Brian, sound unnatural with their lines, while newcomers like March are just fine.