User reviews

Just finished watching it and it was special. Not a single spoken word and a very dirty and art-house feeling to it. But ... felt like a students work and was quite simple. Anyway ... had some very strong scenes and good score. The girls did a good job! If you can (no compare) enjoy movies like Eraserhead - you should watch it. Keep in mind that this one is low budget, so don't expect too much - then you'll have a good time! Before you end up being offended - be aware that it contains some graphic scenes. Want to underline again that the director tries to get into a David Lynch direction. However this is still a long way. Please be aware that the rating reflects that this is an underground / low budget movie. In case you only watch mainstream - please substract at least 2 points. You need some compassion for those kind of movies.

This movie is gore for the sake of gore. I understand it's a genre, and while it's not my favorite genre, there's probably some decent films in it that have some kind of deep message about human nature or death or something. This movie does not have that. It's completely disjointed. The girls' stories don't intertwine on any level, and if I hadn't looked up this movie's summary on IMDb, I wouldn't have understood what the plot was at all. And that's because it didn't have a plot. The different girls just provided a way for the writer to write as many sick, gruesome events as possible, as everything that happens to the girls in this movie couldn't have happened to just one girl. She wouldn't have survived it. There's no common thread in this story except excessive gore, and the ending isn't satisfying in any way.

Making an "artsy" gore movie with excessive violence and no dialogue doesn't make your movie good or deep. The only thing good about this movie was the soundtrack, and it wasn't impressive enough to redeem the poorly done story.

Wow. How did this get a rating of over 5 stars? I'm not even completely through the movie yet...I'm 40 minutes in...and I'm STILL WAITING for one scene to not completely SUCK from the horrible lack of acting to the atrocious audio to the cheesy out of a grocery store gelatin aisle gore scenes. There is one other review that raves about the movie and says they would watch it again?! I can only surmise they are a friend of someone in the movie or they have no taste or both. One of the worst movies EVER! It's rare that I am personally offended by the actors in the film. It's literally OFFENSIVE to watch this and not understand how they didn't just scrap the movie entirely. Even the tattoos couldn't make them bearable to watch. It's like they went down to the nearest crack house and grabbed a bunch of junkies who are detoxing through the whole film. You almost want to walk on set, knock out the director and yell at a bitch for not even knowing how to breathe heavy. The only thing this film has going for it is an intriguing enough plot line to draw people in to share in its miserable existence.

Various tortured women crawling through intestines, body parts and body sludge in a killer(s) crawlspaces. Gore films are not my thing, but this had a pretty good concept and was a bit surreal. Could have done without the shot of the killer's bulbous naked body and micro-penis.

Pretty vile, but has it's moments. And way more disgusting than the Nekromantik films.

Flowers 2015

Writer & Director Phil Stevens has created something eerily beautiful here. A strange silent story of 6 dead girls who awaken under the floor of their killers home. Nothing here but a dream state. No dialogue just beauty.

The films visuals are outstanding. Violent imagery and gore aplenty but its not there for shock value. Its all part of a bigger picture. The 6 beautiful women have been slaughtered, cut open, beaten and abused but not only is that reflected on their bodies but also in the entire house. There really is a feeling of dread and pain here and you see this as these dead women walk around their surroundings trying to figure out why. This film looks dirty thanks to the cinematography and set design but its classy and very professional.

I can see a lot of people are going to find this film hard at over an hour long with no dialogue but it really is worth it and I've never seen anything like this before. The musical score is absolutely fantastic and probably my favourite score in a long time.

This is pretty much the best looking indie film since pieces of talent.

Find a copy. You really should experience this

8 and a half outta 10

A woman crawls through an underfloor space that's been caked and slathered with human decay and excrement by the resident sex killer ... and then another woman continues the journey ... and another ...

For 5 minutes I was thinking, Hmmm - an arty slasher short that stretches out for 80 mins. But I didn't look away from it once, and by the end it put a spell on me.

Not a word of dialogue in this film, and it turns out actresses may be more expressive that way. I've noticed that occasionally - Ms.45 (1981)- but I think there's not even a verbal noise in this baby. How that's possible while maintaining the natural sound synchronicity is beyond me.

Sound and music are excellent. They use freesound for the background radiation, but the editing takes it to another level. And there's a Tom Waits & wife feel to the actual music.

Visuals are very visceral at the start, but they clean up and get more structured as it goes. The dinner party with the suckling pig is outright weird, but every scene is uniquely suited to its actress, and the actress to her scene.

The only thing that took me out of it for a minute was the body suit in the sewing-up scene - not so much Is That Real? as Yeah, That's False. No biggie.

The meaning? Dunno - there's plenty of metaphor if you like, but this is true horror - a mind-blowing observation of the inevitable. Above all, it's sympathetic - not hateful. Enjoy.

I feel as though I just awoke from a dream. A nightmare. How is one to review a film that has no dialogue and relies on sound and visuals alone? I'm not sure myself. This will be the first time I review a film that relies solely on sound and visuals to tell its story. And what a story it was! I have a plethora of thoughts at the moment, mostly one or two word descriptions. I will list a few that jumped off the screen at me...

Dark and brutal. Disgustingly perverse. Disturbing. Sick and twisted. Mesmerizing. Terrifyingly traumatic. Death and decay. Chilling. A harrowing journey into the depths of a mind insane. While to some those words are discouraging, to me they are exactly what I want in a horror film. I don't care that there was no dialogue. There was no need for any. This dreamlike, nightmarish story was told in such a way that the absolute best way I can describe it as a whole is beautifully haunting. Throughout all the madness, there were moments of lucidity and it all came together in the end.

This is a film that must be experienced. The special effects were believably gruesome. I congratulate these girls, these Flowers, for what they put themselves through in order to help writer/director Phil Stevens tell his story. It is truly remarkable. I must watch it again...

Phil Stevens Flowers is not your typical horror film. And for good measure this is a refreshing new breath into the genre. It is a disturbing journey through the perspectives of the six female victims who exist in a nightmare world caught between memory and death. I have not been as impressed by a film with such symbolism and attention to visual detail as I have since E. Elias Merhige's Begotten. Flowers is not a movie that everyone can stomach, it hits you deep beneath the surface with the subject matter, and will last long after your viewing. To that extent it may be (and wrongfully so) associated to the August Underground series, however it represents so much more than the ugly nature of man and the violent imagery it conveys - which adds further weight to the stories of each of the characters. This is also not your conventional horror, the lack of dialogue only adds to the tension and further terror that one relives through the haunting display throughout. Not to be missed. If you're a fan of abstract work such as Lodge Kerrigan's Clean, Shaven, David Lynch's Eraserhead or Takashi Miike's Gozu you will appreciate this movie. I look forward to more of Stevens' work, he is a filmmaker to keep your eye on.

Flowers is a 2015 surreal horror film, written and directed by Phil Stevens. Phil's freshman feature film is highly experimental in nature, centering around six dead girls who seem to have awoken in the crawlspace below the house of the serial killer responsible for taking their lives. Oh, and it's told without any dialogue at all.

The film takes its time, exploring the characters intimately. It feels very voyeuristic in nature, getting to know "the flowers", as they are called, by observing how they react in silence and alone as they begin to wake and travel through the house. Every one of their actions is an appeal to your emotions, propelling the dialogue without words.

Through morbidly beautiful and intricately detailed sets, you also get a sense of who their murderer is as a person. The picture that's painted is not one of a serial killer you're familiar with, but a profoundly original and well thought out type of disgusting psychopath who will inspire pure visceral revulsion.

The plot of the film lacking dialogue causes an openness for interpretation that allows you to derive any meaning you wish from the plight of the girls and the motivations of their murderer. The visuals assure that your mind is driven into its darkest recesses, causing the perception of guttural fear and discomfort.

Flowers is an inspiringly original piece that will haunt you while your eyes are open. There simply exists nothing to compare it to — an increasingly rare phenomenon in the modern era of the genre.

If you don't like this genre, don't watch this movie and please don't boar us with your pointless reviews. I loved this film. Unlike so many "horror" films, this movie actually made me feel something. FLOWERS ranks up there with films like SUBCONSCIOUS CRUELTY & CUTTING MOMENTS. Phil Stevens will be a force to be reckoned with for years if he follows this pattern.