Plot

A select group of emerging and notable actors come together each week, surrendering to emotional journey into self discovery, while experimenting with the combined components of Stanislavski's (preparation of building a character) along with Meisner's (repetition exercise) in an effort to find moment to moment truth, both in the world of the play, and not in the world of the play.—BoJesse Christopher

A select group of emerging and notable actors come together each episode, surrendering to an emotional journey into self discovery. They experiment on camera with the combined formatted components, principles and disciplines of Stanislavski's 'preparation' of 'building a character', along with Meisner's 'repetition' exercise in the 'moment'. In an effort to achieve and maximize moment to moment truth, both 'in the world', and 'not in the world' of the textual material, each actor shall develop they're emotional instrument, get to know they're emotional self, so they can put they're true emotional self into the work.—BoJesse Christopher

A select group of emerging and notable actors are profiled, personally and professionally, as come together each episode, surrendering to an emotional journey into self-discovery while experimenting with the combined components of a two part acting format, entitled 'Truth Be Told'. The goal for each actor is to get to know they're emotional self, so they can put they're emotional self into the work, in order to achieve the most emotionally connected result. Coached by actor/filmmaker BoJesse Christopher, along with the support of guest filmmaker mentors, the acting collective shall experiment through a series of preparation and warm up exercises, and scene work, using the combined formatted components, principles and disciplines of Stanislavski's 'preparation' of 'building a character', along with Meisner's 'repetition' exercise in the 'moment'. All of which shall be shot in front of multiple RED epic strategic camera set up's. In an effort to achieve and maximize moment to moment truth, both 'in the world', and 'not in the world' of the textual material, each actor shall develop they're emotional instrument, develop a process of accessing and assigning real feeling to strong emotionally connected choices, ultimately get to know they're emotional self, so they can put they're true emotional self into the work.—BoJesse Christopher