Animals

Two young women, Laura and Tyler, share a close 10-year friendship of hedonistic, carefree times in Dublin with all the drink, drugs and casual encounters with boys that implies. Their friendship is one of those platonic almost-marriages - they share a bed as well as a flat and never leave each other's side. But life is beginning to intrude more and more into their happy world as they enter their 30s and cross that dreaded line into a new era where one's life is suddenly supposed to have meaning. Laura's sister Jean, a former fellow traveller on their wild adventures, is newly married, pregnant, sober and increasingly distasteful of her sister's apparent immaturity - and even more so of Tyler, a freewheeling partier who becomes increasingly despondent as she realises she is losing her friend.

But while all of this may sound thoroughly predictable, what Animals does well is to diverge from by-the-numbers plotting and not hem in its characters with cliche responses or obvious moral lessons. Laura is determined not to go quietly into a life of marriage and cohabitation with her new fiancé, Jim, or to leave behind her BFF despite the inevitable forces coming between them. And the film throws up little surprises that keep you on your toes and keep up the story's momentum.

Unfortunately, what's lacking is wit - it just isn't as entertaining in depicting banter as it aspires to be. While the dynamic of the two lead characters has been compared to Withnail and I, for legitimate reasons, that comparison brings obvious trouble with it - W&I was full of brilliantly funny scenes of nothing but two guys being drunk, high or horrifically hungover, a tricky thing that few imitators have pulled off well. There are large parts of this film (particularly the first half hour or so) that rely too much on the audience finding the characters and their antics hilarious. While the characters are likeable, they aren't much more entertaining than your real-life friends, even if they do quote Yeats more frequently.

Overall, though, it deserves credit for being a truthful and heartfelt depiction of enduring friendship and a break with the expected norms of both film storytelling and of polite society. If you find the dialogue a shred more entertaining than I did, you'll have a blast.

The film is well done and the acting is excellent. The whole thing is very believable. The issue is the story. It a free wheeling pair of best girlfriends drinking and sexing their lives away in a continuous party at night. Then, one of them falls a bit for a guy and the other can't take it. You'd think lesbianism but it is not a consumed one, apparently. The cheery beginning full of promises turn into jadedness. I see this film as a cautionary tale of a death spiral about to commence.

This film was supposed to be about the relationship between Laura and Tyler. It's a special friendship but there's dangerous side. Unfortunately the film wanders way off course and the last third of the film explores Laura cheating on her fiance. Is she doing this (subconciously) so she can stay with Tyler? Didn't come across that way. I think the screenwriter urgently needed to sit down and cut a lot out of the movie and focus on what it was really about. Basically we needed more Tyler.

We also urgently needed to see these characters at their day jobs. Laura says she's a waitress (I think). We needed to see her struggling through an awful hungover day. Or being fired for showing up late. We see them drinking through the week but there's not much flipside. There's no consequences.

Probably the most glaring oddity is the scene where Tyler (apparently) steals a jar of unspecified drugs (MDMA crystals? methamphetamine?). It's a truly hefty quantity presumably worth many thousands of euros. How did they get away with this? Why isn't there someone hunting for it?

Laura (Holliday Grainger) is an aspiring writer in her early 30's who is struggling to get started. She meets party girl Tyler (Alia Shawkat) and they spend their nights in drink, drugs, and partying. Laura starts to tap into a domestic life which is resented by Tyler.

This kind of late coming of age story has been done plenty of times before. The only thing missing is an overdose which usually wakes up the character. The other thing that I expected but is missing is some kind of gay panic scene. In the end, this movie fizzles out rather than explodes and that's kinda poetic. It's oddly sweet and touching. Of course, writing about her life is expected right from the start.

The best way to sum up this film is that nothing really happens. There's plenty of drugs, sex, swearing and vomit, but it's a lot less exciting than all of that sounds. I went to this movie expecting it to be raucous, shocking and funny. Instead, it just kind of dragged, with some thought-provoking moments that made you think about real life problems, but plenty of parts that were just boring. I didn't really enjoy this film to be honest, and I don't recommend it.