Devil's Gate

This film is overwrought and overacted and fits well into the middle of M. Night Shyamalan's middle years of film making. It does kind of look cool at times and some of the creature work is okay, with a couple of creepy scenes. Unfortunately, it leaves itself wide open for a sequel, but one hopes that won't happen.

The film features some really fantastic photography, and also really awesome visuals. The story itself was rather creepy and mysterious. The film was shot almost in monochromatic grey where other colors were not well defined. I'm not sure if this was the intention to blend in with the theme, or if it simply appears that way. The acting in general was good, and I enjoyed the mysterious feel to the film. The film has an interesting twist that changes everything we thought we knew about the father looking for his son...

A mystery thriller with solid acting, solid production (tv-scale) and well, a story that boild down to its core is VERY standard (todays term: generic) and predictable, even the end is a genre cliche par excellence.

Anyway, if you like such movies with a little X Files taste, you may dare to watch, it won't kill you, but just don't expect anything outstanding like some of those super-positive (fake!?) reviews try to sell you. An okay watch for a rainy afternoon with nothing else to do.

1. Fists cause more damage than bullets. 2. The preservation of your job and is more important than the preservation of the human race. 3. The generator worked because it worked before.

I'm not going to spell out the synopsis since it's been done before. This seemingly low budget thriller does a fine job putting all the pieces together. The acting, for the most part is adequate. The fx are a lot better than what I've seen in films with a much bigger budget. The director (Clay Staub) does a great job of hiding the monster until it couldn't be hidden any longer. With the exception of some CGI you never get the feeling that this is a cheap and cheesy student film. But by far the crowning glory of the whole project is the brilliant cinematography. Miroslaw Baszak does an excellent job of capturing the bleak and dreary landscape to the point that you don't want to visit the area, let alone live there. His interior shots are perfectly lit, giving the desired creepy-old-house affect while still allowing us to see what's going on. Editing, sound design and the score all complement the film so seamlessly that you never think about them - you experience them. The story is nothing new. (But what is these days?) It combines elements of several other stories we've all seen before. Which isn't to say that it's bad, it's just not ground breaking. All in all the completed project is something that all cast & crew involced should be proud to have been a part of.