Cunningham director Alla Kovgan on Merce Cunningham, Robert Rauschenberg and John Cage: 'In a way they are timeless' Photo: Anne-Katrin Titze In the second half of my conversation with Alla Kovgan on Cunningham (read the first half here), we discussed her appreciation for the significant role Derrick Tseng played in getting the film made, Director of Choreography Jennifer Goggans and Supervising Director of Choreography Robert Swinston and Notes on Choreography, storyboarding for locations in New York and shooting in Germany with Mko Malkhasyan.
Also: The timelessness of the collaborations by Robert Rauschenberg, John Cage and Merce Cunningham and the transcendence of time that Karl Ove Knausgård in My Struggle assigns to works of art as compared to science.
Merce Cunningham, Carolyn Brown, Viola Farber, Cynthia Stone, Marilyn Wood, and Remy Charlip in Summerspace Photo: Robert Rutledge Cunningham has a flawless score by Hauschka aka Volker Bertelmann (BAFTA and Oscar-nominated...
Also: The timelessness of the collaborations by Robert Rauschenberg, John Cage and Merce Cunningham and the transcendence of time that Karl Ove Knausgård in My Struggle assigns to works of art as compared to science.
Merce Cunningham, Carolyn Brown, Viola Farber, Cynthia Stone, Marilyn Wood, and Remy Charlip in Summerspace Photo: Robert Rutledge Cunningham has a flawless score by Hauschka aka Volker Bertelmann (BAFTA and Oscar-nominated...
- 3/4/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Reda Kateb met Ben Mendelsohn on the set of Ryan Gosling's sharp Lost River Photo: Anne-Katrin Titze
Wim Wenders has played a big part for Reda Kateb with films Paris, Texas, The State Of Things, Buena Vista Social Club, and The Soul Of A Man and he recently starred with Sophie Semin in Les Beaux Jours D'Aranjuez, based on a Peter Handke story and appears in Wim's latest, Submergence, starring James McAvoy and Alicia Vikander. Longtime Nick Cave collaborator Warren Ellis, who is featured in Jane Pollard and Iain Forsyth's 20,000 Days On Earth and is the composer for Deniz Gamze Ergüven's Mustang, got involved with Étienne Comar's Django through Reda's film Pitchoune.
Cave and Ellis did work for David Oelhoffen's intimate Loin Des Hommes, in which Reda starred opposite Viggo Mortensen. His next film, Territoires, will be with Alice Winocour's Disorder star Matthias Schoenaerts,...
Wim Wenders has played a big part for Reda Kateb with films Paris, Texas, The State Of Things, Buena Vista Social Club, and The Soul Of A Man and he recently starred with Sophie Semin in Les Beaux Jours D'Aranjuez, based on a Peter Handke story and appears in Wim's latest, Submergence, starring James McAvoy and Alicia Vikander. Longtime Nick Cave collaborator Warren Ellis, who is featured in Jane Pollard and Iain Forsyth's 20,000 Days On Earth and is the composer for Deniz Gamze Ergüven's Mustang, got involved with Étienne Comar's Django through Reda's film Pitchoune.
Cave and Ellis did work for David Oelhoffen's intimate Loin Des Hommes, in which Reda starred opposite Viggo Mortensen. His next film, Territoires, will be with Alice Winocour's Disorder star Matthias Schoenaerts,...
- 3/18/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Look, there’s no point beating around the bush: Wim Wenders’ 3D snoozefest “The Beautiful Days of Aranjuez” is not a good movie. It’s not a good movie, and at the same time, it doesn’t fail so spectacularly so to provide a compelling secondary reading. It’s neither good nor so bad it’s good; it is just ploddingly, achingly dull. And yet, qualifiers be damned, I think the film might stand the test of time. I think it could live on as a curiosity, as an answer to the question, “What is the most uniquely spoiler-impervious film since Andy Warhol aimed his camera at the Empire State Building and let it roll for eight hours?”
Just what makes it so impervious to spoilers, you ask? That’s easy – nothing happens. Like, nothing at all. Which is entirely the point of the film, an adaptation of a theatrical...
Just what makes it so impervious to spoilers, you ask? That’s easy – nothing happens. Like, nothing at all. Which is entirely the point of the film, an adaptation of a theatrical...
- 9/2/2016
- by Ben Croll
- Indiewire
The Beautiful Days of Aranjuez, the latest wistful, contemplative narrative effort from German director Wim Wenders, is the type of “European Film” you might have expected Homer to stumble upon in an arthouse cinema in an earlier season of The Simpsons. Based on Peter Handke’s celebrated play, the film focuses solely on a German writer, at his desk, as he types out an imagined erotic conversation between a man and a women (both French and unnamed) sitting in the sunny terrace of his front garden.
Shot in 3D on a grand-looking estate, presumably on the outskirts of Paris, we follow the stream of consciousness of a woman (Sophie Semin) recalling her romantic exploits as a man (Reda Kateb) lightly goads her on. As she slowly reveals more and more of her previous conquests (or “silhouettes,” as she calls them), the man begins to tell his own tales of a time spent in Aranjuez.
Shot in 3D on a grand-looking estate, presumably on the outskirts of Paris, we follow the stream of consciousness of a woman (Sophie Semin) recalling her romantic exploits as a man (Reda Kateb) lightly goads her on. As she slowly reveals more and more of her previous conquests (or “silhouettes,” as she calls them), the man begins to tell his own tales of a time spent in Aranjuez.
- 9/1/2016
- by Rory O'Connor
- The Film Stage
Reda Kateb to star as legendary jazz guitarist while Pathe will also continue to sell Marion Cotillard-Guillaume Canet comedy Rock ‘n’ Roll.
Pathé International has boarded sales on Etienne Comar’s upcoming biopic Django Melodies starring French actor Reda Kateb [pictured] as the legendary French jazz guitarist Django Reinhardt.
The feature focuses on Reinhardt’s adventures during World War Two when he tried to flee France to escape persecution by the Nazi because of his Roma ethnicity.
The jazz guitarist – who co-founded the iconic Quintette du Hot Club de France with violinist Stéphane Grappelli in the 1930s - was at the peak of his career when war broke out in 1939, performing regularly in the top clubs of Paris as well as collaborating with Us artists such as Louis Armstrong or Dizzy Gillespie.
It is a directorial debut for Colmar, who is best known as screenwriter on Of Gods And Men and producer on some 20 titles, including...
Pathé International has boarded sales on Etienne Comar’s upcoming biopic Django Melodies starring French actor Reda Kateb [pictured] as the legendary French jazz guitarist Django Reinhardt.
The feature focuses on Reinhardt’s adventures during World War Two when he tried to flee France to escape persecution by the Nazi because of his Roma ethnicity.
The jazz guitarist – who co-founded the iconic Quintette du Hot Club de France with violinist Stéphane Grappelli in the 1930s - was at the peak of his career when war broke out in 1939, performing regularly in the top clubs of Paris as well as collaborating with Us artists such as Louis Armstrong or Dizzy Gillespie.
It is a directorial debut for Colmar, who is best known as screenwriter on Of Gods And Men and producer on some 20 titles, including...
- 4/28/2016
- ScreenDaily
Shoot is due to take place in Spain and Portugal on long-gestating project, now joined by producer Paulo Branco.
Producer Paulo Branco (Cosmopolis) has boarded Terry Gilliam’s long-in-gestation The Man Who Killed Don Quixote, which the director has been struggling to produce since 1998.
According to a simple release headlined “Paulo Branco to produce Terry Gilliam’s mythical project”, principal photography will start in September 2016, with the shoot taking place in Spain and Portugal.
Branco’s Paris-based Alfama Films is producing the feature with Spanish outfit Tornasol Films and Leopardo Films. It is budgeted at $18.2m (€16m), according to the release.
The feature, based on a screenplay by Gilliam and Tony Grisoni, is loosely based on Miguel de Cervantes’s iconic novel Don Quixote.
There was no detail on who would play Quixote or Toby Grisoni – a time-travelling sidekick added to the story in Gilliam and Grisoni’s screen version.
Gilliam first tried...
Producer Paulo Branco (Cosmopolis) has boarded Terry Gilliam’s long-in-gestation The Man Who Killed Don Quixote, which the director has been struggling to produce since 1998.
According to a simple release headlined “Paulo Branco to produce Terry Gilliam’s mythical project”, principal photography will start in September 2016, with the shoot taking place in Spain and Portugal.
Branco’s Paris-based Alfama Films is producing the feature with Spanish outfit Tornasol Films and Leopardo Films. It is budgeted at $18.2m (€16m), according to the release.
The feature, based on a screenplay by Gilliam and Tony Grisoni, is loosely based on Miguel de Cervantes’s iconic novel Don Quixote.
There was no detail on who would play Quixote or Toby Grisoni – a time-travelling sidekick added to the story in Gilliam and Grisoni’s screen version.
Gilliam first tried...
- 3/31/2016
- ScreenDaily
Screen rounds up the films from across the globe that could launch at Cannes…
With less than a month to go until the Cannes Film Festival announces its line-up at its annual Paris press conference on April 14, Screen looks at what could make it into Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
UK and Ireland
The UK could have one of its strongest Cannes for years with hot favourites for a competition slot including Andrea Arnold’s Shia Labeouf-starring Us road movie American Honey and Ken Loach’s gritty Northern England-set drama I, Daniel Blake. It would be Loach’s 12th time in competition.
Ben Wheatley is also reportedly gunning for an Official Selection slot for his 1970s Boston-set, gangland thriller Free Fire, potentially Out of Competition or in Midnight Screenings. He was last in Cannes with Sightseers in Directors’ Fortnight.
Other UK hopefuls include Stephen Frears’ Florence Foster Jenkins and Indian...
With less than a month to go until the Cannes Film Festival announces its line-up at its annual Paris press conference on April 14, Screen looks at what could make it into Official Selection and the parallel sections of Directors’ Fortnight and Critics’ Week.
UK and Ireland
The UK could have one of its strongest Cannes for years with hot favourites for a competition slot including Andrea Arnold’s Shia Labeouf-starring Us road movie American Honey and Ken Loach’s gritty Northern England-set drama I, Daniel Blake. It would be Loach’s 12th time in competition.
Ben Wheatley is also reportedly gunning for an Official Selection slot for his 1970s Boston-set, gangland thriller Free Fire, potentially Out of Competition or in Midnight Screenings. He was last in Cannes with Sightseers in Directors’ Fortnight.
Other UK hopefuls include Stephen Frears’ Florence Foster Jenkins and Indian...
- 3/21/2016
- ScreenDaily
Sales outfit to introduce buyers to Submergence at the Efm.
X-Men star James McAvoy and Alicia Vikander, the Oscar-nominated star of The Danish Girl, have been confirmed to topline love story Submergence from director Wim Wenders (Wings Of Desire).
The film, which is due to shoot this March throughout Spain, Germany and France, is set to be among the hottest packages at the upcoming European Film Market (Efm) in Berlin next month.
London-based Embankment has boarded sales on the script about two lovers, facing life-or-death situations and separated by thousands of miles.
Englishman and accused spy James More (McAvoy) is held captive by jihadist fighters in Somalia while, on the Greenland Sea, Danielle Flinders (Vikander) is exploring the greatest depths of the ocean floor from her submersible.
In their confines, they are drawn back to the Christmas of the previous year, where a chance encounter on a beach in France led to an intense and enduring romance...
X-Men star James McAvoy and Alicia Vikander, the Oscar-nominated star of The Danish Girl, have been confirmed to topline love story Submergence from director Wim Wenders (Wings Of Desire).
The film, which is due to shoot this March throughout Spain, Germany and France, is set to be among the hottest packages at the upcoming European Film Market (Efm) in Berlin next month.
London-based Embankment has boarded sales on the script about two lovers, facing life-or-death situations and separated by thousands of miles.
Englishman and accused spy James More (McAvoy) is held captive by jihadist fighters in Somalia while, on the Greenland Sea, Danielle Flinders (Vikander) is exploring the greatest depths of the ocean floor from her submersible.
In their confines, they are drawn back to the Christmas of the previous year, where a chance encounter on a beach in France led to an intense and enduring romance...
- 1/28/2016
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The Beautiful Days of Aranjuez
Director: Wim Wenders
Writers: Peter Handke, Wim Wenders
Although we weren’t very enthusiastic about Wenders’ 2015 3D Canadian set narrative Everything Will Be Fine, which premiered at Berlin, the auteur has lined up his next two features already. We’re intrigued about his adaptation of Peter Handke’s play The Beautiful Days of Aranjuez. Wenders has a long collaborative history with Handke (he produced 1978’s The Left Handed Woman, which was Handke’s directorial debut, premiering at Cannes). Handke’s play consists of a dialogue between a man and woman one summer night as they share their feelings on all sorts of subjects. The play has been described as ‘investigating how and what we talk about when we talk about love.” We’re excited to see Alfama Films producing, a production company which usually backs exciting cinema from some of the world’s best auteurs.
Director: Wim Wenders
Writers: Peter Handke, Wim Wenders
Although we weren’t very enthusiastic about Wenders’ 2015 3D Canadian set narrative Everything Will Be Fine, which premiered at Berlin, the auteur has lined up his next two features already. We’re intrigued about his adaptation of Peter Handke’s play The Beautiful Days of Aranjuez. Wenders has a long collaborative history with Handke (he produced 1978’s The Left Handed Woman, which was Handke’s directorial debut, premiering at Cannes). Handke’s play consists of a dialogue between a man and woman one summer night as they share their feelings on all sorts of subjects. The play has been described as ‘investigating how and what we talk about when we talk about love.” We’re excited to see Alfama Films producing, a production company which usually backs exciting cinema from some of the world’s best auteurs.
- 1/6/2016
- by Nicholas Bell
- IONCINEMA.com
Iranian director Shirin Neshat to also receive support from German fund.
Medienboard Berlin-Brandenburg (Mbb) has allocated $3.7m (€3.3m) production support to 20 new projects ranging from Gore Verbinski’s horror film A Cure For Wellness to Iranian-born video artist Shirin Neshat’s Looking For Oum Kulthum.
Verbinski’s film, which was shooting at locations in Baden-Württemberg and at the Babelsberg Studios in the summer, received the highest single amount - $560,000 (€500,000) – at this funding session.
Neshat’s homage to the legendary Egyptian singer and musician Kulthum – a co-production between Berlin-based Razor Filmproduktion, Austria’s Coop 99, France’s Arsam International and Egypt’s Film Clinic Cairo - received $168,439 (€150,000) production backing.
Other projects supported by Mbb include:
Wim Wenders’ The Beautiful Days Of Aranjuez, which marks his fifth collaboration with the Austrian dramatist Peter Handke and is now his second fiction feature film to be made in 3D after Every Thing Will be Fine.
Roger Spottiswoode’s TV movie...
Medienboard Berlin-Brandenburg (Mbb) has allocated $3.7m (€3.3m) production support to 20 new projects ranging from Gore Verbinski’s horror film A Cure For Wellness to Iranian-born video artist Shirin Neshat’s Looking For Oum Kulthum.
Verbinski’s film, which was shooting at locations in Baden-Württemberg and at the Babelsberg Studios in the summer, received the highest single amount - $560,000 (€500,000) – at this funding session.
Neshat’s homage to the legendary Egyptian singer and musician Kulthum – a co-production between Berlin-based Razor Filmproduktion, Austria’s Coop 99, France’s Arsam International and Egypt’s Film Clinic Cairo - received $168,439 (€150,000) production backing.
Other projects supported by Mbb include:
Wim Wenders’ The Beautiful Days Of Aranjuez, which marks his fifth collaboration with the Austrian dramatist Peter Handke and is now his second fiction feature film to be made in 3D after Every Thing Will be Fine.
Roger Spottiswoode’s TV movie...
- 10/7/2015
- by screen.berlin@googlemail.com (Martin Blaney)
- ScreenDaily
Wim Wenders with Anne-Katrin Titze Photo: Claire Brunel
The director of recent documentaries Pina on the late great choreographer poet Pina Bausch and the Oscar nominated The Salt Of The Earth with Juliano Ribeiro Salgado on master photographer Sebastião Salgado, is in New York for Wim Wenders: Portraits Along The Road, the first stop for a major retrospective of his films. Wenders has many long-term collaborations along the way including Peter Handke and Nick Cave who will appear with Reda Kateb (great in David Oelhoffen's Albert Camus adaptation, Far From Men, opposite Viggo Mortensen) and Sophie Semin in his latest film, The Beautiful Days Of Aranjuez (Les Beaux Jours D’Aranjuez).
We also talked about how in Nanni Moretti's Mia Madre the poster of Wings Of Desire made it into a dream sequence and Wim's Film4Climate involvement.
In the elevator on my way to meet Wim,...
The director of recent documentaries Pina on the late great choreographer poet Pina Bausch and the Oscar nominated The Salt Of The Earth with Juliano Ribeiro Salgado on master photographer Sebastião Salgado, is in New York for Wim Wenders: Portraits Along The Road, the first stop for a major retrospective of his films. Wenders has many long-term collaborations along the way including Peter Handke and Nick Cave who will appear with Reda Kateb (great in David Oelhoffen's Albert Camus adaptation, Far From Men, opposite Viggo Mortensen) and Sophie Semin in his latest film, The Beautiful Days Of Aranjuez (Les Beaux Jours D’Aranjuez).
We also talked about how in Nanni Moretti's Mia Madre the poster of Wings Of Desire made it into a dream sequence and Wim's Film4Climate involvement.
In the elevator on my way to meet Wim,...
- 9/6/2015
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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