Directed by
| Charles Sturridge | ||
Writing Credits
| Jonathan Smith | ... | (based on the novel "The Churchill Secret - KBO" by) |
| Stewart Harcourt | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| David Aukin | ... | executive producer |
| Tim Bricknell | ... | producer (as Timothy Bricknell) (produced by) |
| Rebecca Eaton | ... | executive producer |
| Thomas Hawkins | ... | associate producer |
| Sally Miles | ... | executive producer |
| Emma Pike | ... | line producer |
| Hal Vogel | ... | executive producer |
Music by
| Adrian Johnston | ||
Cinematography by
| Fabian Wagner | ... | director of photography |
Editing by
| Adam Green | ||
Casting By
| Celestia Fox | ||
Production Design by
| Michael Howells | ||
Art Direction by
| Owen Mann | ... | on set art director |
| Fabrice Spelta | ... | supervising art director |
Set Decoration by
| Tanya Bowd | ||
Costume Design by
| Charlotte Walter | ||
Makeup Department
| Nathaniel De'Lineadeus | ... | dental effects designer |
| Nicola Iles | ... | hair stylist (as Nicola Isles) / makeup artist (as Nicola Isles) |
| Dana Kalder | ... | key hair stylist / key makeup artist |
| Chris Lyons | ... | special effects teeth |
| Lisa Mustafa | ... | key hair stylist / key makeup artist |
| Lucy Willis | ... | hair daily |
| Wakana Yoshihara | ... | hair designer / makeup designer |
Production Management
| Mark Harris | ... | post-production supervisor |
| Lauren McGuiness | ... | post-production supervisor: Masterpiece |
| Martin Walker | ... | unit manager |
Second Unit Director or Assistant Director
| Rosie Barber | ... | floor runner |
| Mark Goddard | ... | first assistant director |
| Marios Hamboulides | ... | assistant director |
| Naomi King | ... | Set PA |
| Lynsey Muir | ... | second assistant director |
| Ed Ripley | ... | third assistant director |
| Vanluke Watson | ... | third assistant director |
| Ed Ripley | ... | first assistant director: second unit (uncredited) |
Art Department
| Tanya Bowd | ... | buyer |
| Lally Broome | ... | drapes |
| Craig Carpenter | ... | stand by painter |
| Max Conran | ... | art department trainee |
| Sam Creed | ... | stand by props |
| Danilo Darezzo | ... | dressing props (as Danilo D'Arezzo) |
| Chris Evans-Wilson | ... | assistant art director |
| Peter Ford | ... | stand by carpenter |
| Stuart Frift | ... | stand by props |
| Harry Fulbrook | ... | carpenter (credit only) |
| Nathan Holt | ... | dressing props |
| Ray Holt | ... | property master |
| Owen Mann | ... | stand by art director |
| Laura Mickiewicz | ... | art department assistant |
| Rowena Oven | ... | graphics |
| Sophie Tarver | ... | props |
| Daniel Warren | ... | art department assistant |
| Stuart Watson | ... | construction manager |
| Chris Edwards | ... | props (uncredited) |
Sound Department
| Christopher Atkinson | ... | sound maintenance |
| Fraser Barber | ... | production sound mixer |
| Simon Diggins | ... | adr mixer |
| Karolina Dziwinska | ... | audio scheduler (as Karolina Dziwiñska) |
| Sue Harding | ... | foley artist |
| Kasper Pedersen | ... | assistant sound editor |
| Julien Pirrie | ... | foley editor / foley recordist |
| Jamie Roden | ... | re-recording mixer / supervising sound editor |
| James Sawyer | ... | boom operator |
| Mathias Schuster | ... | sound effects editor |
| Robbie Scott | ... | sound mix technician |
| Will Thomas | ... | foley assistant |
| Peter Gleaves | ... | adr mixer (uncredited) |
Visual Effects by
| Jaime Leonard | ... | visual effects: The Flying Colour Company |
| Dominic Thomson | ... | visual effects: The Flying Colour Company (as Dom Thomson) |
| Simon Wilkinson | ... | visual effects: The Flying Colour Company |
Camera and Electrical Department
| Ricardo Barker | ... | epk |
| Tommy Boulet | ... | camera trainee |
| Jamie Brittain | ... | grip: dailies |
| Damian Cooper | ... | best boy |
| John Davis | ... | first assistant camera |
| Jonathan England | ... | first assistant camera: "a" camera (as Jon England) |
| James Foreman | ... | electrician |
| Noah Furrer | ... | electrician |
| Tom Graham | ... | assistant grip |
| Elliott Hale | ... | first assistant camera: 'b' camera |
| Jay Handscomb | ... | standby rigger |
| Jordan Heath | ... | trainee |
| Mat Holloway | ... | electrician |
| Angela Garcia Manchado | ... | b camera clapper loader / second assistant camera (as Angela Garcia) |
| Alexandra Médeville | ... | second assistant camera (as Alexandra Medeville) |
| Dan Nightingale | ... | director of photography: second unit |
| Jamie Phillips | ... | camera operator: "b" camera |
| Carolina Schmidtholstein | ... | gaffer |
| Torren Simonsz | ... | camera trainee |
| Robert Viglasky | ... | stills photographer |
| Steve Weightman | ... | grip |
| Constandinos Dean Zimarakis | ... | grip trainee: dailies |
Casting Department
| Carla Bartley | ... | executive in charge of casting |
| Sally McCleery | ... | casting assistant |
Costume and Wardrobe Department
| Malin Anderson | ... | costume cutter and maker |
| Richard Bass | ... | assistant costume designer |
| Daniela Cazmal | ... | costume assistant |
| Nadine Clifford-Davern | ... | costume supervisor |
| Carmen Cristea | ... | costume assistant |
| Aileen Faller | ... | daily costume assistant |
| Doina Raducut | ... | costume assistant |
| Kathryn Sutcliffe | ... | costume standby: dailies |
Editorial Department
| Jonathan Collard | ... | digital intermediate producer |
| Peter Collins | ... | head of data management |
| Georgina Cranmer | ... | data wrangler |
| Gianluca Ferrari | ... | digital film bureau |
| Adam Glasman | ... | colorist / grader |
| Michael Ho | ... | assistant editor |
| Lawrence Hook | ... | digital film bureau |
| Gemma McKeon | ... | digital intermediate assistant |
| Mandy Miller | ... | post production paperwork |
| Daniel Tomlinson | ... | on-line editor |
Location Management
| Julian Bivol | ... | location marshall |
| Samantha Choat | ... | location marshal: dailies |
| Lyndsey Holt | ... | facilities supervisor |
| Hannah Lamb | ... | assistant location manager |
| Helene Lenszner | ... | location manager |
| Anna Vahrman | ... | location assistant |
| Jon Zarych | ... | Location Assistant / Location Scout |
| Andrei Lenart | ... | location marshall (uncredited) |
Music Department
| Steve Parr | ... | music mixer / music recordist |
Script and Continuity Department
| Nancy Gryspeerdt | ... | script editor |
| Sarah Hayward | ... | script supervisor |
Transportation Department
| Shakeel Abbas | ... | unit driver |
| Andy Blackburn | ... | transport captain |
| Russ Carroll | ... | unit driver |
| Michael Geary | ... | action vehicle supplier: Motorhouse |
| Paul Gilbert | ... | unit driver |
| Imran Hussain | ... | unit driver |
| Richard Perfect | ... | unit driver |
Additional Crew
| Jim Anderson | ... | archive reseacher |
| Debbie Banbury-Morley | ... | clearances (as Debbie Banbury) |
| Rosie Barber | ... | floor runner |
| Roy Beck | ... | stand-in/double: Michael Gambon |
| Annabel Bennett | ... | production assistant |
| Sara Bond | ... | business affairs: Daybreak Pictures |
| Ray Brown | ... | unit nurse |
| Joe Cox | ... | set pa |
| Mel Claus Crawford | ... | production coordinator |
| Mark Dillen | ... | security |
| Milly Ellis | ... | voice coach |
| Albion Gee | ... | production runner |
| Alexandra Gill | ... | picture publicist |
| Joe Hennessy | ... | head of security |
| David Leach | ... | commercial director: Daybreak Pictures |
| Michelle Pauly | ... | assistant accountant |
| Imogen Perreau | ... | assistant production coordinator |
| Rachel Proudlove | ... | production accountant |
| Tig Shabka | ... | stand-in |
| Neil Swain | ... | dialogue coach |
| Ruby Pia Tucker | ... | floor runner (as Ruby Tucker) |
| Jonathan Wayre | ... | newsreel cameras & microphones supplied by |
| Neil Swain | ... | voice consultant: Michael Gambon (uncredited) |