A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life.A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life.A man becomes haunted by his past and is presented with a mysterious legacy that causes him to re-think his current situation in life.
- Awards
- 1 win
Storyline
Did you know
- TriviaAt a festival screening in San Francisco, Ritesh Batra said that he had tea with Julian Barnes, author of The Sense of an Ending, ahead of filming. Batra was so nervous at meeting Barnes that he subsequently forgot most of their conversation, save for Barnes's parting line, spoken in jest: "Go ahead and betray me."
- GoofsYoung Tony affixes a 'first-class' stamp to his fateful letter, sent in 1967. This sort of stamp was not produced for another 26 years (in 1993).
- Quotes
Tony Webster: [Voice over] When you are young you want your emotions to be like the ones you read about in books. You want them to overturn your life and create a new reality. But as that second hand insists on speeding up and time delivers us all too quickly into middle age and then old age, that's when you want something a little milder, don't you? You want your emotions to support your life as it has become. You want them to tell you that everything is going to be okay. And is there anything wrong with that?
- ConnectionsFeatured in Power of Memory: Making 'The Sense of an Ending' (2017)
- SoundtracksPsychotic Reaction
Written by Sean Byrne (as J. Byrne) / John Michalski (as J. Michalski) / Craig Atkinson (as C. Atkinson) / Ken Ellner (as K. Ellner) / Roy Chaney' (as R. Chaney)
Performed by Count Five
Published by Bucks Music Group Ltd / The Bicycle Music Company
Licensed courtesy of The Bicycle Music Company
Jim Broadbent is one of the greatest actors of the late 20th and early 21st Century. I've seen him in many films, and he always inhabits his role as if he were, indeed, that person. Dame Margaret Webster is a fine actor, and has appeared in dozens of movies and made-for-TV specials. However, I think the only time I've seen her on screen was as the vile Fanny Dashwood in Sense and Sensibility (1995). She does a highly professional job as a embittered woman, whose life is absorbed by her business interests.
Michelle Dockery looks as if she just changed costumes and walked into this movie from Downton Abbey. She is always angry and depressed. For the record, her part is small and non-central in this film. I think she wants to broaden her range, but that didn't happen here. Could she ever star in a comedy?
Charlotte Rampling was one of the most beautiful women in movies. At age 70, she still is one of the most beautiful women in movies. She is not only beautiful, but she is a consummate actor who is made for this role.
This film is complicated. About 75% of it takes place in present time, and about 20% takes place in flashback. (The other 5% are dream and imaginary scenes, when the present enters into the past.) You'll have to pay close attention or you'll miss the point. In fact, during the middle of the film, I missed the point. However, towards the end, it all came together and made sense.
(Incidentally, there's a tedious sequence in the beginning, when Tony gets a certified letter, and he almost opens it, then he sort of opens it, then he opens it and doesn't read it, and finally, finally reads it. The letters starts off the entire plot, so he needs to read it, and we need to know what it says. That's the only weak part of the movie.)
We saw this film at the excellent Little Theatre in Rochester, NY. Even though it's meant to be seen on the large screen, it will work well on the small screen. This movie has a ridiculously low IMDb rating of 6.5. It's much better than that. This is one of those ratings that you have to ignore. Don't miss this movie just because it's rated so low.
P.S. Relevant to The Sense of an Ending: The Moving Finger writes; and, having writ, Moves on: nor all thy Piety nor Wit. Shall lure it back to cancel half a Line, Nor all thy Tears wash out a Word of it." From the Rubaiyat of Omar Khayyam.
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Cam Giac Khi Ket Thuc
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,274,420
- Opening weekend US & Canada
- $39,692
- Mar 12, 2017
- Gross worldwide
- $5,081,495
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1