A Series of Unfortunate Events

Loved the books when younger, am still fond of them now with only 'The End' not doing much for me ('The Slippery Slope' isn't a favourite either). The books do get criticised for being formulaic, or repetitive (though actually it did become less so from 'The Vile Village' onwards), and for the adult characters' stupidity, but just love the language and the juicy character of Count Olaf. Also think the 2004 film is a lot of fun and very well made and Jim Carrey's performance has fared better since first watching it.

This adaptation of 'A Series of Unfortunate Events' adapts all thirteen books, compared to the film that crammed in the first three books, a big undertaking and must have been quite daunting. While it is not a completely perfect version with a few downsides and a few episodes could have been better, it is nonetheless very enjoyable, well made and very brave. As well as adapting all thirteen books, all thirteen adaptations (all but one, the exception being "The End", being in two parts) stick faithfully in tone and essence to the source material while putting enough of its own spin and touches on it. Big props for that.

'A Series of Unfortunate Events' started off very promisingly with the first season, which adapted the first four books 'The Bad Beginning', 'The Reptile Room', 'The Wide Window' and 'The Miserable Mill'. The tone is well established and it is a good mix of entertaining, in an absurdist, darkly humorous and quirky way, and dark. Part 1 of "The Bad Beginning' was understandably a little unsettled but with enough potential to it. "The Reptile Room" is the most consistent quality-wise of the adaptations, but the best overall episode was Part 2 of "The Miserable Mill".

Season 2, adapting the five books from 'The Austere Academy' and 'The Carnivorous Carnival', is an improvement, doing a great job re-establishing the tone and characters and building upon them. Really liked how the characters were fleshed out more and them and their relationships expanded more. It had the adaptation's best season opener (easily) in "The Austere Academy", and "The Hostile Hospital" and "The Carnivorous Carnival" were especially great. Found the season to be of consistent quality, with my least favourite being possibly "The Vile Village".

Less settled was Season 3 (adapting the rest of the books 'The Slippery Slope', 'The Grim Grotto', 'The Penultimate Peril' and 'The End'), with the only outstanding adaptation being the series' high point "The Penultimate Peril". "The End", abrupt and tacked on ending aside, also deserves credit for being an improvement on the source material as it actually does try to answer the loose ends by adding bits that did thankfully the opposite of distracting and the different side to Olaf rings true more. Hook-Handed Man's character development was one of the season's most striking. The weakest episode of the season by quite some way was "The Slippery Slope", particularly Part 1 which was the adaptation's weak link, which started it off shakily. It's above average still, but felt dull and bland and could have done with more tension and less of the (in this adaptation) too overdone humour.

Going onto the individual elements, there are individual elements that could have been done better. There are pacing issues at times, namely in "The Slippery Slope" and in some of "The Bad Beginning", Part 2 of "The Grim Grotto" was slightly rushed too. The narration/interjections did in some episodes fall into the traps of being overused, over-explanatory and not always necessary. We didn't always need to know that things were going to get worse when it was obvious already. It was though on the most part very entertaining, delivered in a wonderfully deadpan way by Patrick Warburton, and was very true to the narrative style of the books.

Most of the characters were great, but the one that didn't do anything for me from the very start and the series never properly did anything to solve it (other than being slightly tolerable in "The Penultimate Peril") was Mr Poe. A very insufferably irritating character (not just the ridiculously over the top coughing which came over as gimmicky), as well as insultingly inept and increasingly pointless as the series went on. K. Todd Freeman played him with no appeal whatsoever and felt out of place. The end of "The End" was as said abrupt and what was done to try and solve it felt tacked on.

There were a few other not so significant flaws, such as the failed attempt to make Mr Poe necessary in "The Vile Village" with his unconvincing chemistry with Eleanora, the sometimes uneven performance of Alfre Woodard as Aunt Josephine (mostly she was fine though), the ending of "The Carnivorous Carnival" not completely coming off, how the adults were continually so easily fooled by Count Olaf's disguises (some of them being blatantly obvious) and the underdeveloped subplot between Klaus and Fiona in "The Grim Grotto".

However, there were many great things. A major plus being the production values. It's beautifully and atmospherically photographed throughout and the settings have brilliant attention to detail and atmosphere. Uncle Monty's reptile room, Lake Lachrymose, the school that lives up to its austere name, the most unique penthouse one will ever see, the claustrophobic hospital corridors, the truly creepy carnival setting and Hotel Denouement being the standouts. Even the lighter look of "The End", symbolising the more hopeful tone and themes, works beautifully. The opening titles sequence is brilliantly designed and clever, while the music is quirky and haunting.

On the most part, the writing is very funny often and has emotional and tense moments (adhering very close to Snicket's prose), the poking fun at how hotels are run, the failures of justice and nature of the legalities in "The Penultimate Peril" being especially clever (particularly in Part 2). It is understandably a little patchy in "The Bad Beginning" and could have been balanced better in "The Slippery Slope" but it's fine otherwise. The storytelling is seldom less than compelling, the jeopardy moments having mostly urgency and tension (for examples Sunny's predicament in "The Grim Grotto" and Violet's in "The Hostile Hospital") and a great job is done making it entertaining and deliciously dark when needed, making even on paper slightly implausible premises like with "The Vile Village" just about work. It also makes a degree of effort trying to clear up any "plot holes" that the books had, like providing an explanation for how Count Olaf came to find them in "The Wide Window".

Well done too are the character writing and relationships. It was great to see characters expanded more in personality, even slighter characters are interesting. Count Olaf is a truly juicy character and the theatrical troupe after being unsure of them at first were both hilarious and creepy. Standouts in these regards, other than Olaf, are the character of Jacques (a scene stealer), the wonderfully strange dynamic between Olaf and Esme and the development for Hook-Handed Man in Season 3. Other than Freeman, had little issue with the performances and felt Malina Weissman, Louis Hynes and Presley Smith (Smith at her best was adorable and amusing) grew in confidence with each episode as the Baudelaires matured. Great to not see them treated like idiots either. Aasif Mandvi, Catherine O'Hara, Tony Hale, Roger Bart, Richard E. Grant, Beth Grant, Kitana Turnball and Sara Rue make a possible impression, and Patrick Warburton, Nathan Fillion, Lucy Punch and Usman Ally steal all their scenes.

Best of all is Neil Patrick Harris, giving the performance of a lifetime and along with the production values the main reason to see the series for. He is clearly having enormous fun without getting too silly or over the top and poses a genuine sinister threat in the later episodes (such as "The Hostile Hospital") without being too scary. This juicy but challenging role also gives Harris a chance to show off his many varied talents and plays to his strengths very well.

Summing up, doesn't completely succeed but is never a failure and great at its best. 7/10

I have never read the books....nor have I seen the Jim Carrey movie. So, when I saw this come up on Netflix, I wasn't very interested.

Then, I decided to check it out...with my kids. Wow.... I thoroughly enjoyed it. Thought NPH was great...and loved the kids.

Then I decided to check out the first book on Kindle, since it was on sale. I am totally surprised how similar...almost verbatim.... the series is to the book. I think that is wonderful.

I've seen comments about CGI.... the only thing that really distracted me was some shots where they digitally put Sunny's face in. I believe that only happened in one scene.

Just finished marathoning through all 8 episodes today, and that was super fun! Neil Patrick Harris was obviously the highlight of the show, as well as Mr Poe, the narrator, Sunny, oh hell pretty much every character here was portrayed well!

The comedy is always there, even when something more serious happens (like a character murdered or something) there is still some funny joke or line said that's always lightening up the mood. The visuals were great as well. Sure some of the effects seemed fake, but overall the scenarios and general cgi were pretty good, way better than most shows on television.

Ending of the season 1 was left kind of opened and unsolved, hope they pick it up for a season 2 otherwise it will suck.

At times the show felt a little dragged out and longer than it should have. Some episodes could have easily been 25 minutes but instead ran for 47 minutes and thus although were still funny, you can still feel like they just kept putting in filler content in order to feel longer.

This isn't a show to watch and expect intensity or heart felt drama. This is a show you watch if you like quick pun jokes and just something really fresh, as there's no real TV show like it.

9/10 if the series continues.

This show is everything the original movie should've been. The original movie is not bad, but the thing is, it doesn't have exactly the charm the books had. Reading the books after seeing the movie was like sun shining through the clouds after a while, because the writing in the books is so charming and clever and while it's all "this is a tragic tale" it's also not at all serious. The movie was like a weird shadow of that. Still great, still so very very unique, but something was definitely missing.

The cast of the movie was brilliant, but somehow this show managed to top that. While Jim Carrey was amazing as Count Olaf, Neil Patrick Harris is the real deal. He can be that typical over the top, funny villain that's typical for children's books and shows, but he can also be weirdly scary. Carrey didn't have that. One of my favourite members of the cast is Patrick Warburton as Lemony Snicket. He has this amazing voice, and his whole persona feels more Lemony Snicket than Jude Law in the movie. Everyone is so talented and so incredibly beautiful.

If there's something that makes this even greater than the cast and the writing, it's the cinematography and the music. Visually this show is astonishing, it's dark like it's supposed to be, but it's detailed and wonderfully surreal? Not realistic? I'm not sure whats' the right word to use, but the atmosphere is like for the dark fairy tale - which is exactly what this show is. The music is enchanting, and the theme sung by Neil Patrick Harris just gets stuck in your head. And the song at the very end of the season? Hauntingly beautiful.

Only thing I can complain about is how soon the season was over, but that's not really a complaint. Shorter seasons are better. Quality over quantity, when it comes to TV shows.

Also ever since I saw the movie I've been digging the "don't watch / read this" vibe the series has going on. And in the TV show the theme song is basically "don't watch this show". But don't listen to Lemony Snicket, watch the show. It's worth it.

In this 'golden age of television', the higher quality shows are usually the darker, more thought provoking series (such as Breaking Bad, Mr Robot and Westworld). However, in the case of A Series Of Unfortunate Events, this deep, dark tone is tweaked to create a more light-hearted show that does not come at the expense of the quality. The series lies in between 'adult' and 'kids' TV genres, creating a strange, funny show for the whole family. Don't let the forgettable 2004 movie scare you off, because the series gets right what the movie got wrong. From what I have seen of the series so far, there is a colorful, but dark sense of humour, some great acting, and well crafted dialogue that make the series worthy of a watch. The longer TV episode format allows for a more complete story, with one book spanning two episodes (instead of the movie cramming in three books). It is a lot more nuanced than the movie for this reason, with extra scenes and dialogue filling in the backstory and adding depth to the characters. Yes the show is absurd; yes sometimes there are things that might make you question why you are watching it. It is definitely for a certain audience, but at the end of the day this series of unfortunate events is not so unfortunate after all.