Where to Invade Next

There are many words one might use to describe filmmaker/documentarian Michael Moore and 'preachy' might just be one of them. His films, Fahrenheit 9/11, Bowling for Columbine, Sicko…were all highly entertaining and even educational for the peripherally blind. But Moore had lost his fun side. There were moments of levity in each of his films but the humor on display in his first feature Roger & Me had been replaced with a political or prejudice view Moore hoped to express.

Moore's latest documentary, Where To Invade Next takes us back to the fun and wit that made his earlier work so refreshingly entertaining. In this his eighth feature documentary (but first in six years), Moore travels to Europe where he visits countries that seem to have captured the American dream of a work/life balance. We travel with Moore to Germany where we find small companies who pay big wages, to Italy where employees are given more weeks annual vacation than an American can hope for over a five year period and to Slovenia which offers free university tuition. Moore then presents a mock 'invasion' of the country which is presented in a hilarious tongue-in-cheek style of filmmaking.

The presentation does not feel preachy nor does it appear anti-American. Instead, Moore is able to casually walk the line of presenting lifestyles, politics and privileges in other countries that American's dream of or have tied up in political limbo. That's not to suggest that Moore doesn't show the underbelly of the giant. The European way of life may not be sustainable in the long term due to the expense of the support. And Europe is still not without its issues to which Moore is quick to point out to rousing audiences.

A tad overlong at 2 hours, Where to Invade Next is arguably Michael Moore's most enjoyable film. We are not looking at the ravages of the auto industry on Flint Michigan or how sick individuals are denied health care. Here, we take a jovial look at the things that look like a shopping bag of perfect put into a soggy paper bag about to collapse. Moore has an energy and an enthusiasm here that he hasn't shown in years and the results had the audience at the Toronto International Film Festival up off their seats in lauding applause at the conclusion of the screening.

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I gave this movie a 7 (hesitated with 8) because it is a good film. It is funny, entertaining, it shows things that are true. Something that is nice is that it seems also that Moore tries to show as many countries as possible, even countries that some people might feel are "forgetable", etc.

The reason why I do give a lower mark is that it is a film that is really made for a US audience. Having spent a good deal of time in North America I can completely understand why he tries to make it so that the ideas shown and expressed in the film are as "American" or "American born" as possible, but when you're from someplace else, and when you know more about history or such things in general, it seems just a bit annoying that they try to make some ideas that are pretty much universal, or just not American, as American as possible. The ending is also quite cliché, but it just reflects and intensifies the previous comment. it's actually because of the very-patriotic-to-get-republicans-to-listen ending that i decided to give this movie a7 instead of an 8.

for non us viewers I would say that you can just skip the last 15 minutes, but that the rest is great

This is one of Michael Moore's best documentaries. It tackles many of the issues that are relevant in America's current socio-political climate (healthcare, paid leave, education, mass incarceration, drugs) but without the usual flashy, confrontational gimmicks that we have come to associate with Michael Moore. Instead, he simply takes us on a learning tour to other countries that have come up with wildly successful solutions to these issues. We have all these prime examples of programs that actually work, yet somehow, here in America, socialism is still a dirty word, so we insist on more of the same failed policies despite all the data proving otherwise because we refuse to accept that somebody other than America got it right. If you're like me (brimming with cynicism in the abyss of absolute hopelessness for this country), it's at least nice to be reminded of what is possible.

It was worth waiting nearly three hours in a rush line to catch a screening of this film at TIFF. Mike was there, and when he mentioned before the screening that he made this movie entirely with his own money because he wanted 100% control of it, my expectations were immediately elevated.

And definitely rewarded. Whatever your favorite Moore outing is, I can tell you that this film compares favorably to it. But what really made this a memorable experience for me was that after the movie, Moore invited the entire audience to a ticket-holders Q & A with drinks and refreshments at a pub close by. I had to skip the next movie on my docket in order to attend, but I sure wasn't going to miss this!

The movie might be called "Non-American Exceptionalism." In it, he "invades" a host of (mostly European) countries to "capture" their best ideas. These ideas turn out to be systems – be they economic, institutional, educational, penal, etc. – where desirable ends that could never be realized in America are par for the course. It can be a prosperous factory in Italy where the workers are well-paid and get fantastic benefits … it can be the cost-effective school lunch program in France where kids get chef-made gourmet meals every day … it can be the free college in Slovenia ... you get the gist. While Moore doesn't pretend that these countries have no problems (watch the right-wing media say otherwise), his examples certainly seem to be "winners" that he invites scrutiny of.

What's likely to be most controversial about this movie is one of the conclusions he draws: that systems seem to work better when women are involved in the decision-making process. When I asked him at the Q & A how he thought Fox was going to spin this film, he said that with the female-friendly theme, they'll probably say that it's a campaign commercial for Hillary. (For the record, his hero female politician is Elizabeth Warren).

Obviously, your potential enjoyment of this film is completely Moore-dependent. If you've ever enjoyed one of his provocateur films, you can put this one down as a sure thing; if you're one of his detractors, this will make you resent him all the more. Seeing this as a member of the former group and getting to attend a one-of-a-kind Q & A afterward definitely made this one of my all-time TIFF outings.

Just like Mr. Moore's previous works, brilliant, raw and based on the truth and statistics. The contrast was overwhelming and sickening but he finished it on a positive note. That if only we realize we, the people, realize we have all that it takes, we can bring the wall down, one hammer and chisel at a time. But as one of the guys in the movie said we have "a long way to go". He covered all the relevant issues of our today's society, from women's equal pay to nutrition, from student loans to bankers getting away with murder, from criminalization of drugs and its connection to race to police brutality, from an overworked and underpaid society to disappearance of middle class, from capital punishment to mistreatment of the incarcerated, and more....It is eye-opening and educational, to say the least and makes you wonder why we we "go home and are okay" with all of this. Because "nobody should be".