The Teacher

A movie called "The Teacher" has to be an uplifting movie about all the good teachers do, and the inspiration they bring to their students, right? Well, not exactly, particularly if you believe bribing, using power for your own benefit and to bully others, and beings selfish is something teachers should teach.

"The Teacher" tells the story of a school meeting, where the parents of the students of a class meet to talk about the teacher of their children, for reasons that are not very clear at the beginning, but seem to be pretty damning for the aforementioned teacher. Little by little, by flashbacks, and by the conversations between the parents, we get to know the problem, and we get to know the different opinions and why those different opinions happen.

It is a very interesting look on how power, families, or school work, with a lot of dark humor and sarcasm and an ironic look to an era where Communism was in power in what nowadays is Slovakia. The director, Jan Hrebejk, goes for satire, not being bleak and angry, but tongue-in-cheek. Nothing of what he tells will be particularly surprising, but centering on the abuse of power and corruption in a school, instead of in the government or military, offers a fresh look, and the amazing work by Zuzana Mauréry elevates this movie to another level. Her acting is amazing, and she brings Mária to life in a performance that will stay with the viewer long after the credits roll. A really interesting, and good, movie.

Some genre labels are highly deceptive. The Czech Republic produced film The Teacher (2016) is labelled a comedy drama but there is little humour in this dark political satire about totalitarian regimes. Minimalist in dialogue and action, it paints a sombre picture for the youth of the communist world.

The storyline is simple but the atmosphere chilling. It is 1983 in Soviet-era Czechoslovakia and a long way from the child-centred education systems familiar to modern Western audiences. On the first day of school term, new teacher Maria Drazdechova (Zuzana Mauréry) asks each pupil to stand up and declare their parent's occupation. As the powerful chairwoman of the local communist party committee she seems over-confident while the camera pays close attention to her notebook of free services to be called upon. When the pupils inform their parents what happened, a cycle of silent complicity is triggered. Low performing pupils whose parents agree to Maria's hints, such as a free haircut, a fridge repair, or housecleaning, suddenly show an improvement in their school marks. High performing students whose parents do not curry the teacher's favour see their marks and future career prospects spiral downwards; one even attempts suicide. School authorities are intimated and there is no higher avenue of appeal. Both parents and pupils know that something sinister is happening as their school becomes a place of terror.

The central narrative premise is so disturbing that little embellishment is needed to portray the moral brutality of a corrupt political system. Sub-plots of parent meetings and conspiring pupils add texture to drama. The desaturated filming palette conveys the cold fear of life under communist control and the acting style has a realistic, almost cameo quality that intensifies the trauma of Maria's victims. Zuzana Mauréry and the support cast are largely unknown but are perfect in their roles. Mauréry is particularly effective in portraying a smugly callous disregard for her pupils with a veneer of smiling innocence that masks her ruthless exploitation. While the teacher may depict the corrupt face of totalitarianism it is the parents who reciprocate the mass compliance necessary for propping up such regimes.

It would be hard to describe this film as entertaining. There are few light moments and little to laugh at when depicting the communist way of life. Being sub-titled, some loss of dialogue nuance is inevitable but the message is unmistakable. With an authentic voice and sense of place, this is a gripping allegory for the moral corruption endemic to communism.

I dont understand the low ratings for this film. it is a great movie , story telling and acting is superb. i would strongly recommend this movie.

One thing must be explained: only people who lived through this era here in Czechoslovakia, or other Socialist or Communist country, will understand this movie in holistic ways. A perfect cast portraying, what was once an every day practical life of ordinary subordinated people, who either served the system or those who refused and suffered the consequences. The thing is, it does not matter if your motives were opportunistic or not, most were afraid and did only what they had to, just not to be seen stepping out of the row or just simply to survive. Anyhow, my parents were also not part of the Communist party, so I give credit and kudos to all who raised their voices and were often times silenced. Only these people practically know, how hard it was to survive, once you were blacklisted... And the others? It is just very sad, that most of the powerful communists, are today were well established, wealthy and continuing to poison our society in new ways possible... The regimes have changed, but the people remain the same...

Simply and perfectly a microcosm of eastern europe. I would never presume to ask of you to rate this film 10 stars but it was you who offered.

Kompromat but with children.