User reviews

I won't go into any details because you should watch it and make up your mind.

The acting is brilliant, you would hardly believe that Gemma Whelan was the same person that played Yara Greyjoy in "Game of Thrones".

The story was basically play by numbers, you didn't really learn anything new if you saw this on the news.

I do think this could have been a three parter. We didn't really see the aftermath other than a few shouty bits at the end. I really wanted to see the impact it had on the town at the end, but it seemed to end rather suddenly.

It would have been nice to see what happened when she came out of prison, but we saw nothing of this.

I will repeat however that the acting was top notch, but I was left a little disappointed with the story.

I've only seen the first episode but I can be confident that my rating isn't going to change and neither will my opinion of this program.

Firstly, don't watch it if you think you're going to find out anything you didn't already know from TV and newspaper reports. Don't watch it if you want to see sweeping camera shots of Dewsbury and the surrounding countryside. It wasn't filmed there.

You'll watch this because it was written by Neil Mckay who has written some great TV in the past. He's written TV shows about the Moors Murderers and Fred & Rose West. You have to remember that when shows like this are written there will be some added drama that didn't actually happen so as to sex up the show.

The problem with this show is that it's impossible to sex up so there's lots of dialogue showing the "can-do" attitude of the residents of The Moorside estate. Whether much of it actually happened is questionable, however, the actresses did spend time with their real-life counterparts so there will be some true to life scenes and dialogue.

For me, it was exactly what I expected from a show on this subject.

The true story behind this two-part drama is not really known in the U.S. so the reviews from the U.K. with spoilers or references to the real story won't mean much to those of us from elsewhere. I found it a very interesting story about rough living and choices for those in difficult situations with seeminly limited options. The directing, editing, and score bring to life a neighborhood and neighbors in the best and worst of circumstances, and the acting by all the female leads is absolutely tremendous.

The Moorside tells the story of the staged abduction of Shannon Matthews from the viewpoint of Julie Bushby, the person who led the community effort to find the 9 year old Dewsbury schoolgirl. As she tells the press: 'When chips are down and one of us has a problem, we are all there to help, we stand shoulder to shoulder with one another, we will never give up hope'

The rallying cry felt hollow in this docudrama as we knew Shannon's mother was involved in this bizarre abduction. Even when Shannon went missing, there was an outcry that people living in council estates did not merit the sensitive media attention that the parents of Madeline McCann had got a year earlier.

The first episode focuses on Karen Matthews and her dysfunctional family. She had children from several men, her present partner seems to be more interested in surfing the internet. Some of the other relatives crave the media attention. Karen herself comes across as dimwitted and maybe even manipulative as well. Suspicions are aroused early when she starts dancing to a ringtone of a mobile phone.

By the end of the first episode, Shannon is found under the bed of Karen's boyfriend's uncle. A cack-handed stunt to get money from the media it seems.

In the second episode the police now turn their attention towards Karen. Her friends and neighbours who rallied for her now have doubts about her story. The community now vilify Karen Matthews but Julie Bushby saw her as weak, a symptom of a broken Britain where too many women from an early age were let down by men. In the drama Julie and one of Karen's neighbour talk about how both were sexually abused as youngsters.

The drama was strongly acted by the leads, Gemma Whelan, Sian Brooke and Sheridan Smith but I felt it still lacked freshness, too much about it that delved on 'council house scum.' I can imagine that wounds are still raw in parts of Dewsbury and although we do not see the character of Shannon, I could not help thinking that this drama did not do her much good given she is now 18 years old.

True life story of missing girl Shannon Matthews reported missing by her mum Karen . Karen's best mate played superbly by Sheridan Smith starts the local community campaign in the search for missing Shannon . We all know the story of this case but it also shows the vulnerability of Karen Matthews in which she was in a way made to do what she did . But it is a brilliant made drama .

The standout performance here is Gemma Whelan's -- very real, memorably so, and, if you'll forgive the cliché, brave. (Reminded me of Lorraine Stanley, similarly brilliant in "London to Brighton.") I'm always impressed when an actress who, on the evidence of photos, normally looks clever and pretty can play a character as fat, dumb, weak, and unattractive as Shannon Matthews (and can make her genuinely interesting).

Among the remarkably unappealing folk of Moorside (coarse, creepy, loutish-looking men, pulpy obese women, all speaking in almost unintelligible Yorkshire accents), the neighbor played by Siân Brooke, relatively slim, soft-spoken, and beautiful, stuck out like another species. I admit to finding her the most sympathetic character in the drama.

However, the story's heroine is clearly supposed to be Julie Bushby, the self-appointed community leader, played by Sheridan Smith. She struck me as somewhat obnoxious and self-important in the first episode, and I was pleased to see her taken down a peg, if only briefly, in the second.

The way she rallied the neighborhood on behalf of the missing girl seemed useless and rather ridiculous -- parades, candlelight vigils, singalongs, etc. -- but maybe the Moorsiders actually went in for such virtue-signaling stunts. At one point episode 2 actually has them singing Kumbaya.

This drama was marred, for me, by a few scenes of horribly contrived preachiness and exposition, especially one in which Brooke and Smith discuss pedophilia. The dialogue seemed totally fake. (It was also marred, in places, by sloppy editing, such as a scene between four women in a car that focuses so disproportionately on three of them that you wonder if the fourth, played by the ubiquitous Siobhan Finneran, is even in the car with them.)

The biggest surprise, for me, was how pleasant, or at least not shabby and ugly, the Moorside council estate is. While the individual houses are crowded together, as in any development, they look, at least on the outside, fairly attractive -- quite a contrast to the multilevel council flats one sees in many movies.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A dramatisation of the real life tale of Shannon Matthews, a nine year old girl from the Dewsbury area of Yorkshire, who went missing for a short while in early 2008, and sparked a nationwide appeal for her safe return (but received substantially less coverage than Madeleine McCann, from a more affluent background...but who's never been found.) Julie Bushby (Sheridan Smith), a close friend of Shannon's wayward mother Karen (Gemma Whelan), spearheaded the local community into action, and all the local residents turned out to look for Shannon in a unified show of solidarity, while Karen's behaviour was just disinterested and odd. Eventually, in what appeared to be a rare happy ending for this type of case, Shannon was found...but the truth, in it's own way, was as earth shattering as if she hadn't, when it was discovered Shannon had been abducted by her own mother and her friend Michael Donavan (Sam Chapman), while her current partner Craig Meehan (Tom Hansen) was arrested for possessing child pornography.

There are many who subscribe to the mediums of film and television, strictly as a means of escapism, to retreat into a world of fantasy, with limitless possibilities and an almost certainly predetermined happy ending. There is not much interest, from these people, in seeing re-enactments of tales constrained by the boundaries of real life, even happy tales, played out with all the grubby, unavoidable trappings of reality. A tale set somewhere like Dewsbury Moor, a place that perfectly encapsulates the gritty, unglamorous surroundings/way of life that are probably the norm for a no doubt many unidentified number among us. In bringing this dramatisation to the screen. director Paul Whittington has shoved this bleak landscape straight in our face and left us to witness the car crash that proceeded.

In what appears to be the most meagre common ground with a fantasy film as opposed to the hard, brutal depiction of reality that it is, the lead character is the good guy, or certainly the person with the most noble intentions, even at the expense of not really being the main antagonist of the story. In this role, as the bright, bubbly spark of flickering decency in a sea of relentlessly, depressingly immoral, grubby people, Sheridan Smith truly exemplifies what a terrific actress she is, demonstrating her ability to transform and really immerse herself into any role she's doing, and really bringing the character of Julie Bushby to life like no other. The supporting performers are also strikingly accurate, but it is truly her who steals the show.

The dichotomy of Matthews is simply as a figure who took dysfunctional to a whole new level, who skipped her appearance on The Jeremy Kyle Show and gained public notoriety in a different, far more shocking way. The Daily Mail/Tory Party would probably have you believe she's symptomatic of hundreds of others across the country, and while that's most likely very debatable, this is still a well made and hauntingly accurate portrayal, spread out over two series, of a case that'll probably never be forgotten. *****

I enjoyed the acting and watch a lot of true crime dramas. In some ways, it seems like the most broken characters are provided excuses, but it very accurately reflects true life. Damaged people do not typically aspire to high morals or honesty about their behavior. They focus on survival, a woeful nest in which to bring vulnerable people like children.

A wonderful program and Sheridan Smith shines in this (she does in everything she is in). These are the kind of programs I love and the UK is easily the best at making them. I didn't know too many of the details before watching but looking back on old news stories refreshed my memory. If you like gritty UK dramas, you'll love this.

It's very well made and the performances are uniformly good but you can't escape the fact that it's a dramatisation of events showing how people coped in the orbit of an evil, vile and contemptuous imbecile who happened to be able to give birth repeatedly. People wanted to believe the best of Karen Matthews, a disgusting and manipulative person who did something absolutely appalling and, for a short period of time, got people feeling sympathy for her because thinking otherwise would have made them feel dirty. This is not a bad show but it could have been better. Good TV shows have characters people can empathise with and Kare Matthews is a truly vile person.

It's interesting. Different. More a character study than a crime thriller. What price friendship? Very good performances. Realistic family and community situations. Recommended.

The series hinged throughout the search for Shannon on the fervor of the community led by Julie to find her. Excellent in the push - pull efforts of a community who doesn't trust Police to do the job right because of the backdrop of the poor blight of the Moorside. Directly in this light is the friendship between Karen Matthews, Natalie and Julie who feel their trust and belief in each other, and to bring Shannon back home where she belongs. This parallel of community trusting the Police and best friends relying on each other is excellently portrayed. It is a driving attitude this trust we must experience in one another throughout the series.

Found this disappointing. It told the story from mostly From Karen Matthews friend, Julie's viewpoint. It didn't tell us anything new from what was reported at the time. It didn't show much of the police investigation. The ending felt like an afterthought. Trying to make excuses for what she did and suggesting it was everyone else fault than her own.

I did agree that in all honesty she wasn't evil just misguided and was overwhelmed by what happened. While she wanted and enjoyed the attention, once the estate was involved it was hard to find a way out.

However it did not ever really show her in a bad light or confirm she was involved. It also didn't show how the estate felt about being lied too when they were so passionate about finding the girl.

It was acted well but it didn't tell us anything you can't read about on the internet. It also seemed to be saying that if you are poor then you can't be held responsible for your actions. The estate was also shown as all wonderful people. I have worked for Kirklees Council in Dewsbury on a number of occasions. While there are some lovely people there, some people are really awful. A shame this was so much of a lecture and waste of a decent cast.

I can't believe I missed this on its original British terrestrial transmission. Tonight, however, I finally caught up with it on the excellent ITV X platform , essentially the best of ITV and BBC programming. It would be massively unfair to single out any of the actors for special mention. Everyone deserved an award How the Director managed to grind out the very best from the performers - many of them completely unknown to me - simply boggles the mind. I suspect some, or many, of the principal characters had a deep and understandable bond with the underdogs of a sprawling, working class council estate. The finished article delivers a punch at every level. I cannot recommend it highly enough.

I wanted to like this. I am a big fan of British TV but even with subtitles on, the accents made this unintelligible to anyone outside of that area of Britain. Then there is the odd telling of this movie which leaves more questions than answers. The crime it's self is minimized. The victim is minimized. We never hear from her. How did this happen? How did this impact her? That's what really matters.

This is all about the community and how the community handled a child abduction.

I've never seen a story told from that point of view. Do I really care? No. Would I want a. Susan Smith story told solely by the neighbors? No.

I found the entire thing wanting.