Directed by
| Yayo Herrero | ... | (as Gerardo Herrero Pereda) |
Writing Credits
| Yayo Herrero | ... | (written by) (as Gerardo Herrero Pereda) |
| Álex Mendíbil | ... | (story editor) |
| Nadja Dumouchel | ... | (story editor) |
| Paul Pen | ... | (story editor) |
Cast
| August Wittgenstein | ... | Alex | |
| Alma Terzic | ... | Selma | |
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Aleksandar Seksan | ... | Vuk |
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Diana Fernández Pérez | ... | Maus |
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Ella Jazz | ... | Ella |
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Sanin Milavic | ... | Milos |
Produced by
| Mercedes Barbod | ... | line producer |
| Javier Carneros | ... | associate producer (as Javier Carneros Lorenzo) |
| Mintxo Diaz | ... | delegate producer |
| Luis Herrero | ... | delegate producer |
| Yayo Herrero | ... | associate producer |
| Enrique López Lavigne | ... | executive producer / producer |
| Elvira Morales Sales | ... | executive producer |
| Jesús Ulled Nadal | ... | executive producer / producer |
Music by
| Luis Herrero | ... | (music composed by) |
| The Youth | ... | composer |
Cinematography by
| Rafael Reparaz | ||
Editing by
| José Manuel Jiménez | ||
Casting By
| Diego Betancor | ||
Production Design by
| Javier Fernández | ||
Art Direction by
| Javier Fernández | ||
| Itziar Sagasti | ... | (art director/property master) |
Costume Design by
| Bubi Escobar | ||
Makeup Department
| Pedro Raúl de Diego | ... | special make up effects co-ordinator |
| Helena Fraile | ... | assistant make up artist, assistant makeup artist |
| Haridian Nóbrega | ... | additional makeup artist |
| Juan Olmo | ... | special makeup effects artist: DeDiego SFX |
| Irene Puche | ... | special makeup effects artist |
| Elena Pérez | ... | key hair artist |
| Karol Tornaria | ... | key make up artist |
Production Management
| Guacimara Arteaga | ... | set production assistant: Tenerife |
| Ana Ibáñez | ... | production and location manager |
| Carlos Malder | ... | assistant production manager |
Second Unit Director or Assistant Director
| David de Barrio | ... | second assistant director |
| Christopher Downs | ... | key second assistant director |
| María Giráldez | ... | assistant director / first assistant director |
Art Department
| Sany Climent | ... | assistant art director |
| Joseph Diaz | ... | concept artist |
| Andrea Esteban | ... | set dresser/ props |
| Juanjo Garfia | ... | prop assistant |
| Luis Gómez | ... | construction coordinator |
| Penélope Gómez | ... | set dresser |
| Ricardo Gómez | ... | props: Tenerife |
| José Luis Moya | ... | construction manager |
Sound Department
| Manuel Carrión | ... | foley artist |
| Toño Cubillo | ... | assistant sound mixer engineer |
| Coque F. Lahera | ... | sound recordist |
| Mateo Menéndez | ... | trainee sound assistant |
| Alejandro Miguélez | ... | sound effects editor |
| Pepe Pleguezuelos | ... | facility sound manager |
| Alfonso Raposo | ... | re-recording mixer |
| David Rodríguez | ... | supervising sound editor |
| Jose Ruiz | ... | foley recordist/editor/mixer |
| Óscar Segovia | ... | boom operator |
| Javier Valdés | ... | manager: sound operations |
| Ricardo Viñas | ... | dolby sound consultant |
Special Effects by
| Mariano Alvarado | ... | special effects technician |
| Eloy Cervera | ... | special effects technician |
| Pau Costa | ... | special effects supervisor |
| Javier Jal | ... | special effects foreman |
| Juan Olmo | ... | special effects makeup: DeDiego sfx |
Visual Effects by
| Ramón Cervera | ... | lead digital compositor / visual effects supervisor |
| Daniel de Madrid | ... | digital compositor |
| Guillermo Guerrero | ... | digital artist |
| Isidro Jiménez | ... | visual effects supervisor |
| Jorge Repiso | ... | digital compositor |
Stunts
| Ignacio Carreño | ... | stunt coordinator |
| Iván Pérez Rodríguez | ... | stunt performer / stunt rigger |
| Efraín Esteban Suárez | ... | stunts |
| Esteban Suárez | ... | stunt rigger |
Camera and Electrical Department
| Carlos Caba | ... | digital imaging technician |
| Álvaro Campo | ... | steadicam assistant |
| Roberto Campos | ... | electrical |
| Javier Casado | ... | electrician: Madrid |
| Rodrigo Casullas | ... | Best Boy |
| Héctor Gabriel García | ... | electrician: Tenerife |
| Emilio López | ... | electrician: Madrid |
| Raúl Manchado | ... | steadicam operator |
| Sara Martínez | ... | assistant camera |
| Jon Peter Rowing | ... | assistant camera: focus puller |
| Mario Salas Monfort | ... | video assist |
| Judith Sansó | ... | still photographer |
| Joaquín 'Kino' Sánchez | ... | gaffer |
Casting Department
| Sira Belda | ... | casting assistant |
| Pilar Moya | ... | casting: spain |
Costume and Wardrobe Department
| Paloma Bomé | ... | breakdown assistant |
| Giovanna Ribes | ... | breakdown artist / wardrobe alteration |
| Ainhoa Viciano | ... | costume supervisor |
Editorial Department
| Ramón Cervera | ... | digital effects supervisor (as Ramon Cervera) |
| Javier Delgado | ... | colorist |
| Cora Herranz | ... | assistant editor |
| Javier López Casado | ... | digital conform editor |
| María José Martín | ... | post-production director |
| Nadia Martínez de Marañón | ... | trailer |
| Silvia Torralba | ... | post-production commercial |
Location Management
| Jesús Gil | ... | location set pa: El Espinar |
Script and Continuity Department
| Elena Moreno-Martet | ... | script supervisor (as Elena Moreno Martet) |
Additional Crew
| Raquel Ameijeiras | ... | production coordinator: Apache Films |
| David Asín | ... | production trainee |
| Silvia Conesa | ... | set runner |
| Manuel Díaz Herrero | ... | production assistant: Tenerife |
| Manuel Eslava Fajardo | ... | marketing and creative services |
| Pablo Esteban | ... | pawn of location: El Espinar |
| Adriana Flores Rodríguez | ... | production trainee (as Adriana Flores) |
| Asia Jarzyna | ... | production coordinator |
| Joaquín López | ... | production assistant: Madrid |
| Nadia Martínez de Marañón | ... | Creative producer |
| Emma Riesco | ... | cashier |
| Pablo Rivas | ... | production assistant |
| Nauzet Rodriguez | ... | production assistant: Tenerife |
| Douglas Stuart Wilson | ... | screenplay translator |
Thanks
| Caroline Derpienski | ... | special thanks |