Jon organizes the North's defenses. Cersei tries to even the odds. Daenerys comes home. Arya reminds the Freys "the North remembers." Sam adapts to life in Oldtown. The Night King makes his ... Read allJon organizes the North's defenses. Cersei tries to even the odds. Daenerys comes home. Arya reminds the Freys "the North remembers." Sam adapts to life in Oldtown. The Night King makes his way south.Jon organizes the North's defenses. Cersei tries to even the odds. Daenerys comes home. Arya reminds the Freys "the North remembers." Sam adapts to life in Oldtown. The Night King makes his way south.
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This was a good episode to start on, but I'm mighty curious to see where this will all go to. Will Tyrion survive? Will Daenerys actually take back her long-lost home of Kings Landing? And will The Hound confront his brother The Mountain? I hope the latter happens; that will be a fight to remember.
Anyway, Game of Thrones is still on the air and still leaving an impact on us.
HBO has done it again, this is the reason why Game of Thrones is the greatest show that has ever been. I have to also praise the score by Ramin Djawadi.
All and all, this episode made it official, that Game of Thrones is way way better than the books it's based on. Sorry George, but sometimes adaptations are just better. And this is one of those times.
Please, keep it coming and stay on this awesome course. It is an honor writing a review.
The dialogue and character development for this show is always first-rate, and the acting often is. Last night was no exception — the exchange between Littlefinger (Aidan Gillen) and Sansa Stark (Sophie Turner), for example, was priceless.
The glimpse of The Night King's wight army, however brief, should please any horror fan. I watch a lot of horror movies, and I'm a tough fan to please. Yet I am still surprised at how this fantasy show continues to succeed in scaring me. It's impressive. If the leaked script for Season 7 is accurate, then the bad guys in the final episode ought to be damned frightening.
I will reiterate a very minor longstanding quibble that I have had with "Game of Thrones" as someone who has not read the books. This story seems to attach tremendous dramatic emphasis to the movement and arrival of groups of people. I do understand the need for this, and its appeal — the logistics are part of George R.R. Martin's world- building, and they bring detail and a sense of realism. There are times, however, when I feel like Daenerys' defining character trait is that she goes places. (Look! Now her army is here!)
I won't say much more for fear of spoilers — this is a show where even mentioning a character's name can suggest a chapter in his or her character arc. (I will say that I loved the opening segment, even if I was understandably puzzled at first.)
This is great TV.
Anyway, the rest of the episode is solid. The storyline continues to be exquisite much like the previous six seasons and continues to up the ante with the relationships. Not only that, there are some great scenes that made it worthwhile to other viewers. Arya disguising herself as Walder Frey and having her revenge on the House of Frey for killing her mother Catelyn Stark and her brother Robb Stark by killing them, Sandor Clegane, who survived his wounds after the fourth and sixth seasons and having to atone for his old life of working with the House of Lannister, and Daenerys's dramatic homecoming to Dragonstone. Those sequences are amazing and another perfect example of well-paced and atmospheric filming which makes them on par with The Red Wedding, the Execution of Eddard Stark, the destruction of the Great Sept, and more. Ramin Djawadi continues to create more excellent music for his score for this season. It fitted the scenes really well as well as retaining the scale and scope of the production designs, which are still as gorgeous and before. The editing is sharp, the pacing didn't drag, and the acting continues to be strong with the best coming from Maisie Williams, Kit Harrington, Sophie Turner, and Emilia Clarke.
Overall, Dragonstone delivered what it promised. It showed the characters trying to make an army to they can begin the war against the White Walkers while continuing the depth and development. This deserves a thumbs up from me. :)
Did you know
- TriviaJon's decision to spare Ned Umber and Alys Karstark and allow them to keep their lands continues a theme started last season with Daenerys, namely the belief that children should not pay the price, nor bear the stain, of their parents' sins. However, Sansa's counter-argument that there is no punishment for treason, and no reward for loyalty brings up the discussion between being honorable versus pragmatic that recurs several times in both the novels and the series; Sansa has a point that doing the decent thing (i.e. showing mercy to enemies, breaking off a politically important alliance for love) was what got both Ned and Robb Stark killed. On the other hand, Joffrey's opportunistic execution of Ned also backfired, since it drew the ire of the entire North against the Lannisters.
- GoofsBuilding a "1,000 ship fleet" with medieval level technology would have taken many years, if not decades. More importantly, many of the processes, such as curing freshly-cut wood takes time that cannot be made to go faster regardless how much labor is applied to it.
- Quotes
Petyr 'Littlefinger' Baelish: Why aren't you happy? What do you want that you do not have?
Sansa Stark: At the moment, peace and quiet. No need to seize the last word, Lord Baelish. I'll assume it was something clever.
- ConnectionsFeatured in WatchMojo: Top 10 Controversial Game of Thrones Moments (2017)
Details
- Runtime59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1