The Wind & the Reckoning

I love the history of this film, and the use of the native Hawaiian language, not so familiar to many, but as powerful as it is beautiful. The scenery is great and the overall look of the film is wonderful. The storyline is so appropriate for today after COVID gave world governments more power then we've experienced for many years. Power in the wrong hands is treachery and courage is always inspiring!

Living in Hawaii has given me a new appreciation of the struggle the Hawaiians faced as the rest of the world descended on this beautiful island paradise. It grieves me that they had to put up with belittling attitudes and judgemental aggression. Change in the name of progress is not always kind, gentle, gracious nor righteous.

Wow...just wow! What an incredible film. And beautifully shot as well. Jason Scott Lee and Lindsay Watson gave such powerful performances and Henry Ian Cusick was outstanding. I saw the film in Honolulu at The Consolidated Ward Theater during its opening week. Some of the actors were there to answer when it finished. When the movie ended, there was a group in the audience that actually stood up and sang a sort of a chant back to the filmmakers, like they were thanking them for making this film. I was speechless. I have to say I am a bit embarrassed that I had no idea this had happened to the Hawaiians.

Such a powerful story told with so much love and respect for the Hawaiian culture. Beautifully cinematic. I was so moved by the family and their refusal to sacrifice their togetherness, even in the face of being hunted down like prey. A heart wrenching and eye-opening look at a period of history that I knew very little about, but that had reshaped the course of life for native Hawaiians: when lepers were rounded up and forcibly removed to leper colonies on the island of Moloka'i. I love that the characters spoke in Hawaiian-beautiful authenticity and an invitation for us to experience their culture and their heart. Would definitely recommend watching it-but with tissues!

I really enjoyed watching this movie not only because I am a fan of western styled movies but because it bring to light a story and history rarely discussed. Being able to peek into the deep complex history of Hawai'i was a very pleasant experience, especially told from the side of faith and prosperity. I can only imagine what those native Hawaiians must have faced and experienced during those times. Seeing how the leper community was treated brought tears to my heart. Knowing they were lied to, exploited, and killed for something they had no control over was horrific. The ending was a bit cheesy but I really loved the journey this film took me on. I will definitely be watching it again and with my kids!

This movie is fantastic in so many ways. A brilliant story from dialogue to scenery to acting that focuses on the injustices done to the Hawaiians, through the main character Ko'olau and his family, by the newly formed government and what Hawaiians think about what is being done to them.

The director, who is from Hawai'i, also address, brilliantly I might add, what it is to be haole, which doesn't mean entirely being a white person. I think that was done so well. To the main characters, Westerners are seen as both villain and family (very similar to what it is like today). General McCabe the bounty hunter, who leads his mercenaries, is very much the villain and the type of haole Hawaiians despise. Ignorant, racist, and arrogant, he leads equally as ignorant mercenaries. Then there's Marshall Hitchcock, a locally born white person who is somewhere in the middle, neither good nor bad. He believes what he is doing is correct (forcing lepers to Molokai) regardless that he is conspiring with people who are enemy to the Hawaiians. Ko'olau who was once friends with him even challenges him on this. And then there's Eben Sinclair, a locally born white person, who is family to the main characters and does all he can, even risking his life, to help Ko'olau and his family. And the director brilliantly shows the strong bond between Hawaiians and this type of haole.

There's even dialogue between Ko'olau and his son on this issue of being haole. That the real haole isn't white, but the person with no 'breath' who is not in allegiance with the Hawaiians and their Queen and kingdom. A person that does not respect the laws and customs of Hawai'i and instead imposes their culture onto Hawaiians, including racism and classism, instead of adapting to their ways.

All this is done without the white savior complex we often see in films like this. These haoles are just kind of secondary characters. The director does this while still making Ko'olau the main character and hero, and he does it in a way that makes you focus mostly on Ko'olau and his family.

You walk away from the film angry about what those haoles did to Hawaiians, and understanding how to be good haole.

One hell of a film.