Phantom Thread

My Rating : 8/10

This is a delicately executed drama intimately woven around the characters of Daniel Day-Lewis as Reynolds Woodcock and Vicky Krieps as Alma.

Right from the opening shots I was engaged and the brilliant performances, beautiful background music coupled with breathtaking cinematography make this a worthwhile watch if you are in the mood for something slow, something a bit art-y. However if you are not in the mood for something like this it can become a chore to watch so I ask the viewer to understand that it is a very beautiful film and in the right frame of mind you will be absorbed into the world of this renowned mid-twentieth century dressmaker who can be a bit fussy.

Daniel Day-Lewis is at his typical level of brilliance here. He perfectly plays the role of an obsessive personality, who is so averse to letting someone interfere with his work, yet who more and more, through both natural and artificial means, also doesn't want to lose the new woman in his life.

Stylish camera work, wonderfully-paced drama. Solid 8/10.

First of all - what a cowboy name for a designer! I like the title letters, they are like the endless knot. And so is this movie. It leads nowhere, but strangely finds a cure for sociopaths. Give them a little bit of their own poison and you will live happily ever after. Maybe. This notion is the best that this film gives you, even better than the production design. I really liked the wallpapers so I won't complain about the production value, style over substance, and so on. It's brave to try to cover the truth with lots of lace and chiffon to make it watchable because the result may be pretentious and boring. And then if the truth isn't necessarily cathartic, the mushrooms are. But, to like the film I need to like the characters and they are not likable. I can't imagine what he sees in her or what she sees in him. The motif of poisonous love games and the uncertainty of love has been better used by François Truffaut in his Mississippi Mermaid (1969).

Let us get this out of the way- Phantom Thread is a beautiful film with a great premise and promise. A couture dress designer (Daniel Day Lewis) is demanding in the extreme and finds a muse (Vicky Krieps). He enjoys using her as a dress model and a companion, but she wants more. Along the way, the director, Paul Thomas Anderson, throws hints of intrigue starting with the title of the film. There are empty pretensions of dress-making as high art, secret messages sown into dresses and haunting memories. All of this leads to- exactly nowhere. Everything Lewis and Krieps do is recorded lovingly and meticulously on film with great mood music in the background. But there is no great reveal, no deep insight into human psyche, no higher truth. In the end it comes down to what a woman wants and what the man can live with. Lewis and Krieps are excellent, especially Krieps, but Lesley Manville as Lewis's sister has the thankless job of looking stern in every scene. Nothing in the film sticks with you when you leave the theater except the dresses, photography and the music; because Anderson has not come up with anything really interesting in the story. Unlike his "There Will Blood", which was a great film, Phantom Thread is a phantom film. It is a beautiful ghost of what should have been a really good film. See it if you wish to say goodbye to Daniel Day Lewis, but keep your expectations low.

Quiet movies are not usually my thing. I like pace and story and energy. But this film crackles in the quiet. PTA makes every scene feel like a battle, and the actors' performances rise to that challenge. It may be a quiet movie about a dress maker, but it is so much more - a battle of wills, a tension against each seam, a few characters slowly resigning themselves to something other than what they planned. If you described the plot, I would be like, "Really? That is the story?" After watching it, I can say it is not just a story...it is a great story.

PHANTOM THREAD just annihilated me. It's completely worthy of all the immense hype (such as, most cinephiles considering it the best film of 2017). It grows and builds in as organic a manner that a film possibly can. At first, I wasn't sure how I felt - I needed to get to know the characters, then, through most of the movie, I was cracking up at all the tension and the misery between them, then, by the last 10 minutes, I was in tears - a flow of tears which increased each minute as I processed the power and uniqueness and realness of what I had just witnessed. They were "profound" tears. I don't know that I've ever seen a movie that so tastefully glamorizes the toxicity of love. The poison that so many of us romanticize, the poison that we NEED in our lives. There are two types of people in the world: people who feel at home in perfectly "healthy" relationships, and then there's the rest of us. This film is for the rest of us. It stands in a league of it's own. I could never have expected the conclusion - the way that the ribbon is tied, the way the final thread is sewn. It hit me like a bag of bricks. It is all of the pain in love and all of the beauty, all at once. I have never seen this story told before. It's completely original, and completely shattering. The three leads are absolutely astonishing - Daniel Day Lewis and Lesley Manville are terrifying - Vicky Krieps is the most real. The writing and directing is impeccable - P.T. Anderson's legacy continues, it's fire burning brighter than ever. Yes, this is a masterpiece. I am dead.