A mysterious force knocks the moon from its orbit and sends it hurtling on a collision course toward earth.A mysterious force knocks the moon from its orbit and sends it hurtling on a collision course toward earth.A mysterious force knocks the moon from its orbit and sends it hurtling on a collision course toward earth.
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- 3 nominations total
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Featured reviews
Great Fun
If you go into this movie expecting anything other than cheesy acting and a preposterous story the you will be sorely disappointed. If you go in with your brain in neutral then you might just have some fun. Halle Berry brings a little gravitas to her role but Patrick Wilson and John Bradley ham it up for all it's worth. The special effects are pretty good and no one does end of the world stuff like Emmerick does. It has something that a lot of other movies lack, s sense of fun. It knows it's audience and never pretends to be anything other than a popcorn flick.
Turn off your brain and enjoy the ride
This movie will bust the counter at Cinemasins by violating all laws of physics and common sense while adopting every single cliché possible.
If you want science, watch a scientific program with real scientists.
This is a popcorn movie where nothing makes sense and you just enjoy the ride.
If you want science, watch a scientific program with real scientists.
This is a popcorn movie where nothing makes sense and you just enjoy the ride.
I guess I like these kinds of movies, even though they're silly.
I don't think it's a bad movie. The effects were great. The movie üas just too long, longer than necessary. The subject of the movie is, of course, very, very, very ridiculous, but so are many movies too. I enjoyed watching the movie with my snacks and beer. I guess I like these kinds of movies, even though they're silly.
Hilariously bad, and kinda fun because of it
It's been quite some time since I've seen a cast full of talented, well-regarded actors all give performances that are this terrible. To be fair, given this dialogue, I don't think any actor could have pulled off a good performance.
This screenplay was written by guys who have never talked to another human being before. Every line of dialogue is contrived and laughably on the nose, with exposition delivered in a way that sometimes makes Marvel's Eternals feel like a masterclass of writing.
The story has enough logical holes to fit the moon through. Convenience piles on top of convenience to make catastrophe possible, and then to help the characters survive the catastrophe. It's a script that can't withstand even the slightest amount of logical thought.
Moonfall makes just as little sense as 2012, and the characters are just as dull. But, in a way, this film is the more disappointing one because of how much better it could have been.
The character introductions and the setup for the emotional conflicts that these characters are experiencing with each other are actually compelling and somewhat competent. But the writers do NOTHING with these conflicts once they're established. Nobody learns anything; nobody actually overcomes anything or changes at all.
Not that a movie like this really needs masterful character development, but it at least needs something, ANYTHING to make us care and want these characters to succeed. But there's nothing.
Not even the visual effects are particularly good; they're certainly not bad, but no improvements have been made since the 2009 release of 2012, which looked groundbreaking at the time.
Still, I didn't hate watching this. I found myself mesmerised at how the filmmakers were literally dropping the ball every step of the way. If that sort of thing gives you enjoyment, then see this on the biggest screen that you can!
This screenplay was written by guys who have never talked to another human being before. Every line of dialogue is contrived and laughably on the nose, with exposition delivered in a way that sometimes makes Marvel's Eternals feel like a masterclass of writing.
The story has enough logical holes to fit the moon through. Convenience piles on top of convenience to make catastrophe possible, and then to help the characters survive the catastrophe. It's a script that can't withstand even the slightest amount of logical thought.
Moonfall makes just as little sense as 2012, and the characters are just as dull. But, in a way, this film is the more disappointing one because of how much better it could have been.
The character introductions and the setup for the emotional conflicts that these characters are experiencing with each other are actually compelling and somewhat competent. But the writers do NOTHING with these conflicts once they're established. Nobody learns anything; nobody actually overcomes anything or changes at all.
Not that a movie like this really needs masterful character development, but it at least needs something, ANYTHING to make us care and want these characters to succeed. But there's nothing.
Not even the visual effects are particularly good; they're certainly not bad, but no improvements have been made since the 2009 release of 2012, which looked groundbreaking at the time.
Still, I didn't hate watching this. I found myself mesmerised at how the filmmakers were literally dropping the ball every step of the way. If that sort of thing gives you enjoyment, then see this on the biggest screen that you can!
Dumber than a box of rocks but unusually entertaining sci-fi
Moonfall is, without a doubt, one of the stupidest movies ever made. Yet, it so gloriously 100% commits to its whirlwind of logic-defying hokey conspiracy theory-inspired nonsense that it sucks the audience into its vortex for a vastly entertaining ride.
Two NASA astronauts Brian Harper and Jocinda "Jo" Fowler working together with conspiracy theorist K. C. Houseman discover a secret about the Moon after it leaves its orbit and veers toward Earth.
I have never subscribed to the idea of turning off your brain to enjoy a movie. However, Moonfall, through its brand of pratfall sorcery, effectively shut off my brain. This was The Riddler's brain-drain machine from Batman Forever, dazzling me with spectacle while sucking up my IQ. I waved goodbye to logic, science, and generally "how things work."
Halle Berry, Patrick Wilson, John Bradley, Michael Pena, and the cast all do their best selling all the ridiculousness and delivering ultra-stilted dialogue. It's amusing watching them be so serious and hold it together. At any given moment, I imagine a slight smirk from any of the actors would have them all breaking and laughing.
Moonfall was an unusually great time. I was riveted by the mystery behind the Moon and on the edge of my seat by the disaster sequences that ignore physics. The logic of how things progress from A to B is so warped that it inadvertently makes the story unpredictable. I was kind of amazed by where the story ended up. At the back of my mind the whole time, I was completely stupefied by how the movie was barely hanging together through its extravagant ambition.
The film played like a parody of Roland Emmerich disaster movies itself and got away with it. This will vary for different people as it heavily depends if you can enjoy a bad movie. I enjoyed it unironically, which is odd and an achievement of sorts. I would love to see a sequel.
Two NASA astronauts Brian Harper and Jocinda "Jo" Fowler working together with conspiracy theorist K. C. Houseman discover a secret about the Moon after it leaves its orbit and veers toward Earth.
I have never subscribed to the idea of turning off your brain to enjoy a movie. However, Moonfall, through its brand of pratfall sorcery, effectively shut off my brain. This was The Riddler's brain-drain machine from Batman Forever, dazzling me with spectacle while sucking up my IQ. I waved goodbye to logic, science, and generally "how things work."
Halle Berry, Patrick Wilson, John Bradley, Michael Pena, and the cast all do their best selling all the ridiculousness and delivering ultra-stilted dialogue. It's amusing watching them be so serious and hold it together. At any given moment, I imagine a slight smirk from any of the actors would have them all breaking and laughing.
Moonfall was an unusually great time. I was riveted by the mystery behind the Moon and on the edge of my seat by the disaster sequences that ignore physics. The logic of how things progress from A to B is so warped that it inadvertently makes the story unpredictable. I was kind of amazed by where the story ended up. At the back of my mind the whole time, I was completely stupefied by how the movie was barely hanging together through its extravagant ambition.
The film played like a parody of Roland Emmerich disaster movies itself and got away with it. This will vary for different people as it heavily depends if you can enjoy a bad movie. I enjoyed it unironically, which is odd and an achievement of sorts. I would love to see a sequel.
Did you know
- TriviaA real astronaut was on set during production as an advisor. Whenever he approached Roland Emmerich and said "That's not really possible," they told him to roll with it because "it's just a movie."
- GoofsThe effect of the Moon is inconsistent throughout the film. People and cars are getting lifted by the gravitational pull while at the same time, debris of mountains hit by incoming Moon rocks fall down at full speed.
- Quotes
Sonny Child: I don't wanna move. I hate New Jersey.
- Crazy creditsThe Lionsgate, Huayi Brothers and Centropolis Entertainment logos are interspersed with footage of the Apollo 11 mission, and are all together in black and white with TV static.
- SoundtracksAfrica
Performed by Toto
Written by David Paich and Jeff Porcaro (as Jeffrey Porcaro)
Published by Hudman Publishing Co. Inc. and Rising Storm Music (ASCAP)
Administered by Spirit Four Music (GMR)
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Trăng Rơi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $19,060,660
- Opening weekend US & Canada
- $9,868,997
- Feb 6, 2022
- Gross worldwide
- $67,319,703
- Runtime
- 2h 10m(130 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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