User reviews

Today I saw "Death in the Gunj"

It is a slow movie. But once you have patience and if you can soak into its characters - The Bangla bourgeois culture, their liberalism, their talks, the way they look and behave (making the casting perfect); and if you can sustain yourself absorbed till the end the impact of the movie is not good but Overwhelming... Especially for those who have a sensitive soul, who can feel deep down the anguish and pain of a single individual.

Here the single individual is Shutu (Vikram Massey) whose character and psyche is known to us through peeling of each layer through small exchanges of dialogues and incidences. Shutu lost his father when he was 7 years, he does not have a good relation with his mother, who always scolds him, he is bad in studies, and has failed, he is bullied by his friends and talked down and even beaten by this elder brother. He is simple, shy, incoherent, child-like and finds solace and innocent friendship with his niece Tani (Arya Sharma) during a small gathering over a week with family and friends at a hill station house.

Events unfold in such a way that Shutu is initiated to sex by Mimi (Kalki Koechlin) who just wants to have fun and get over her love for Vikram (Ranvir Shorey) who is marrying someone else. By the end of the movie things do not work out for Shutu who is ignored, forgotten by everyone and shunned even by the little girl Tani. Yet with love in his eyes he pins his hopes on Mimi who ignores his feelings and advices him to concentrate on studies and life (sounds so familiar). It is a psychological take on a simple boy Shutu who is driven to death, but unfolding of events – where everyone is unconsciously selfish (as a way of life) and happy with what one has in life – except Shutu, who feels lonely, ignored and useless (even being used by that little girl).

While coming out of the theatre one feels, if once, someone – the little girl Tani, or Mimi would have held Shutu's hand and consoled him, would have given him strength and hope to live life.

It is a great debut of Konkana Sen Sharma as a director. All the actors and actresses have acted superbly. Special mention of Vikram Massey as Shutu who lives his character's flaws like real. The slow and lingering shots are exquisite and a treat on the eye. The detailing is perfect. Music is appropriate with mix of a couple folk tunes and lingering sadness of violin.

This movie is recommended for the typical arty type sensitive movie goers – who want to see good different cinema - This is the one!

(Rating 7.5 out of 10)

This is a little gem of a movie, with pitch perfect casting, excellent pacing and very competent direction.

The movie takes you to a world of languid indolence as an extended family vacations at a once grand but now somewhat derelict Anglo-Indian hamlet. There are little stories within, mostly pivoting around Kalki as the coquette - glimpses of illicit lust; and unrequited longing.

But in the middle of this happy dysfunction, there are jarring moments that tighten the little knot of dread-filled anticipation at the bottom of your heart. The title promised you a death and the opening scene reinforced that promise. You don't know who and you don't know why, you only know it's coming.

Konkona Sen Sharma is among the Finest Actress of the Modern-Era & there are no two ways about it. Having won 2 National-Awards for her acting prowess, Konkona makes her Directorial Feature Debut with 'A Death in the Gunj'. And the good news is that, 'A Death in the Gunj' is a near-masterpiece, that is absorbing, affecting & unforgettable. And the Ace here is its lead-actor Vikrant Massey, who anchors the show with a heroic performance.

'A Death in the Gunj' Synopsis: When Shutu (Vikrant Massey) goes on a vacation with his self-involved relatives and family friends, the shy and sensitive university student discovers that there is a heavy price to pay for gentleness.

'A Death in the Gunj' is about kindness & inhumanity. Shutu is a fine, simple 23-year old young-adult, who is reduced into a mere prop by his despicable family. Its a very sad journey that Shutu goes through, but what makes his journey engrossing, are its overall characters, who despite their unforgivable attitude towards Shutu, appear human. They aren't likable, but there is humanity in them, although not for poor Shutu, who must bear their lack of care, until breaking point. 'A Death in the Gunj' is a personal story on gentleness being mistreated & how love will always win, even though the world lacks a lot of it. From start to end, the narrative is dark, but its all-out gripping at the same time.

Konkona is in top-form as a Writer & Director. Konkona & Disha Rindani's Screenplay is absorbing & disturbing, but never misses the point. The Writing is super-strong! Her Direction, on the other-hand, is excellent & she deserves credit, for keeping the atmosphere realistic throughout. I hope Konkona makes more movies! Sirsha Ray's Cinematography captures the intense proceedings, magnificently. Editing is razor-crisp. Art & Costume Design are perfect.

And now time for the acting honors! Vikrant Massey brings Shutu to life with the most affecting performance of the year. Right from his body-language, to his pained eye & to his soft dialogue delivery, Massey is an actor to watch! Massey anchors the show with flat-out terrific performance, that deserves awards & rewards! And lets forget that Massey was the best thing (if not only) in this year's Half Girlfriend.

Ranvir Shorey is brilliant. As the despicable bully, Shorey is pure dynamite on-screen. What a fearless, versatile actor! Gulshan Devaiah is first-rate as Shutu's inconsiderate brother. Kalki Koechlin as the sexually vibrant Mimi, is flawless, yet again! Tillotama Shome is outstanding as Deviah's wife, delivering a richly layered performance from start to end. Tanuja & The Late/Great Om Puri do well as usual as the elderly couple.

On the whole, 'A Death in the Gunj' digs deep & results into a deeply affecting cinematic experience. Watch It Now!

It's one of the most beautiful movies I've watched in a while. While other movies in this genre (practically non-existent in Bollywood) generally take up to 20 minutes to build up to the main story this one is intriguing right from the start. We know that someone's going to die, and we know who it is, 5 minutes into the movie. But this ain't a murder mystery. It's about the events leading up to the death. It's about the characters developing, intermingling. Beautifully shot, with a calm, fantastic soundtrack (which, sadly isn't available to listen anywhere right now), I wish there were more movies like this.

I regret not being able to watch this when I could in the theatres (thanks Amazon).

The ground for a death is set already when the scene opens in a city trembling in peak winters. The tired sun that cannot decide if it wants to rise, the insects already stocking their nests and ready to hibernate, the orchestra of cicadas that blends easily in the suspicious eerie silence of the evenings, the absence of roses and the long purple nights. In such a set-up the only noise that rips the slumber of the forest apart is the loud laughter of a happy family. The perfect family with rotund bellies feasting on meat and wine, slyly rubbing bodies against each other in jest, and like every other family, unable to keep track of the share of love every member is receiving.

It's easy to feel left behind in a world disheveled by adults. Where youth is thought to be coped up with only by a compensatory adrenaline rush, sex is but a form of hospitality, and children and servants are defamed outcasts for just not being alike. Amidst these artificialities, humble "Shuttu" draws dreamy figures in his diary, takes interest in dead moths and the funeral of ants, befriends his six year old niece Tani and vehemently resists metamorphosis. His brother Nandu like most elder siblings, puts him through helpful tests to man him up(driving, planchettes, kabbadi) but Shuttu is already a man with his weak arms but a muscular heart that can carry immeasurable weight. He is the re-incarnate of Franz Kafka, sniffing for traces of love in his dead father's sweaters and his seductive muse's white ankles and the melancholy of his wailing mother. The film brings back to my aching mind a nostalgia of theatrical plays, where the characters were the fodder and story but a resource, rather than the other way around. Nandu's wife, "Bonnie" and mother,"Anupama" are an accurate reflection of the legacy of homemakers; dreamless eyes, unquestioning obeisance, and principled Elizabeth Bennets always in- charge of too much to be done. Vikram(Ranbir Shorey) is the perennially candescent splinter and Mimi(Kalki) is the moth dancing in its flame. O.P(Om Puri's character) has drunk blood-shot eyes and a jovial persona which often confuse his grand-daughter for a tortoise and dismiss the bruises under Shuttu's eyes as child's play. Tani is a young and curious fluttering butterfly who just broke out of her cocoon. Maniya and Manjuri, the domestic helps, are observers of the building up of crime which in this movie, is neither an accident or event, nor a well-hatched conspiracy, but a sudden condensation of reality.

The timeline of growing up is riddled with tough milestones to surpass. The degradation of parent's narrative from "are you facing a problem we don't know about" to " what is the problem with you", bodily changes, the political intrusion of lust and control in relationships and the devaluation of childhood dreams which are too much for a heart which still has not grown anesthetic to pangs of betrayal and dishonesty. As Shuttu tries to brush through these and more, he watches little Tani with wet eyes who would soon be stepping into this war too. A war which is endless and perpetual, called adulthood, where the temporary campsite on the battleground is supposed to be your permanent home. Where defeat is inevitable but the contest is about who can survive longer.

With this debut, Konkana Sensharma blurs the lines between a book and a movie, unveils how modern art is about context rather than content, undresses the guilty faces of families where it is surprisingly easy for someone to not matter at all. By the end, I wished if the movie could be longer and I was given more time to build intimacy with the characters of Mimi or Vikram to know what went into the making of their lustful, unconquerable and ambitious hearts. But alas, a movie could only be a window to another world and not a door, an excerpt of an unending saga which is still happening behind the closed walls of silent homes and secluded hostel rooms, a crime that is taking place without any blood dripping which no one knows about now, no one will figure out the reason behind, but everyone will blame themselves for.

A Death in Gunj marks the directorial debut of Actress KonKona Sen Sharma. A film from what we call a parallel cinema. As a director Sharma has done her job brilliantly as the storytelling is the strongest aspect of the movie and reason you should watch this drama. Background score and cinematography also contributes positively towards building up the story. Actor Vikrant Massey has played the role of Shuttu with great conviction. The only disappointing moment in this movie was its climax as you anticipate much more after a strong built-up but movie settles for less.

What a brilliant portrayal of a father's story by daughter! She is a very sensive and intelligent director and i enjoyed the small small heart touching things in this movie. The lonely character Shiddu was very apealing and could talk to my loneliness. Looking forward to more works from Kankana Sen.

A brilliant thematic adaptation of Tagore's "Unwanted" theme coupled with a tragic turn of fate. What enables a caterpillar to morph into a butterfly is profound tendering and patience. But what if the society around us is too harsh and abides by the principle of "Survival of the fittest" ? The infinite possibility of blossoming can often be nipped in the bud. Set in the picturesque small town of McCluskieganj of late 70s, the story depicts the tale of a young man Shyamal aka Shatu (Vikrant Massey) who's a misfit in an otherwise boisterous and well to do group. He suffers from an identity crisis, yearns for love and has no idea of what to do with life. He struggles to deal with his emotions and frequently gets sidelined by others. What happens with him in a week's stay in the small town is what the film all about.

Cinematography is simply breathtaking which gives a 70s feel and yet appears glossy and fresh. The ensemble starcast is the biggest asset combining actors of mettle - Om Puri, Tanuja, Tilottama Shome, Ranvir Shorey, Gulshan Devaiah, Jim Sarbh and Kalki Koechlin. All were literally fantastic with Massey being the icing on the cake.

This is Konkona Sensharma's debut direction and it simply acts as a corollary to the fact that the apple doesn't fall far from the tree.

My Rating : 4/10

It so desperately wants to be a darling of the critics - with it's English-speaking characters playing bourgeoisie-types - acting pretentious and all. Those are exactly the tropes I wanted it to transcend but nonetheless it is predictable, often slow and pointless.

I'm sick and tired of seeing Kalki, Ranvir and Jim Sarbh trying so hard to be all parallel cinema types. Only Vikrant Massey was a stand-out here and plays his role convincingly.

OK Film. Not as good as I had expected it to be.

'A death in the Gunj' as the name suggests opens with a murder mystery. It could be anybody. We, as a viewers, are intrigued from the word go. Then, we are taken into a flash back and story unfolds from there, a week earlier.

Set in 1978's McCluskieganj, a town which had certainly seen better days probably in British era and it is a home to Anglo Indian families. The movie revolves around Bengali family, who are in for an year end vacation in the town, where they spend their time with parents OP (Om Puri) and Anupama (Tanuja). The movie has its own pace and introduces each character in detail. There is bossy Nandu played by Gulshan Devaiah and his wife Bonnie played by Tillottama Shome. They have daughter Tani (Arya Sharma) and Nandu's brother Shutu (Vikrant Massey). And then there are family friends: hot headed Vikram (Ranvir Shorey), charming and seductive Mimi (Kalki Koechlin) and Brian (Jimmy Sarbh).

We see darker side of this family unfold through Shutu. Shutu is a kind of person who exists in almost every family. Shy, introverted and often ridiculed for not being same as others. He wants to be a part of them but often ends up being a distant spectator. They take him sometimes, but he is hurled with insults, punches, either directly or indirectly. May be that is why, he finds happiness in solitude or in company of his niece Tani. They have their own innocent world. Vikrant Massey is a revelation in this role of Shutu. He brilliantly portrays vulnerabilities and intricacies of Shutu without speaking much. He has played smaller roles before but this is the big break actor dreams for. Hopefully, this is just the beginning for him.

Konkona SenSharma makes impressive debut with this gem of a film. She unravels the sentiment of bullying and gives us a layered film with strong characters. You can't ask for better ensemble then that. 'A death in the Gunj' has everything, a family drama, betrayal, thriller. The movie and Shutu will remain with you for a long time because of its unmistaken simplicity. Arguably, the best Indian film of the year so far.

Femme fatale and a sensitive young man. The story of my life.

In a resort town in 1970s India a sensitive young man, Shutu, is recovering from a series of traumas. He runs into the wrong family and the wrong woman. Even more unfortunate for him, spirits from the past inhabit people and take care of unfinished business.

India isn't all Bollywood. There is much more to the country and to its film industry. This film dares to think outside the box. I love how it weaves nature, color, song, spirits, eclectic people, and foreign myths into a compelling story. It is based on a true short story by Mukul Sharma.

A Death In The Gunj is easily one of the best movies to have released in 2016. The metaphors used in the movie take it to a completely different level. Brilliant direction by Konkona Sen Sharma and such strong performances by each actor in the movie. Especially Vikrant Massey is a revealation... I hope this movie gets its due as it ages... A Death In The Gunj is no doubt a classic made in our time...

Each time I watch his movies series I fall for him. Must watch movie. Konkona Sen rocks👍

" There's my name "

Film : A Death in Gunj Director : @konkona Dop : @sirsharay Music : @sagardesaimusic Cast : @vikrantmassey87 @kalkikanmani @ranvirshorey @tilottama_shome @gulshandevaiah78 @jimsarbhforreal #ompuri #tanuja

I was fall in love with Bengali language don't know may be it was the impact of #rabindranathtagore Ji literature or my favourite legendary Director Mr #satyajitray Ji ! After Mr Ray's death someone suppose to be fullfil his place in Bengal cinema ( In fact we know no one could replace his place ) no one deserves his position and his contribution towards Cinema , but some people tried to carry his legacy. @aparnasen is the one who walked on his path of Filmmaking style ( bit closer ) she also carried the legacy of Mr Ray ! Why I'm telling this means The maker of #adeathinthegunj #konkanasensharma is the daughter of #aparnasen she Also followed her mom's footsteps in filmmaking !

Mr Ray always tries to deliver the genuine and surrealistic simple story to audience even till today many maker's are following that , you could find those remarks while watching the Film !

When it comes to story which tells the death of #Shutu A young 23 year's old boy Who was dead by sucide ! Rest of the story deals with why he did that ? What are the incidents he faced while before he going to sucide !

That's remarkable performances of everyone specially #vikrantmassey #kalkikoechlin #Binni #ranvirshorey

#konkanasensharma Skillfully crafted Beautifully drafted every Character with the help of #Disharidani one of my favourite scenes dinner and golden anklet. Really enjoyed the high jink conversations. Bright treatment of sound and lighting !

Probably one of the best films of the year at Time of release !

I fail to understand certain movies. This too falls the same way. I mean, I don't understand why such forced and deliberately cool behavior? Very unnaturally happy and bright. It doesn't sound real. So either you show a proper slow life stuck in a time warp or cool...what is this new category slow-cool? And without a particular direction? Do people now make movies to show nostalgic life or with some particular objective? I failed to understand the objective here...

I wasn't able to buy into the setting for long. Initially I kind of liked the whole slow drawl, then the focus shifted to just showcasing the misery and futility of Shutu's life. What a waste of time! A simple play would have been far more entertaining. Total let down. Go see "Manorma six feet under" you will realize what are slow cool movies...this was really aimless and 'non entertaining"

This film dismantles toxic masculinity and shows the impact of it on everyday lives. The film revolves around a young man called ,,Shutu", who joined his cousin to a huge family gathering in McCluskieganj. Arriving there he encounters his other cousins and him being of a more sensible and calm nature is targeted by them and being mocked of. They play tricks on him, freightening him, well aware, that he gets scared easily. Shutu also struggles with mental health issues after losing his father two years ago, he never processed this loss, still grieving for him and as a result failing his final exams( which he hides before everyone ). Especially one cousin stands out with narcisstic, machoistic and violent behaviour, even hitting him in the game of kabbadi. But the others including the women, do not interfere much, eventhough one time the wife of shutus cousin questioned the ill treatment of shutu through the toxic men .He gets more and more isolated, hurt in his feelings and shamed by the rest of their family. After a crucial experience in the woods, where he was left alone in a pit forgotten by the others after searching for the missing daughter of his cousin, something inside him breaks. He turns his pain& sorrow against himself, which is shown in the climax of this movie. The movie depicts perfectly toxic masculine behaviour, and how it destroys the obvious more ,,weak" (aka sensible, or ones with mental health issues )people in the society. And it doesnt matter if it comes from fellow men or women who have internalised this kind of thinking and pass it on to their children. An amazing social commentary i really enjoyed watching!