Dramatizes a contemporary American family's attempts to deal with the mundane conflicts of everyday life while grappling with the universal mysteries of love, death, and the possibility of h... Read allDramatizes a contemporary American family's attempts to deal with the mundane conflicts of everyday life while grappling with the universal mysteries of love, death, and the possibility of happiness in an uncertain world.Dramatizes a contemporary American family's attempts to deal with the mundane conflicts of everyday life while grappling with the universal mysteries of love, death, and the possibility of happiness in an uncertain world.
- Awards
- 2 wins & 25 nominations total
Wickham Reeve
- College on the Hill
- (as Wickham Bermingham)
Mathew Williams
- College on the Hill
- (as Matthew Williams)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
ignore the white noise
I don't know how to describe this film, but it almost feels like watching 3 different films. It started like a parody of dead poet society, then follows up by a parody of war of the world, then a parody of unfaithful. And it seems like there's no correlation between these sequences.
Yes, i'm aware White Noise is a satire of a supposedly average american family dealing with mundane troubles of death, live, love blah blah blah. Yes, i know it's based on a novel. No, i haven't read the novel. But seeing this film as is, and for whatever this film trying to be, i don't find it entertaining. Most of the humorous aspects are cringe.
4/10.
It's a 'surrealism film' , but not really.
Yes, i'm aware White Noise is a satire of a supposedly average american family dealing with mundane troubles of death, live, love blah blah blah. Yes, i know it's based on a novel. No, i haven't read the novel. But seeing this film as is, and for whatever this film trying to be, i don't find it entertaining. Most of the humorous aspects are cringe.
4/10.
It's a 'surrealism film' , but not really.
The parts don't cohere into a whole that works
It's funny when you encounter a film with so many likeable elements that simply never cohere into something that works. This film reminded me of "I Heart Huckabees" in that sense ... I enjoyed all the parts considered in isolation, but the film itself is decidedly less than the sum of it's parts.
The film is divided into three acts. We're introduced to star professor of Hitler Studies Adam Driver and his wife Greta Gerwig and their children (almost all from different spouses) in the first act, which gestures at parodying academia without really landing much.
In the middle act, a train crash causes the Airborne Toxic Event ... a cloud of poisonous chemicals that descends on town and causes the family to evacuate. This is the most successful part of the film, impressively staging the event like a darkly comedic disaster film.
The final act is ... a lot less clear and probably best not spoiled. It deals with our need to distract ourselves from the terrors of life with medicine and consumerism. It descends into talky meandering and is really only saved by a magnificent musical number over the end credits.
There's really a lot to like. I found it to be intermittently quite funny. The performances are great, especially Don Cheadle as a fellow professor trying to establish a specialization in Elvis Studies. It's a hugely ambitious film with a unique visual style. I only wish I could say I actually liked it.
The film is divided into three acts. We're introduced to star professor of Hitler Studies Adam Driver and his wife Greta Gerwig and their children (almost all from different spouses) in the first act, which gestures at parodying academia without really landing much.
In the middle act, a train crash causes the Airborne Toxic Event ... a cloud of poisonous chemicals that descends on town and causes the family to evacuate. This is the most successful part of the film, impressively staging the event like a darkly comedic disaster film.
The final act is ... a lot less clear and probably best not spoiled. It deals with our need to distract ourselves from the terrors of life with medicine and consumerism. It descends into talky meandering and is really only saved by a magnificent musical number over the end credits.
There's really a lot to like. I found it to be intermittently quite funny. The performances are great, especially Don Cheadle as a fellow professor trying to establish a specialization in Elvis Studies. It's a hugely ambitious film with a unique visual style. I only wish I could say I actually liked it.
Think of a psychedelic trip by someone who likes the smell of their own farts and decided to write it down.
This film has some hilarious one liners and twisted distortions of reality. The first act had me so intrigued I was gripped. Then I was confused. Then I couldn't decide if it was a comedy intentionally or not.
The reality is this film doesn't quite know what it is, and if you think it's going to go somewhere or wrap anything up at the end then you are dead wrong.
Weird for weirds sake is the name of the game. Think of a psychedelic trip by someone who likes the smell of their own farts and decided to write it down.
A future cult classic in the making and I'm sure many people will revere this film for years to come; rewatching it for it's one liners and oddities. For me however one baffling, confusing watch is enough to last a lifetime.
The reality is this film doesn't quite know what it is, and if you think it's going to go somewhere or wrap anything up at the end then you are dead wrong.
Weird for weirds sake is the name of the game. Think of a psychedelic trip by someone who likes the smell of their own farts and decided to write it down.
A future cult classic in the making and I'm sure many people will revere this film for years to come; rewatching it for it's one liners and oddities. For me however one baffling, confusing watch is enough to last a lifetime.
Faithful to the Source
It's obvious a lot of reviewers of this film had no idea what to expect because of having no idea what is in the book it's based on. I'm not criticizing; there's certainly an argument for the fact that an adaptation should work on its own, even if you're unfamiliar. I'm not objective because I've read the book, and I thought it was pretty stunning. As an adaptation, the movie replicated the experience I had reading it-which is what I wanted and expected.
I expected stylized dialogue and characters, with wildly surreal, satirical plot points united by theme rather than subject. If you don't understand what exactly unites the movie's acts and their progression, I struggle to explain it without getting overly spoilery but would suggest deeper investigation and checking out the novel, which is superb. To me, it makes sense. The interaction of the intensely personal with the broadly circumstantial creates a framework to discuss the capital I "Issue" that every human must deal with-and the ways we choose to cope, together and separately.
What I applaud Noah and his actors for is making me care. The book has a brilliant writing style, but its surreality failed to give me some of the visceral sucker punches managed by Adam and Greta in particular.
This film is not going to be for everyone, and I suspect its cast and crew was well aware of this. It's self-consciously extremely intellectual, long, and strange, with humor as dry as a desert. And it's purposefully unsettling. I would argue that it very much should be. It's making us look at something we all face daily-whether we like it or not.
I expected stylized dialogue and characters, with wildly surreal, satirical plot points united by theme rather than subject. If you don't understand what exactly unites the movie's acts and their progression, I struggle to explain it without getting overly spoilery but would suggest deeper investigation and checking out the novel, which is superb. To me, it makes sense. The interaction of the intensely personal with the broadly circumstantial creates a framework to discuss the capital I "Issue" that every human must deal with-and the ways we choose to cope, together and separately.
What I applaud Noah and his actors for is making me care. The book has a brilliant writing style, but its surreality failed to give me some of the visceral sucker punches managed by Adam and Greta in particular.
This film is not going to be for everyone, and I suspect its cast and crew was well aware of this. It's self-consciously extremely intellectual, long, and strange, with humor as dry as a desert. And it's purposefully unsettling. I would argue that it very much should be. It's making us look at something we all face daily-whether we like it or not.
What was that??
What exactly does this film want to achieve? Why should the weird and sometimes paranoid look or angle of a director or script writer be something worth mentioning, let alone made into a movie? I honestly tried to see this movie with as clear a mind as I can... Is there something wrong with me? Is there some secret dimension hidden in this film that I (40 years old) can't grasp? Where is the director looking forward to? Amuse us? Entertain us? Drive us crazy? The last one, he succeeded! What did I watch? A strange, motley family whose members' dialogues use pretentious expressions full of disjointed, meaningless words and a tendency to impress even the teenagers of the family with their knowledge and strange inclinations! Do us a favor... We are not so easy to get. 1/10 from me.
Did you know
- TriviaThis is Noah Baumbach's first time writing and directing a book-to-screen adaptation, and only his second adaptation after co-writing the screenplay for Fantastic Mr. Fox (2009).
- GoofsIn the opening scene, many vehicles featured in Murray's crash sequence reel are from the 1990s and 2000s, whereas White Noise takes place in the 1980s.
- Crazy creditsThere is a scene at the end where the characters dance in a supermarket. As the credits start to roll, this sequence is played partially in reverse as the music continues to play normally.
- SoundtracksLincoln Portrait
Written by Aaron Copland
- How long is White Noise?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Ruido De Fondo
- Filming locations
- Wellington, Ohio, USA(Storefronts are built out and set up for July filming)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $145,000,000 (estimated)
- Gross worldwide
- $71,728
- Runtime
- 2h 16m(136 min)
- Color
- Aspect ratio
- 2.39 : 1
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