IMDb RATING
6.9/10
4.3K
YOUR RATING
After being in space for 20 years, Rocko and his friends attempt to adjust to an even more modern life in the 21st century. However, when he learns that his favorite 90s cartoon isn't on the... Read allAfter being in space for 20 years, Rocko and his friends attempt to adjust to an even more modern life in the 21st century. However, when he learns that his favorite 90s cartoon isn't on the air anymore, Rocko tries locating its creator.After being in space for 20 years, Rocko and his friends attempt to adjust to an even more modern life in the 21st century. However, when he learns that his favorite 90s cartoon isn't on the air anymore, Rocko tries locating its creator.
- Awards
- 1 nomination total
Carlos Alazraqui
- Rocko
- (voice)
- …
Charlie Adler
- Ed Bighead
- (voice)
- …
Mr. Lawrence
- Filburt
- (voice)
- …
Jill Talley
- Nosey
- (voice)
- …
Linda Wallem
- Dr. Hutchinson
- (voice)
- …
Steve Little
- Nineman
- (voice)
- …
Joe Murray
- Ralph Bighead
- (voice)
- …
Cosmo Segurson
- Pillow Salesman
- (voice)
- …
Dan Becker
- Rabbit Dad
- (voice)
Featured reviews
In this day and age, we seem to be getting some noteworthy comebacks to several beloved cartoons of the 1990s decade, some of which come from Nickelodeon. Recently, they brought back Rocko's Modern Life for a brand new special handled by its creator Joe Murray, in addition to having the original cast and crew on board. Although it ended up being released on Netflix instead of the Nickelodeon network due to scheduling and upper management conflicts, I can safely say that it is worthy of being a successful comeback to the memorable goofy series, now with a modernized twist.
Set over twenty years after the original show, Rocko and friends return to their home of O-Town from outer space, which has now updated to keep with today's trends such as touchscreen phones, radioactive energy drinks, and non stop coffee shops. Rocko, who can't adapt to the 21st century, tries to bring back his favorite TV series The Fatheads for nostalgic closure; he does so by finding the cartoon's creator Ralph Bighead. Arguably, what the special embraces the most in its existence alone is how much O-Town has transitioned since the 1990s in order to stay relevant, and the film displays some pretty hysterical commentary on the changes in society and how people live through it all. Because Rocko isn't able to adjust himself to the major changes in his town, he demands closure from his favorite television show in order to remain at ease, which is a pretty funny take on how some people refuse to accept alterations in their lives at all costs. It's kind of ironic that a special based on a retro animated series told people in this current decade that change isn't always a bad thing.
In addition, part of why The Fatheads must be revived is because O-Town files for bankruptcy and needs the cartoon's presence to bring its economy back. Although not touched upon profoundly, there is a side arch relating to where Ralph Bighead is now 20 years later. Without giving away anything, it costs the father Ed Bighead his former beliefs to truly accept his son for who he is now. Since some people in the world cannot accept their loved ones for who they aspire to be even to this very day, this arch hits home some pretty emotional beats that anyone can resonate to. As for other small plots, they mostly involve Rocky's friends Heffer and Filbert accommodating themselves with the endless amount of crazy technologies that the new age has brought among them, from new O-phones, to selfie sticks, and even flying seat cushions. Their presence alone is mainly reserved for the gags, including many of the old side characters who are mainly just there to crack quips and old catchphrases, yet with slight adjustments in their growth over the past 20 years.
Now compared to the original series which was animated traditionally on paper and cels, this special seems to be animated and colored digitally, possibly in ToonBoom. It keeps the same overly cartoony and flat graphic style for both the characters and environments, which are elevated by several wacky facial expressions, wild takes, and even the occasional fluidity in their movements. O-Town itself displays many unique and stunning set pieces that would definitely fit the modern digitalized aesthetic we live in now. There's even a brilliant jab on cheapened factory produced CG animation that would even make non animation enthusiasts chuckle extensively. On another note, it's a really nice bonus to have the original cast voicing their characters, such as Carlos Alazraqui, Charlie Adler, Tom Kenny, Doug Lawrence, Linda Wallem and even Jill Talley. Even though they haven't voiced these characters for so long, their ranges are still as sharp as ever, and their contributions alone bring so much added charm to the special's goofy tone.
The best way to revive an old series years after its run is to mix in the old with the new, and this special embraced both of those pretty well to create a pleasant experience. Rocky's Modern Life: Static Cling marks an engagingly wholesome return to the timid wallaby's multiple misadventures by changing the environments for the benefit of progressing forward in new development. If there's anything to take away from this special, it's that even our cherished properties need to be altered if they are to come back years after their original release. Here's to combining nostalgia with fresh ideas for the better.
Set over twenty years after the original show, Rocko and friends return to their home of O-Town from outer space, which has now updated to keep with today's trends such as touchscreen phones, radioactive energy drinks, and non stop coffee shops. Rocko, who can't adapt to the 21st century, tries to bring back his favorite TV series The Fatheads for nostalgic closure; he does so by finding the cartoon's creator Ralph Bighead. Arguably, what the special embraces the most in its existence alone is how much O-Town has transitioned since the 1990s in order to stay relevant, and the film displays some pretty hysterical commentary on the changes in society and how people live through it all. Because Rocko isn't able to adjust himself to the major changes in his town, he demands closure from his favorite television show in order to remain at ease, which is a pretty funny take on how some people refuse to accept alterations in their lives at all costs. It's kind of ironic that a special based on a retro animated series told people in this current decade that change isn't always a bad thing.
In addition, part of why The Fatheads must be revived is because O-Town files for bankruptcy and needs the cartoon's presence to bring its economy back. Although not touched upon profoundly, there is a side arch relating to where Ralph Bighead is now 20 years later. Without giving away anything, it costs the father Ed Bighead his former beliefs to truly accept his son for who he is now. Since some people in the world cannot accept their loved ones for who they aspire to be even to this very day, this arch hits home some pretty emotional beats that anyone can resonate to. As for other small plots, they mostly involve Rocky's friends Heffer and Filbert accommodating themselves with the endless amount of crazy technologies that the new age has brought among them, from new O-phones, to selfie sticks, and even flying seat cushions. Their presence alone is mainly reserved for the gags, including many of the old side characters who are mainly just there to crack quips and old catchphrases, yet with slight adjustments in their growth over the past 20 years.
Now compared to the original series which was animated traditionally on paper and cels, this special seems to be animated and colored digitally, possibly in ToonBoom. It keeps the same overly cartoony and flat graphic style for both the characters and environments, which are elevated by several wacky facial expressions, wild takes, and even the occasional fluidity in their movements. O-Town itself displays many unique and stunning set pieces that would definitely fit the modern digitalized aesthetic we live in now. There's even a brilliant jab on cheapened factory produced CG animation that would even make non animation enthusiasts chuckle extensively. On another note, it's a really nice bonus to have the original cast voicing their characters, such as Carlos Alazraqui, Charlie Adler, Tom Kenny, Doug Lawrence, Linda Wallem and even Jill Talley. Even though they haven't voiced these characters for so long, their ranges are still as sharp as ever, and their contributions alone bring so much added charm to the special's goofy tone.
The best way to revive an old series years after its run is to mix in the old with the new, and this special embraced both of those pretty well to create a pleasant experience. Rocky's Modern Life: Static Cling marks an engagingly wholesome return to the timid wallaby's multiple misadventures by changing the environments for the benefit of progressing forward in new development. If there's anything to take away from this special, it's that even our cherished properties need to be altered if they are to come back years after their original release. Here's to combining nostalgia with fresh ideas for the better.
The people at Nickelodeon who are bringing their old cartoons back like Rocko, Hey Arnold and Invader Zim deserve all the praise in the world. Static Cling does what Rocko has always done, satirising and tackling modern society, and I'm tempted to say it may work better in the 21st century than it did in the 90's. Obviously that's just my preference, but I ADORED this special, it's honestly like Rocko never left! It has the same witty humour and raunchy moments that made the show so unique (and controversial) in the first place, tackles modern issues amazingly, has a ton of heart and includes a great commentary/message on change. Even if you aren't a fan of Rocko, give this special a shot, I think you'll probably like it.
Rocko's Modern Life was an amazing show back in the 90's that many people including myself loved. The show has never aired on TV for over 20 years and fans have been begging the Network to bring back the show with it's original creator. Eventually the Network decided to do just that, by releasing a TV special made by the creator.
Now replace the title Rocko's Modern Life with The Fatheads (Rocko's favorite show) and you pretty much get the plot of Static Cling, and where the creator got his inspiration from.
This TV Special is pretty much about change, and how we must always embrace it and we must accept it and for the most part I feel this TV Special does a decent job at giving that message in it's short 45 minutes. And it's quite fitting cause there is no doubt a ton of Rocko's fans going into this TV Special made by the original creator thinking its gonna be exactingly like the 90's Classic only to be confronted by the truth that blind fantasy is impossible (unless time travel). Because much like in the TV Special even the original creators never stay the same.
I do wish the special was much longer (90 minutes maybe), but as a fan of Rocko's Modern Life, this TV Special was great and I'm happy to see one of my favorite 90's cartoon return from a 20 year absents even if it might just be this one little special. In the end I accept the change.
Now replace the title Rocko's Modern Life with The Fatheads (Rocko's favorite show) and you pretty much get the plot of Static Cling, and where the creator got his inspiration from.
This TV Special is pretty much about change, and how we must always embrace it and we must accept it and for the most part I feel this TV Special does a decent job at giving that message in it's short 45 minutes. And it's quite fitting cause there is no doubt a ton of Rocko's fans going into this TV Special made by the original creator thinking its gonna be exactingly like the 90's Classic only to be confronted by the truth that blind fantasy is impossible (unless time travel). Because much like in the TV Special even the original creators never stay the same.
I do wish the special was much longer (90 minutes maybe), but as a fan of Rocko's Modern Life, this TV Special was great and I'm happy to see one of my favorite 90's cartoon return from a 20 year absents even if it might just be this one little special. In the end I accept the change.
Even though this show won't appear familiar to people who haven't watched the original Rocko's Modern Life, it managed to exceed my expectations as a standalone film, actually. This was a hilarious movie, and it never once felt like it was just made for the sake of reviving an old show. All of the jokes and characterization of the old show is still there, but it has a message to tell about accepting change, in a world where everything in our lives change rapidly.
It's recommended to check several episodes of the show out first before seeing this special however, as most of the special would be lost without certain context. Regardless, this was one of the best things Nickelodeon has ever decided to green-light and I'm so glad I was able to sat through it the whole way, laughing along with my favorite characters from 20 years ago. If Rocko doesn't get revived in the future (which I doubt), this is the perfect conclusion to wrap the show up in a perfect bow.
In general, this show and this movie are a must watch.
It's recommended to check several episodes of the show out first before seeing this special however, as most of the special would be lost without certain context. Regardless, this was one of the best things Nickelodeon has ever decided to green-light and I'm so glad I was able to sat through it the whole way, laughing along with my favorite characters from 20 years ago. If Rocko doesn't get revived in the future (which I doubt), this is the perfect conclusion to wrap the show up in a perfect bow.
In general, this show and this movie are a must watch.
Even though I wasn't born yet when the original series was airing, I did enjoy watching reruns.
This special still captures the weirdness that I liked about the show. It also addresses change and I liked how self aware the episode felt.
For nostalgia purposes, this is a fun little send off to watch. Because we don't need a full blown reboot or remake of every nostalgic thing. Looking at you Disney....
Did you know
- TriviaThe Fatheads VHS tape is orange. The Nickelodeon tapes from the 90s were all Nickelodeon orange.
- GoofsRocko appears to have forgotten that "The Fatheads" was already canceled years ago in the "Wacky Delly" episode.
- Crazy credits"Writing" is spelled "Writting".
- ConnectionsFeatured in Brain Dump: The Apu That I Know (2018)
- SoundtracksI Am Edward Bighead
Music and Lyrics by Cosmo Segurson
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Сучасне Рокове життя: Прилипання
- Production companies
- See more company credits at IMDbPro
- Runtime
- 45m
- Color
- Aspect ratio
- 16:9 HD
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