Fishbowl

It's a really engaging drama about a family falling apart because of the mother's death. 3 girls who attend a Catholic school have to deal with their father's depressed mental state, worsened by his growing religious obsession with a televangelist cult which he joins as a last ditch attempt at fixing things. The feeling of everything falling apart is prevailing throughout the entire movie. I didn't quite get the ending, it was all built on implications, but it was clear enough to make assumptions. I felt engaged in what's happening to the characters and felt their emotions. It's a nice, if only pretty depressing, movie.

This is one of the best films I've seen all year, and I view at least one movie daily.

To think how little was spent making "Fishbowl" is a reminder it really does come down to the writing. Yes, direction and acting are vital to be sure. Nonetheless, a story has to have good bones to soar above the rest.

This little movie really delivers! Yes, it's flawed. Yes, it could have been edited with a bit more finesse, and tightened a tad for time. Yes, some of the supporting actors were weak (although every major player was top-notch).

But this is an unforgettable story, well told.

The plot's already been explained, so I won't reiterate here. Just put it on, sit back and let it take you on its journey.

RECOMMENDED.

The film felt a lot longer than its 90 minute runtime, and not in a good way. The acting was ok by most of the cast, there were a couple of pretty terrible performances though, but the problem for me was that in this drama none of the characters felt like real people, and I put that down not to the acting but to the writing and directing. I suggest you watch the trailer, and if you do watch it you'll see lots of shots that look like they could be straight out of a commercial for a clothing brand or something with people being filmed in slow motion while posing, this is what a lot of the film is like and it didn't work for me at all. There's almost a surreal dreamlike feel to the look of the film that detracts from the story it's trying to tell, and at the end of the day the story they're telling is a very simple one, but when none of the characters or the situations they're in feel real it makes it very hard to care about anything that's happening to them.

I would not recommend this film as one worth watching and I would not watch another film directed by this directing duo.

I found Fishbowl super interesting. There's a lot to discuss about the themes and presentation.

The story follows three sisters, Belle, Rachel and Jessa, as they struggle to cope with recent trauma in a small town. Meanwhile, their father grows more paranoid over the end of the world.

It's important to mention that this film is heavily about religion. What sparks the father's paranoia is a televangelist claiming he can save people from Judgment Day. As a result, the father becomes obsessive and borderline abusive. I really like how this film comments on religious figures taking advantage of those who are struggling. It's a topic I don't see discussed that often, and I think it's well handled here. Because on the one hand, you feel bad for their father, Rick, as he's dealing with trauma just like his daughters. However as the film goes on, he begins to spiral out of control, and becomes more and more unlikeable. Despite that, you understand his downward spiral isn't entirely his fault. It's an intriguing character arc, and a great way of showing how religion changes people. Humans are fragile and flawed and need direction, but which way should they go?

I also really like the acting in this film. The daughters give incredibly emotional and compelling performances, but I want to give special mention to Caroline Coleman, aka Jessa. She has no lines of dialogue, but her acting is really emotional and I really felt her pain. This is her first film and I sense a great future ahead.

However, while I think this aspect of the film is handled well, there are many scenes that don't really seem to have a purpose other than to make you uncomfortable. I don't inherently have a problem with a movie trying to make me feel uncomfortable, if there is a reason for it. But, I couldn't really figure out what the reasons were for those scenes. So take this as a warning that some scenes might be upsetting.

The presentation of this film is pretty great. I like the dull, somber tone of the movie, and the lack of music. This movie also utilizes a lot of flashbacks as a way to get a better understanding of the sisters' mother. I like how the events that led to this story aren't entirely clear, and they let you figure out what's happening through context clues and parallels. I think it makes the character arcs, along with the ending, much more impactful.

I rate Fishbowl 4 out of 5 stars and recommend it for ages 14 to 18, as this film can be quite dark. It is available now on Amazon and other VOD platforms, so look for it. Reviewed by Calista B., KIDS FIRST

Greetings again from the darkness. In the not so distant past, folks who lived in small towns felt like there were no secrets - everyone in town knew each other and what they were up to. Thus, the proverbial "fishbowl" of the title. Of course, these days, people in towns and cities of all sizes voluntarily advertise their every waking moment on social media, making privacy and gossip relics of a bygone era. Brother-sister co-directors Alexa Kinigopoulos and Stephen Kinigopoulos (first feature for both), working with a script by writers Piero S Iberti, Maria Stratakis, and (co-director) Stephen Kinigopoulos serve up a taste of small town life in the good 'ol days.

"In Bishop, you either talk or you're talked about." So says our narrator Belle over the slow-motion opening montage. She's the oldest of three sisters who live with their father and attend a local Catholic school. All members of this family are broken in their own way, and it's made clear this is due to the beloved mother/wife no longer being around (though initially we aren't sure what happened). Belle (newcomer Belle Shickle) is the rebellious one, though not quite as self-assured as she likes to think. The middle girl, Rachel (Emily Peachey), is sensitive and stunned when her friend tells her they can't hang out anymore - even for her birthday. The youngest, Jessa (newcomer Caroline Coleman) hasn't spoken a word in the 4 months (actually 118 days) since mom has been gone. Their dad (longtime stuntman-actor Rick Kain) is a mess, bouncing from over-zealous religious fanatic to forsaking it altogether, and then back again.

We see the family faced with hostile reactions in the community, at school, and even at church, where the priest suggests it would be better for everyone if they stayed away. Dad is drawn in by Tele-Evangelist Ron Peltz (Bobby J Brown) who is hocking his $1000 "Save Me Now" program as protection from The Rapture, which he proclaims will arrive on September 29. Close to foreclosure on their house, the dad plops down the grand, and forces his daughters to go door-to-door trying to "save" the neighbors from the end of the world.

A countdown to the final days also includes the teenage sisters trying to find their way in this new world. We get flashbacks to when they were younger and family life with mom (Judith Hoag, TEENAGE MUTANT NINJA TURTLES) was pleasant, despite dad's alcoholism at the time. The three sisters cling to each other, but grow more concerned for their father and themselves. A particularly telling sequence has them defying their father and attending a costume party dressed as a devil, a nun, and a princess. It doesn't end well, and sets up the finale.

The Kinigopoulos filmmakers give the movie a dreamy/surreal look and feel, and perhaps Jeff Nichols' far superior 2011 TAKE SHELTER is the closest comparison. The four lead actors are fine (especially Ms. Shickle), but the background actors are exaggerated and distracting - perhaps this is done on purpose to help us understand what the family is going through. Pretty significant observations are offered up on small towns, parenting, church-goers, faith as a crutch, and alcoholism. It's not an easy watch, and one that will probably not have mass appeal. It's the type of movie that fits easily into the line-up of many film festivals, as that's the environment where it is most likely to find appreciation. Available VOD October 27, 2020