A Brooklyn teenager spends his days experimenting with drugs and looking online for older men to meet.A Brooklyn teenager spends his days experimenting with drugs and looking online for older men to meet.A Brooklyn teenager spends his days experimenting with drugs and looking online for older men to meet.
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Woah. I knew almost nothing going into this but it really affected me like few films this year. It was tough seeing such a repressed, confused character in such a dark state of mind, especially one that was going through such a similar experience to many others and I in the LGBTQ+ community. The lead, Harris Dickinsion, was so authentic and genuine, it made it that much more difficult to watch him go through what he does here. The film doesn't deliver anything in terms of a satisfying conclusion or tidy little arc. Instead, it becomes harder to watch the more it goes. I don't know, I just found this to be quite powerful.
I'm not a critique or very affluent in English, but I found this movie to be extremely enjoyable. Harris Dickinson gives a brave and enduring performance as the main character.
First off, by tough to watch, I mean that in a good way. The almost painful, questioning and awkward teenage years of a man learning, or trying to learn his sexuality and family fit with turmoil going on all around him could not be captured better. His "not (his) friends" don't seem to make anything easier for him, and his love interest isn't much better.
The one big difference in this film which in my opinion doesn't make it bad, just makes it unique to what is to be expected from many coming of age/life films around is that a majority of the movie is portrayed not by dialog, but by character demeanor, and actions. It is not a feel good movie, and it is not a re-assuring style film. It is as it tries to be a movie showing the hardship of being a teenage male, unsure about his sexuality or life in fractured times.
I would highly recommend this film if that sounds like your cup of tea, but if you like the more light hearted, or 'scripted' style of teenage life this may not be for you.
**Fair warning this film does have a fair bit of nudity, and drug use among others**
The one big difference in this film which in my opinion doesn't make it bad, just makes it unique to what is to be expected from many coming of age/life films around is that a majority of the movie is portrayed not by dialog, but by character demeanor, and actions. It is not a feel good movie, and it is not a re-assuring style film. It is as it tries to be a movie showing the hardship of being a teenage male, unsure about his sexuality or life in fractured times.
I would highly recommend this film if that sounds like your cup of tea, but if you like the more light hearted, or 'scripted' style of teenage life this may not be for you.
**Fair warning this film does have a fair bit of nudity, and drug use among others**
Frankie (Harris Dickinson) is in his late teens and lives at his Brooklyn home with his family. He also lives a double life: he hangs out and does drugs with three macho friends while also living a closeted life of arranging sexual encounters with men (mostly middle-aged) on the Internet.
While "Beach Rats" has a standard tone in its coming-of-age storyline, it can be given credit to going where most films dare not go: its man-to-man encounters are upfront. While this is courageous and rare, the movie suffers like many other recent ones including "Good Time" above: the main character is unlikeable.
Franikie's gradual descent into drug dependence might have elicited sympathy but he lacks soul and character whether he's drugging with his friends, having secretive sex with men, trying to go "straight" with a young woman close to his age, or in the few encounters he has with his family.
Some characters in smaller roles do show glimpses of depth but these moments are too few and far between. Director/writer Eliza Hittman uses a cool, distant approach to the characters but as the characters themselves are also cool and distant, there is an empty feeling by the end. - dbamateurcritic
While "Beach Rats" has a standard tone in its coming-of-age storyline, it can be given credit to going where most films dare not go: its man-to-man encounters are upfront. While this is courageous and rare, the movie suffers like many other recent ones including "Good Time" above: the main character is unlikeable.
Franikie's gradual descent into drug dependence might have elicited sympathy but he lacks soul and character whether he's drugging with his friends, having secretive sex with men, trying to go "straight" with a young woman close to his age, or in the few encounters he has with his family.
Some characters in smaller roles do show glimpses of depth but these moments are too few and far between. Director/writer Eliza Hittman uses a cool, distant approach to the characters but as the characters themselves are also cool and distant, there is an empty feeling by the end. - dbamateurcritic
A picture of a sadness life of a boy that has gay tendencies while is surrounded by a toxic masculinity context. It just made realize how many guys must had experienced horrible relations with other mans because they don't accept themselves. The movie don't pretend to have a happy ending and it was a good way to represent the internal conflict of self acceptance that for a lot of mens ends never happening. May be a good example of what not to do for some boys out there.
Did you know
- TriviaSurprisingly, Harris Dickinson the actor who plays Frankie in the film was actually too fit to play the role before filming began. "I got there and, without sounding arrogant, director Eliza Hittman told me that I was a bit too in shape," he recalled. "She told me to kind of eat what I wanted for a bit, because it wouldn't be right. Frankie is amongst a community of people where going to the beach and having your top off is such a big part of summer, so there's pressure to work out, but also they're not quite hitting the mark in terms of being in top-notch shape. They'll do, like, chest and arms."
- GoofsWhen Frankie is asked if he's a cop by the guy he is meeting, the car pulls up with what appears to be New York license plates. After Frankie gets into the car and they drive away, the car now has Virginia license plates.
- SoundtracksBeach Rats Theme
Written and Performed by Nick León (as Nick León)
Containing an excerpt from "Rain Dance (Phase One Intro)", written by Akeem Joseph and Marlon Fung
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- 海灘鼠輩
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $473,771
- Opening weekend US & Canada
- $46,451
- Aug 27, 2017
- Gross worldwide
- $486,623
- Runtime
- 1h 38m(98 min)
- Color
- Aspect ratio
- 1.85 : 1
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