Bombshell

Despite a couple of Oscar nominations for acting, "Bombshell" was greeted pretty indifferently by audiences and critics alike when it came out last year. Perhaps it was due to my low expectations, then, but I was surprised by how much I liked this movie. It's slick and glib and fairly superficial, but it's extremely watchable and very entertaining, and the acting is indeed exceptional. Charlize Theron and Margot Robbie were singled out for Best Actress and Best Supporting Actress nominations, respectively. But I was as impressed with Nicole Kidman and John Lithgow.

In this tale of women coming out against sexual harassment, "Bombshell" conveniently sidesteps the fact that these particular women were contributing to an atmosphere of male toxicity by peddling Fox News' message in the first place. But to address that would have been to make the entire screenplay more complex, and it would have interfered with the filmmakers' wish to portray these women as unequivocal heroes of the MeToo Movement.

The makeup crew for this film worked over time to transform attractive Hollywood actors and actresses into already attractive people like Megyn Kelly and Gretchen Carlson, and not so attractive people like Roger Ailes and a spot-on Bill O'Reilly, and won an Oscar for their efforts.

Grade: B+

This film is quite good, but I think you HAVE to like politics and know Fox News to enjoy it. The best part of this movie are the performances. The way the story is structured seems to lack some coherence, but it almost feels like chaos, which it makes it really feel like a newsroom. The story is based on real events, but the dialogue is made up, so keep that in mind. What I appreciated about the film is how it didn't seem to insult Republicans, rather the toxic culture of the news network. The audience is intended to sympathize with the women. The critique is mainly of Fox News, not conservatism. The tension built around Interactions with Roger Ailes is nauseating. Again, watch it if you know fox and like politics. Otherwise, you're probably not going to enjoy it.

We have been in a.period of change for some time, and it has taken some very brave women to stand up, make a stand and say enough is enough.

I watched this a few days ago, and borrowed it from a friend, who happens to be a feminist, she surprisingly didn't like it, stating that she felt they had added too much to the story to make it a little sensational, thus demeaning the film.

Personally I quite liked it, an interesting, relevant story of course, the acting on the whole was pretty good, I thought Theron was the standout.

It's definitely not a movie I would ever want to watch again, but I thought it was pretty good. 7/10.

Quite a complex story which highlights the difficulty of a class-action lawsuit. The need to get others to go public before she did was Megyn Kelly's Achilles heel - she didn't have the guts to go first. Gretchen Carlson was the real hero and Roger Ailes endless and bullish denial was typical.

The financial settlement for him exceeded the victims which is the true bombshell here.

July 2016. Gretchen Carlson was once one of the most popular presenters on Fox News but now has been relegated to minor timeslot. She is considering suing Fox News CEO Roger Ailes for sexual harassment and when she is let go by Fox, she does so. She tries to get other women to come forward but gains little traction. Megyn Kelly, another Fox reporter, has her own secrets regarding Ailes but is not sure whether she should come forward. Kayla, a junior reporter, has more recent experiences of the matter.

I set my expectations quite low, figuring it was just going to be a left-wing hatchet job. Not that that I'm a supporter of Fox News, far from it. (I hate every media organisation equally. That's my kind of fair and balanced). No, it just would have been too one-dimensional and predictable.

To my surprise, director Jay Roach has crafted a reasonably balanced view of the Gretchen Karlson-Roger Ailes saga. His past credits would have given an indication of his ability to tackle a politically-charged subject and yet present it an even-handed fashion and engage a wide audience. He directed Recount (2008), covering the 2000 US election, Game Change (2012), covering the Vice Presidential candidacy of Sarah Palin, Trumbo (2015), the biopic on the blacklisted McCarthy-era writer and All the Way (2016), covering President Lyndon Johnson's struggles to have the Civil Rights Act passed. All of these are excellent films.

Once again Roach takes us on an engaging, evolving journey without becoming too biased in the process. In the beginning Ailes is even painted in a reasonably non-negative light, as a tough but fair, hugely successful, businessman who stands by his employees. Starting from a position of neutrality means you don't have any biases as the plot develops.

Roach's deft direction is helped by a star-studded cast that delivers in spades. Great work from Charlize Theron (as Megyn Kelly), Nicole Kidman (as Gretchen Carlson), Margot Robbie (as Kayla) and John Lithgow (as Roger Ailes) in the main roles. Theron got a Best Actress Oscar nomination and Robbie a Best Supporting Actress nomination for their efforts. The remaining cast, which includes Alison Janney, Malcolm McDowell (as Rupert Murdoch), Connie Britton and Stephen Root, don't put a foot wrong.