The Honeymoon Phase

Not too much to say here, bad movie, poorly acted, twists are either poorly built or clearly telegraphed. decently shot!

pretty funny to see the positive reviews from people with the same last name as one of the stars

3 out of 5 stars.

The Honeymoon Phase is a fair science fiction thriller film. About a newly wed couple going into an experiment trial. As the company observes how the couple are reacting towards each other for a month. They are given a house. Food. Furniture and supplies. Until the wife starts questioning if her husband is lying to her.

Interesting concept and plot. Could have been so much more. The script does fall apart by the time it reaches its third act. The writer feels like they ran out of ideas on where to go. When the twist is revealed which is surprising. But it falls so quick that it ruined the whole movie. Especially the ending.

The cast did decent with there performances. The direction was okay. The script and ending kind of wasted a good idea to having an uninspired shocking ending.

The film begin with good start and interesting idea, but finally iam very disappointed with the ending, it leads to a reasonably predictable conclusion which is very disappointing in such an otherwise enrapturing movie.

An embroidery of genres and twists, having desire to be , in same measure , Sci Fi, thriller, horror, psychological. And becoming only a sort of experiment about an experiment , with indulgence. A couple looking for money, a room, game of apparences and few dramatic touches. Hologrames, tests, surviving cameras, discover the other as stranger and a lot of white. The architecture as only good reason to see.

I adamantly follow many indie horror filmmakers online and became acquainted with The Carrolls' work on YouTube as far back as 2016. Having been heartbroken many times from seeing many short film filmmakers climb that 'feature film mountain' and not quite stick the landing, I'm always nervous to see anyone's debut features, but I'm wholeheartedly relieved 'that ember' I recognized in them is a 'warm and fiery arrival' to the big stage. Their shorts throughout the years has always been of quality, but their debut reaches an additional tier of polish and effective storytelling that deserves recognition, that 'glass ceiling' many of us horror filmmakers aspire to breakthrough. I truly feel they've 'arrived' and are contenders with much promise that, in the long-term, many will find much thrills and enjoyment from.