A cynical young woman in New York City keeps dying and returning to the party that's being thrown in her honor on that same evening. She tries to find a way out of this strange time loop.A cynical young woman in New York City keeps dying and returning to the party that's being thrown in her honor on that same evening. She tries to find a way out of this strange time loop.A cynical young woman in New York City keeps dying and returning to the party that's being thrown in her honor on that same evening. She tries to find a way out of this strange time loop.
- Won 3 Primetime Emmys
- 11 wins & 56 nominations total
Browse episodes
Featured reviews
S1 seemed so perfect and contained that news of an S2 routinely perplexed people. I think people were right; there was nowhere really to go. Lots of back story filled out here - with the primary magic now being time travel, it's basically all about back story - but, somehow, it feels like we didn't need it terribly much. There are, I guess, good and dutiful points being made about understanding what previous generations went through and how that shaped us, especially our spiky bits, but in practice I just don't feel it all with the intensity and enjoyment that I did S1.
After two episodes I was hooked. I did get a bit scared at a point, but I'm a wuss. Really enjoyable all throughout. Doesn't really have anything to do with Groundhog day, apart from the timeloop thing. Reviewers who claim so haven't watched more than 1 episode and shouldn't be taken seriously.
In semi-typical fashion it started a little slow in interest for me but I watched the first episode and said,"Ok, one more..."
And then of course you get the obligatory, "Well, I HAVE to see what happens next.." which is followed by, "Well, who the hell is THIS character?" And then of course the reaction of, " Oh Hell Naw!" Which proceeds the ever popular, "ARE YOU KIDDING ME?!?" But then you get the "Oh I got this" episode. Only to be smacked by the " Whoa.... didn't see THAT coming" show. Which all is summed up with "More please.."
bravo 👏🏾Netflix, Natasha Lyonne, Amy Poehler & Russian Doll 👏🏾👏🏾👏🏾👏🏾
#BookOfJimmy
bravo 👏🏾Netflix, Natasha Lyonne, Amy Poehler & Russian Doll 👏🏾👏🏾👏🏾👏🏾
#BookOfJimmy
Boy I hated this show so much at the beginning! It was awful, not funny, pretensious, pseudo intelectual! For the first 3 episodes boy I was almost giving up... And then it wasn't! Those first episodes are there for a reason and it pays off. Must watch TV. You will not regret giving it a chance past the first few episodes.
There is a lot I could have not liked about Russian Doll. I could have taken against it for being overhyped for what it is. I certainly could have been put off by the very confident and brash Nu Yark characters and their very polished lives and homes. Probably the Groundhog Day gimmick would have struck me as uninspired too. All of these things were still there, and a few more, but yet it mostly worked for me, and charmed me into it. Pace and tone are a big part of this as the episodes are just the right length, have good timing throughout, and tend to have the right energy level so you don't feel rushed but yet it has a speed to it that works well.
It does have its heart in the right place too; for all its modern trimmings and cynicism, it is ultimately about connections and people. I don't think it pulls it altogether and makes a great whole in the way that others seem to have felt it did, but it engaged me into the two main characters and made me care for them and like them. The conclusion doesn't matter so much as the journey, and for the characters this is an engaging one. The performances help sell it convincingly, and like everyone says - Lyonne is great throughout. Production-wise, the show looks and sounds great, which helps the energy levels and slickness - it doesn't make the show, but it lubricates it and keeps it moving in the superficial areas, helping the core elements which are more important but harder to do.
It's a lot more "acquired taste" than the critical response would suggest, but even when I could see the weaknesses and shortcomings, I still found it very easy to enjoy.
It does have its heart in the right place too; for all its modern trimmings and cynicism, it is ultimately about connections and people. I don't think it pulls it altogether and makes a great whole in the way that others seem to have felt it did, but it engaged me into the two main characters and made me care for them and like them. The conclusion doesn't matter so much as the journey, and for the characters this is an engaging one. The performances help sell it convincingly, and like everyone says - Lyonne is great throughout. Production-wise, the show looks and sounds great, which helps the energy levels and slickness - it doesn't make the show, but it lubricates it and keeps it moving in the superficial areas, helping the core elements which are more important but harder to do.
It's a lot more "acquired taste" than the critical response would suggest, but even when I could see the weaknesses and shortcomings, I still found it very easy to enjoy.
Take a Look Inside Netflix's "Russian Doll"
Take a Look Inside Netflix's "Russian Doll"
Everyone's talking about "Russian Doll"- is it a Groundhog Day rip-off? An homage? Or is Groundhog Day a genre in itself? We take a look at the newest Hollywood take on a time loop.
Did you know
- TriviaCo-created by Leslye Headland, Natasha Lyonne, and Amy Poehler. According to Lyonne, they pitched it to Netflix as a three-season series.
- GoofsThroughout the second season, the Astor Place subway station interior shown bears little similarity to the real-life version. On the show, the station is narrow and only has a single platform for both uptown and downtown stops. In reality, the uptown & downtown platforms are entirely separate - with a total of four rail lines between them - and the downtown exit has a direct, subway-level entrance into a Wegmans supermarket (originally Wanamaker's, a a department store).
- ConnectionsFeatured in MsMojo: Top 10 Funniest Afterlife Comedies (2019)
- SoundtracksGotta Get Up
Written and performed by Harry Nilsson
Details
- Runtime30 minutes
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
Contribute to this page
Suggest an edit or add missing content